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Our style of play is increasingly based on possession of the ball. It suits me as a forward. We've got an attacking approach, and that means that I get a lot of chances; otherwise, I would have not been able to score so many goals.
Arsenal is a team that, even if they score two or three, people believe that at the end of the day, they might lose or draw. They have to learn to seal off games so that the opposition can't come back when they're one or two-nil up.
No guy on the basketball court is a threat to score with LeBron James out there. Not only will LeBron dominate from the offensive end as well, but he's also doing it on the defensive end, which really makes him the complete package.
I've never seen a player that can dominate a game the way LeBron James can. He don't always have to score. He makes plays for other guys. But when the game is on the line, and you need a shot to be made, he's going to make that play.
Sometimes you surf well and still don't win. It happens to everyone. You learn that one big score doesn't mean much if you don't have a backup. I guess every rookie learns that as time goes by. I took some big lessons from my losses.
I am not as dangerous as I used to be. I am not as effective in the penalty area any more. That is something I have lost and something I have to get back. I used to score better goals, great goals. But something strange has happened.
I think it is just something in my head that tells me to keep believing. Andy Spence, my manager at Everton, wrote me a little card before we came away and wrote at the bottom, 'Just remember, it only takes a second to score a goal.'
Being able to score touchdowns and win games is a way to get a platform. But, ultimately, if that's what you do in your life, and that's what your life is based on, I don't know - I feel like that's a little bit of a meaningless life.
In music, the punctuation is absolutely strict, the bars and rests are absolutely defined. But our punctuation cannot be quite strict, because we have to relate it to the audience. In other words we are continually changing the score.
Basketball is what got me out of the projects. It got my momma the house she never had, the car she never had. Nobody is going to get the best of me. You might score more points than me, but you're going to know you were in a dogfight.
I'm not saying I didn't have ample time to recover, ample time to get to my best, I felt this year I did fine. When I stepped on the field for the national team, I was ready and able to make an impact, to score goals, to create chances.
For the score of 'Black Panther,' the heart and soul came from immersing myself in the rich musical history of the griots in West Africa. I was following these brilliant musicians all over rural Senegal, learning their musical language.
It's always tough to play against teams that bunker or 'park the bus' inside the 18-yard box, but we always try to focus on our game and how we can overcome the obstacles that the game presents to continue to get better and score goals.
People are looking a lot at statistics and all these things, but in the end, I don't really care. If we can win more games than last year where I score less, I will be really happy. And maybe if we can win a few titles, that's the bonus.
After you score 300 runs in one innings, you begin to feel that every innings should be close to this one. Of course, I know that won't happen. But I will be disappointed if I get going well and am unable to convert it into a huge score.
If you do an outside spin with the ball, it's more difficult to control it, so I try to pass it in a way that allows them to take the ball quicker in their path. That way, they may have more of an advantage to score or create themselves.
If you think back to the first sporting event you went to, you don't remember the score, you don't remember a home run, you don't remember a dunk. You remember who you were with. Were you with your mom, your dad, your brother, on a date?
It is common, and encouraged by many journals, for research to be judged by the impact factor of the journal that publishes it. But as a journal's score is an average, it says little about the quality of any individual piece of research.
It was not me failing that I was scared of. It was failing those people back home who believe in you. They only delivered the newspaper once a week where I lived in Oklahoma, and those people lived and died with the box score of my games.
Before you lay a foundation on the cricket field, there should be a solid foundation in your heart and you start building on that. After that as you start playing more and more matches, you learn how to score runs and how to take wickets.
Reading what a good shot is, based on time and score of the game, based on the shot clock, based on my position - there's a lot of things that go into it. It's a lot of things that you think about based on when to shoot it or when not to.
What is basically just an IQ score has roots in education, socioeconomic status, genetics, and environmental factors. Looking at any one of these roots doesn't give you a full picture of the tree, but it does tell you that a tree is there.
When I was little, I carried a book of times tables around everywhere and always tried to get the best score. I like the fact that you don't need any tools, only your head. I also enjoy rules and, with maths, you are either right or wrong.
In 2017, I was able to spend time with my family in Argentina, recharge my batteries, think about what had been achieved - I needed to change something to be better. I managed to score goals, make more assists: that is the important thing.
The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult.
In Spain, everything's more tactical, more technical, with more possession. In Germany, it's more physical; it's about the runs you make, the counterattacks, and the German mentality is unique: whatever the score, you go to the 90th minute.
No matter how old you are, if you're just not an empathetic person, it's a lot easier to concentrate solely on something that is injuring another person to even some score. Hopefully as people grow older, their ability to empathize deepens.
When working with classical musicians, it is important to be clear as possible in the score about what my intentions are. Because there isn't a lot of rehearsal time, especially at the ballet, it's best if everything is written in the score.
When the script was written, it was sent to me with asterisks marking where he felt a song would be appropriate. Before the film was shot, the score was written. I made a demo of it, so they lived with the music as they were making the film.
A high openness score means you're open-minded - you see the world for what it is - whereas a low openness score means you're incredibly closed-minded, and you see the world the way you want to see it, regardless of what is actually going on.
If I were a high school coach, I would put my best players on offense. The best athletes on my team, I would give them the ball and score points. I wouldn't play them on defense. I would play them where they can get the ball and score points.
I had four seasons with Brondby in Denmark and they were crucial, mentally. The first two seasons there, I score nine goals, then nine goals. Then we get a new coach, Alexander Zorniger. A German guy. The next two seasons, I score 20 then 17.
Every time you wanted to do something, you'd hope it would score. You'd keep trying and trying, and all of the sudden, something would come right out of left field, like 'The Wreck of the Edmund Fitzgerald.' No one had any idea about that one.
I remember, playing in college especially, I cried in almost every game I played. I just felt so much stress and pressure that I was letting everyone down if I didn't score a goal or win the game. I carried that weight with me into every game.
You just have to be prepared because in the Premier League, you are not always going to have more than once chance to score. When it comes your way, you have to be ready to take that chance. If you're not calm, you know it might not come again.
I work independently of the director, and to some extent, that's actually a big relief to them. When I come to them in post-production, they're tired and over-budget. What can be better to them than presenting a full score totally gift-wrapped?
I have a good record in shoot-outs. In such moments, I'm always confident of making at least a couple of stops; I always feel the taker is under more strain. Worrying is the kicker's job, as he's expected to score, while I have nothing to lose.
For United, I'm more likely to be left wing of a four-man midfield with only two centre-mids, so it's a bit more difficult for me to maybe make those runs to get in and score those goals when I've got to think about my defensive duties as well.
I don't claim to be a composer, and I realize my approach is pretty dopey in comparison to the true masters of score work. That said, if someone thinks what I do specifically would work for their film, then, of course, let's see what we can do.
Sir Kenneth MacMillan's version of 'Romeo and Juliet' is my favorite full-length ballet, Sergei Prokofiev's breathtaking score a favorite composition of music. As a student of martial arts, I loved drawing my sword in defense of my Capulet kin.
I make a dribble or a simple pass, knowing that if I lose the ball near the area, the opponent can score. I am aware of what I do on the pitch, but I always do it to help the team. That's why, occasionally ,I also boot the ball into the stands.
I think 'Easy Rider' might have been the first time that someone made a film using found music instead of an orchestral score. No one had really used found music in a movie before, except to play on radios or when someone was singing in a scene.
Give me a kiss, and to that kiss a score; Then to that twenty, add a hundred more: A thousand to that hundred: so kiss on, To make that thousand up a million. Treble that million, and when that is done, Let's kiss afresh, as when we first begun.
I'm writing new songs for a Broadway version of Tarzan, which is very interesting. I think what I learned from the Brother Bear score side of things, I've brought into the new Tarzan songs. Thinking outside just guitar, bass, drums and keyboards.
I think positive. I always think we're going to score. Two minutes is a lot of time if you have timeouts and you're throwing every down. You have to make the right decisions. I've always had great receivers, which helps. It's not just me doing it.
There's very little synthesized sound in the 'Arrival' score. There are a couple of synthesized beats in there, but 99 percent of the sounds in there are acoustic in origin and either played or sung by a musician or a singer and recorded in a room.
My wife - an ex journalist and current TV producer - has a rule that she taught me at the start of B3ta. Does the item make you laugh, or does it make you go, 'Oh my God?' If you score on either count, then you have something that is worth sharing.
I shared a dressing room with Alan Shearer. I used to watch the opposition looking at him, and they'd be thinking they need to score more than one because Shearer is going to score, and he scores every game. That psychological advantage is fantastic.
I knew I could play really well in one game, score the winning goal and then, come the next game, I wouldn't play at all or I might come off the bench for the last five minutes. So I was frustrated towards the end of my time at Spurs. I wasn't happy.
I have always thought if there is a game, and there have been a lot of fouls on me, then I have been playing well for the team, so that means we're having a good match. You can win a free-kick when there's a foul, and that's a chance to score a goal.