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My only real hobby is playing music. I write a lot of music on guitar and keyboards and hope one day to make a record or maybe even write the score for a film.
I love to score runs rather than defending or leaving the ball. That is an important aspect of my batting: I don't want to waste balls in any form of the game.
I know I have missed some chances, but that's part of being a striker, and I know it's part of being a striker that when you don't score, people talk about it.
As a finisher, there are few players as composed as Messi. When you can score as many different kinds of goal as he can, you have every reason to be confident.
One of the greatest joys of tennis is having a nice volley and not really keeping score, not really looking at the lines, but just catching up with each other.
Usually, when I see films that don't have any score attached to them, I think they're beautiful. I love just the naked sound of the voice. That's already music.
I'm probably the worst fantasy league player ever. I don't really score that often, and I get booked quite a lot as well - when you get booked, you lose points.
Even the best teams, there are times during the year when you cannot win, and you don't know why. Maybe you are unlucky; you make chances, and you cannot score.
Does film music really matter to the average moviegoer? A great score, after all, can't save a bad film, and a bad score - so it's said - can't sink a good one.
When I joined QPR in March 2010 we were rock bottom and heading for League One. We conceded too many and didn't score enough, which was a recipe for relegation.
When I was little, I was always going to the goal. I've always wanted to score and create something, and I think it's always been within me to play offensively.
I love scoring for the fans, for the team, for myself. That's not to say that I won't pass if I see a teammate in a better scoring position. But I like to score.
I'm a competitor; I'm in here talking - come at me. If you score on me, I'm gonna tap you on your butt. You got the best of me - but you got to do it every time.
I want to score but when you think of the soldiers in Iraq with bullets flying around their heads you realise a penalty isn't something to get too worried about.
Manchester City didn't pay all that money for me because they saw me once on YouTube. They saw me scoring good goals. And I haven't forgotten how to score goals.
Music is something you can't really put in terms like in a sport, like running or football - that you win if you score more. In music, there's nothing like that.
I remember when I was at Chelsea, and Ancellotti used to say, 'Watch a DVD of Inzaghi' - movement in terms of runs in behind and what makes strikers score goals.
My goal is to defend our goal, save shots and not concede goals. But one thing that could happen is to score a goal from my penalty box to the other box directly.
It's always great when a defense is able to create turnovers and score. That's something we missed last year. We'd get some turnovers, but we never scored points.
I think in Phoenix Phoenix is like the run and gun team. We used to do a drill where we'd try to score in the first seven seconds. We used to do that in practice.
Yes, it is always good to contribute, but the most important thing is where we finish on the points table. That is more important to me than how many runs I score.
Of course a striker wants to score as much as possible. It's nice scoring goals. Goals are like an addiction: when you score, you want to keep doing more and more.
I did not think twice when the offer from England came because it was always a professional goal of mine. I want to make history in Watford and score lots of goals.
I definitely want to act, but I also want to score movies, and I have this idea to fuse classical music with other styles that would give it a different perception.
Often, in a tournament, the players that get injured or suffer a lack of form are the guys at the cutting edge, the guys who make the difference or score the goals.
Each game helps me to continue improving, which is what I want. I want to improve in defense, on the ball, score more goals. I never want to get tired of improving.
The Ballon d'Or? It's up to the journalists to vote. I do not go to bed every night thinking about it. I just try to do my best and score as many goals as possible.
For many different reasons, my number one favorite horror movie is 'Halloween II.' I love the way it's shot, and I love the way the synthesizer sounds on the score.
Keep writing, because not only does practice improve skill, it gives you more chances to score on the market. I did that for eight years before making my first sale.
Heading is a skill, and it would be a shame to lose that from the game. There is nothing more dramatic than when you see someone score a diving header, for instance.
Scoring goals comes and goes with time, but the most important thing is that we continue creating chances. The entire team must work, and we then have to score goals.
When you score, it is obviously a great feeling, but to give a great pass is also something special for me. I think it is also very under-rated sometimes, what we do.
When I'm scoring something like a string quartet, it's all notated music, so it's meticulously written in the score, which is very different than doing things by ear.
Generally, you're going into every game with excitement. You know you're going to play forward and not going to defend. You're going to try to create and score goals.
Right now I just finished writing the music for a Rugrats feature film and the third week of September I go to London, and the Orchestra is going to perform the score.
I will say this, - though: If it is true that fusion will put unlimited amounts of energy into our hands, then I'm worried. Our record on this score is extremely poor.
'Phantom of the Opera' started in my little 100-seater converted church in Britain with a stage where we did what we did. But it was the score itself was what made it.
That's AAU ball. That's what you do: 'I want to get out there first and score.' You see it in games during the summer. There are not a lot of great blockouts going on.
My MELD score was pretty high. And the worse you get on that scale, the sooner you get a transplant. It's based on how sick you are. And believe me, I was pretty sick.
Good comedy films, if you listen to the score, the music is not trying to be funny. It's always, in a way, underscoring the tragedy and struggle of the main character.
If someone has your arms around you, I'm not going to sit there and be like, 'OK, this is fine.' I'm going to try to bust out of it and get in position to score a goal.
What I love about film music is the variety. On one movie, you might be asked to do a completely electronic score, and then another might ask you to do orchestral only.
Breakaway goals are fun. When you score a quick one in front of the net, it just happens, but during a breakaway, there's about one or two seconds where you're not sure.
I'm not particularly a football fan, but I live in north London, and I can hear when Arsenal score, and it's fantastically exciting. Down the road you can hear the roar.
What's amazing about 'Game of Thrones' is that it's set in a fantasy world; it's a fantasy story. So I always say that with the score, we're open to do whatever we want.
I tried to score a few films with this composer Brian Reitzell here in L.A. We made a bunch of music we really loved, but we got fired from the film for being too weird.
I've lost fights before where I'm landing more punches and I'm moving away from the guy. So, the way that they score things at the end doesn't seem very consistent to me.
My favorite film score is the one Thomas Bangalter created for 'Irreversible.' The soundtrack absolutely defines the daymare-into-nightmare feeling you get from the film.
I've had three marriages end in disaster. Lynne knew the score when she married me. It was always just a matter of time before she became the fourth ex-Mrs. Peter Sellers.
Brushing up on your short game at the practice area is fine and good, but taking it with you to the golf course - when your score is really on the line - is another story.