I kept arguing that 'love is the most important force, love is the most important force.' So I wanted to show him loving. Sometimes it's dramatic: it means you lay down your life. But sometimes it means making sure someone's trunk is packed and hoping they'll be O.K. at school.

I paid my way through school doing set construction for film and television. I'm a member of Local 44. I was a construction coordinator on 'Beverly Hills 90210' for 4 1/2 years and ran their whole construction program. I did two other pilots as a coordinator for Aaron Spelling.

Reverence is an emotion that we can nurture in our very young children, respect is an attitude that we instill in our children as they become school-agers, and responsibility is an act that we inspire in our children as they grow through the middle years and become adolescents.

But, working with directors whose history is in performance, I feel like there's a different kind of focus, as opposed to directors who are more prone to being really technically proficient or visual. I feel like there are two schools of both, and a director needs to have both.

I guess it's a bit like not claiming your brother at school. This kind of disowning of the thing that you're most like. You want to be something cool, like Michael Jackson say, with a boom box over your shoulder and wearing leather. But you know deep down you're just a hayseed.

There's no publicist, no advertisements, and no one's pushing us. If people are buying our records, it's because big brothers and sisters or friends at school told them they should check us out or gave them a record. It feels like a more heartfelt way for things to move around.

When I started acting, my mom said, "If you want to go to film school and eventually direct, being on set is probably the best film school in the world." I'm incredibly grateful for the career I've had, but I was an actor to be a part of movies and TV, not the other way around.

I had to learn all the pieces backward and forward [to play it in "Florence Foster Jenkins"]. We practiced on weekends. It was very much like being in school, except it was with Meryl Streep. Like, I would go to her apartment and we would practice Mozart's "Queen of the Night."

Usually the bullies are the most insecure. I was bullied and it's hard, you feel like high schools never going to be over. Its four years of your life and you just have to remember the person picking on you has their own problems and their own issues. And you're going to be ok.

When everyone at school is speaking one language, and a lot of your classmates' parents also speak it, and you go home and see that your community is different -there is a sense of shame attached to that. It really takes growing up to treasure the specialness of being different.

Kerry James Marshall especially was a huge influence on me in graduate school, as were Wangechi Mutu and Julie Mehretu. These artists are titans. My education was also very much in comic books, so I've been going to comic book events in New York and have met a few artists there.

Since growth is the characteristic of life, education is all one with growing; it has no end beyond itself. The criterion of the value of school education is the extent in which it creates a desire for continuous growth and supplies means for making the desire effective in fact.

I was part of the first generation of girls and women to be educated and go to grammar school even if we didn't have much money. Then that generation went, 'OK, great', and went into medicine or the police, and hit this wall of discrimination from older men who hadn't caught up.

The Obama administration doesn't see schools as a public good. It doesn't see schools as places where basically we can educate students in a way to take democracy seriously and to be able to fight for it. It sees them as basically kids who should be part of the global workforce.

We, Americans, have the best country on the planet. We have schools, universities, food, water, energy, peaceful neighbors, low corruption, you name it, deepest and widest capital markets. That doesn't mean we shouldn't identify problems. We don't have a divine right to success.

I bring up the (Trump University) lawsuit, because it is a lawsuit I am going to win. ... I have thousands of students who loved the school and I've been treated very unfairly in that lawsuit. I don't care if a judge is Mexican or what. What I care about is to be treated fairly.

Jamie Oliver's lunch is soup, half a papaya with lime, ciabatta with mozzarella and prosciutto. The dear boy is not sharing the same planet as the rest of us. Is this lunacy supposed to be a practical suggestion for a harassed housewife trying to drag her children off to school?

Our quarterbacks were getting hurt; a couple got kicked out of school. The coach asked who wanted to try out for QB. I went and tried out, and from there on, I was a quarterback. I was ineligible in 10th grade until spring, so I did baseball. I started in left field and pitched.

The basis of my confidence is that I wasn't a talented player. I was a talented human being. At school, I always had good figures. I was the captain of all my football teams. I studied physical education at the Academy, so I learned to analyse, to observe, and to take decisions.

If I reformed school, I would do two things: We can improve a child's IQ by three percent by teaching them a foreign language by seven-years-old. We shouldn't be waiting until high school when they are neurologically not ready to learn it. Second, we emphasize reading too young.

If you're ever feeling a lack of middle-aged white men, just pop into the Capitol. Not so much the House of Representatives, which has a bit more color and texture, but the Senate -- jeez. Yes, let's have more testosterone running the country. Maximum Ride, School's Out--Forever

[On School Uniforms] Don't these schools do enough damage making all these kids think alike, now they have to make them look alike too? It's not a new idea, either. I first saw it in old newsreels from the 1930s, but it was hard to understand because the narration was in German.

I remember getting out of grad school and coming to New York and not wanting to get a teaching job because I wanted to work on my own, to develop my own ideas. There isn't that time now. Artists are exhibiting while they are still in grad school. There isn't that safety cushion.

I think Buffy was a grown-up. One of the amazing things about the show was that I was able to grow with her. Yes, she started in high school, and then she went to college, and then essentially she was a mother to all the other Slayers, so I always felt like Buffy was a grown-up.

I grew up in a household that was a labor household. My dad was a Teamster and a milk truck driver. My mother was a secretary. Neither of them got through high school. But they worked hard and they gave me very, very important opportunities to go to school, get a good education.

Secular schools can never be tolerated because such a school has no religious instruction and a general moral instruction without a religious foundation is built on air; consequently, all character training and religion must be derived from faith . . . We need believing people.

The association of Mount Ararat and Noah, the staunch Christians who were massacred periodically by the Mohammedan Turks, and the Sunday School collections over fifty years for alleviating their miseries-all cumulate to impress the name Armenia on the front of the American mind.

School, I never truly got the knack of. I could never focus on things I didn't want to learn. Math is just the worst. To this day, I can't concentrate on it. People always say, 'You should have tried harder.' But actually, I cheated a lot because I could not sit and do homework.

My whole thing is having the perfect balance. Let's say I go to school. I have a day at school. That's the perfect amount of reality. Then I go and play music with my band. Then I go home and hang out with my family and my pets. I think that's the perfect amount of reality time.

I majored in English in college and that was my major in graduate school before switching to creative writing. I read a lot of [Charles] Dickens and [Anthony ] Trollope, but there was lots of stuff I hadn't read like Thackeray's "Vanity Fair," which is so well written and funny.

I developed slight body dysmorphia - when I would break out, I couldn't look at myself in the mirror for a couple of months at a time. I remember doing my makeup before school in the dark, which is an awful idea, but it's because I didn't want to see myself in that bright light.

When we leave our child in nursery school for the first time, it won't be just our child's feelings about separation that we will have to cope with, but our own feelings as well-from our present and from our past, parents are extra vulnerable to new tremors from old earthquakes.

I have the best friends in the world. I miss my friends, I miss my family but they always come out and visit me. I went to boarding school in the country so there's no real differentiation between family and friends. I went there from when I was 8 until I was 17 - it was insane.

A new biography came out that says that in high school Obama was a huge pothead … Mitt Romney had to respond to this and said, ‘It is appalling that Obama spent his teenage years goofing around and smoking pot when he should have been pinning down gay kids and cutting their hair.

On the first day of school, you got to be real careful where you sit. You walk into the classroom and just plunk your stuff down on any old desk, and the next thing you know the teacher is saying, 'I hope you all like where you're sitting, because these are your permanent seats.'

When people condemn me for designing iconic buildings in cities and not having an idea what a city is, they haven't done their homework. I started in urban design and city planning. It's just that when I got out of school there wasn't much of a market for that. There still isn't.

She looked around herself, disoriented, like she’d forgotten we were at lunch. Like she’d forgotten we were even at school-surprised that we were not alone in some private place. I understood that feeling exactly. It was hard to remember the rest of the world when I was with her.

I went to Northwestern because I had gone to a really nontraditional high school. I was like, 'It'd be cool to have a traditional college experience.' Then I was like, 'Oh, but none of these people understand what's cool about me. My specialness is not appreciated in this place.'

There are different types of talents and intelligences, and traditional schools sometimes ignore the creative ones. It is important for us to give kids every platform for them to find what they are good at and what they love. The arts also provide a space for newfound creativity.

About 13-14 years ago, I went back to my alma mater, Fairfax High School, and ran into the music teacher. She invited me to come speak to the kids about the viability of a music career. When I went into the room where I used to play every day in a big orchestra, they had nothing!

The refusal to belong to any school of thought, the repudiation of the adequacy of any body of beliefs whatever, and especially of systems, and a marked dissatisfaction with traditional philosophy as superficial, academic, and remote from life-that is the heart of existentialism.

I have always accepted and respected all other schools of architecture, from the chill and elemental structures of Mies van der Rohe to the imagination and delirium of Gaudi. I must design what pleases me in a way that is naturally linked to my roots and the country of my origin.

oh, my God," I whispered. "But how did they get my photo? Alex tapped his mouth with his thumb. "That ...book with everyone's picture in it, that you have in high school." "Yearbook," I said. Was he trying to be funny? But of course he was right; that's exactly where it was from.

I grew up in England at a time when England was winning Nobel Prizes right and left. I mean it was amazing how many Nobel Prizes England was winning in chemistry and physics and biology and all the sciences and at that time the teaching of science in the schools was really lousy.

I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.

I wasn't allowed to watch MTV before school, but somehow I managed to, when I was five or six and Fiona Apple's video for "Criminal" came on. She was so odd and dark, and I immediately felt some kind of connection with her. She was also the first person I admired for their looks.

My mother always told me that came first. I started modeling in 11th grade and it was something that I did after school and on the weekends. School is so important and modeling should be treated as an extracurricular activity as opposed to a career until you graduate high school.

I don't believe in colleges and universities. I believe in libraries because most students don't have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn't go to college, so I went to the library three days a week for 10 years.

I was being ridiculed for going to school... But, you see, I had looked hard at the other musicians and the whole show-business scene... They were doing with jazz musicians what they usually reserved for rock n' roll cats: making them overnight successes, then overnight antiques.

Practice habits were crucial to my development in basketball. I didn't play against the toughest competition in high school, but one reason I was able to do well in college was that I mastered the fundamentals. You've got to have them down before you can even think about playing.

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