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Only the Punjabi music industry has stood the test of time. Bollywood has finished the regional music industry of other languages, but the Punjabi music scene is still flourishing.
The more composed scenes are like elevator music compared to some of the more dynamic styles of music. One is not better than the other. They both deserve their spots in the world.
There's art on the show that's really bad - these cliché Abstract Expressionist gestural things. It's almost like extensions of my performance, because in the scene I'm really mad.
I don't feel comfortable with violence, and I'm not sure that I film violent scenes properly, and it's something I'm reticent to do, and yet violence is sort of in all of my films.
A lot of actors are just like la la la - they're never really connected and then they're in the scene and then boom. They're looking you in the eyes and they're just really focused.
The inconvenience, the glaring lights, the long hours of waiting, and the repetition of every scene are all calculated to defeat anything more than a real mastery of love technique.
Doing that hunt scene was really quite demanding. I actually broke a rib during that scene. And then all the scenes after that became quite challenging, just breathing and laughing.
Yes, and there were changes of light on landscapes and changes of direction of the wind and the force of the wind and weather. That whole scene is too important in Homer to neglect.
Well we took it apart scene by scene. We examined every sentence, every full stop, every comma. He has a most wonderful eye for detail, Roman, and you know, he's a very good artist.
I worked in a coffee shop called Buzz Cafe in Oak Park. I started when I was 14 or 15, washing dishes, and then I became a barista and sometimes waited tables. It was an artsy scene.
The history of Christianity, therefore, must be of concern to all who are interested in the record of man and particularly to all who seek to understand the contemporary human scene.
It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it.
I feel that the thing that probably aided me the most in that scene with the dog was the utilization and using an actual recreation, affective memory, if you want to call it, of pain.
If you had told me when I was starting out that I would be coming down to Nashville, kind of weaving in and out of the country scene, I never would've thought that in a million years.
I take the fact that films cost a lot of money very seriously, but once in a while to have somebody say, This is a big scene, take your time with it, is important. That's John Sayles.
The only man who could make a love scene comfortable was Clark Gable. He was born graceful, he knew what to do with his feet and when he took hold of you, there was no fooling around.
I had to be sick for a scene in the first season, and we used some fruit smoothies with little banana chunks. I had to put it in my mouth and spit it out. It was absolutely delicious.
There are a lot of times that if a detail in a scene or a beat, feels unnatural, they'll allow me to explore another direction to go until we're all comfortable with what we are doing.
You don't have to like an actor to do a scene with him. You don't have to like a director. But it's just better if you do. And I think, you know, you've got to begin that with respect.
Also, there are seats in the diner that always fall off the table. If you have a scene where you're packing up at the end of the day and putting them on the table, they just slide off.
I'm still a little girl in Hawaii, I have the same friends I had when I was a kid who love me for who I am - not what I do. I never got caught up in the club scene or took wrong roads.
As a model you have to convey something with one look - and actors will have a scene and they can sort of do it, but models have to convey what photographers want. It's a bit of an art.
I remember my dad turning to me - my dad loves to turn to me and explain why things are funny. He used to do that with Seinfeld all the time. He did it with Colombo, too, set the scene.
That's a rule in the business. No tongue. You can't really get into it, otherwise, it's weird. I think that particular scene made his (Adam Brody) girlfriend jealous. There were issues.
Love scenes, if genuine, are indescribable; for to those who have enacted them the most elaborate description seems tame, and to those who have not, the simplest picture seems overdone.
New York was the last place that my movies caught on. I didn't make underground movies in New York, and in the 1960s, they were very snobby about that, because the whole scene was here.
When I watch a movie I don't really care too much about the plot - not that it isn't important, but what I remember is the visual imagery, something that happens in an individual scene.
I don't like to direct the actors by telling them what to do. If anything, it's reminding them where they are in the movie, what's happening emotionally and what they want in the scene.
You're just looking for the thing that makes this scene sort of imperative, why you have to know what changes by the end of the scene so you're really looking to find the essence of it.
I didn't feel like going any further in this scene with the boy. He was not a professional actor, and if I had pushed the scene any further it would have destroyed the tone of the movie.
Verbal representations of such places or scenes may, or may not, have the merit of accuracy; but photographic presentments of them will be accepted by posterity with an undoubting faith.
When the movie's done, you talk about either the score or source music over a particular scene, what might work. You just throw a piece of music over the scene, and we both listen to it.
I came to the big city and I started to get involved in the punk scene and stuff, and I wanted to sort of brand myself. I made a pretty conscious effort to be a different type of person.
When a person who is very ill decides to treat it like a slight virus, you play that game. If you make a big scene, I think it is yourself you are doing it for, not the person who's ill.
I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.
It is very disappointing to see the Punjabi music scene of today. The lyrical quality has deteriorated; it is only people like Sartaaj and Gurdas Maan Ji who are sticking to their roots.
In 'Reggaeton' in particular, I get the opportunity to show my range as an actor. I have scenes where I cry and a love scene. I think people may be pleasantly surprised at what they see.
I don't feel like you can fully find the true character until you're in his wardrobe, on set, and really getting into the scene. And that's when you really find out who your character is.
To some extent at that time, we injected rock and roll into that scene- we played loud and that was a huge turning point for that scene. We were involved in playing with all those people.
When Robert Benton was doing the movie 'In the Still of the Night,' I'd choreographed the auction scene and supplied the paintings and had a bit part - I was bidding against Meryl Streep.
Ryan Reynolds and I can be doing a scene facing the camera and somehow our back and forth and our rhythm, we know when to stop and when to volley, when to make the sound. It's like music.
I was through as a manager. I did become involved late in the 1968 campaign at the national scene at the last minute. But I was through as a manager, and I've stayed through, incidentally.
Whereas there's a wealth of galleries in Australia, everyone's got a gallery in Australia or wants your work. Because the art scene is smaller in Indonesia, there's not so much competition.
If you got the DVD you can see that George Lucas has taken that person out, as well as the voice, and we shot this scene when we arrived in Australia during the actual filming of Episode 3.
The whiskey died away in time and was renewed and died again, but the street ran on. From that night the thousand streets ran as one street, with imperceptible corners and changes of scene.
The memory of that scene for me is like a frame of film forever frozen at that moment: the red carpet, the green lawn, the white house, the leaden sky. The new president and his first lady.
I'm such a private person, and sexuality is such a private thing. A sex scene is much harder than a fight scene. It's one thing to say, 'Kick higher,' but 'Kiss harder' - that's just crazy.
I think that the world is full of really, really good musicians, but that's not necessarily my motivation for having people involved. It's more how they contribute to the scene as a person.
Barry Levinson saw me on a tape and put me in 'Rain Man' as the waitress who dropped the toothpicks. The scene was talked about a lot. Then, all of a sudden, I started to get more auditions.
There's the truth to every moment that you have to bring to every scene, but you have to understand the tonality of the film before you begin, which isn't something that's instinctual to me.