Quotes of All Topics . Occasions . Authors
I am happy with my role in 'Taxiwala.' It gave me a chance to do a character that was fun. I didn't have to agonize over every scene.
It's only my second Masters, and I definitely jumped into that scene a little faster than I thought I would, to be completely honest.
New York feels like the whole city is into dance music. That's not how it felt when I was younger. There was more of a hipster scene.
The blossom is blighted, the leaf is withered, the God of day goes down upon the dreary scene, and in short you are for ever floored.
The great thing about the electronic music scene is that everybody can be part of it either by dancing, DJing, or organizing a party.
Going out is such a hassle. The singles club scene where you sit down, talk, get to know each other, hang out-it's such a big ordeal.
I hate when there's a deleted scene on a DVD with no explanation, or you have to go out of your way to find an alternate audio track.
The physical life of the scene is determined by whether the set squeezes people together or whether the set has an escape place in it.
Most of the pathetic scenes in almost everybody's life are scenes unnoted by anyone and totally disregarded by the person in question.
Where is this Hollywood scene, where is it? I'd like to find it one day... If I want to go out and have a good time, I go to New York.
Rehearsing is more about blocking in the case of movies, I think, and blocking, of course, is very important to the beauty of a scene.
When I'm actually assembling a scene, I assemble it as a silent movie. Even if it's a dialog scene, I lip read what people are saying.
Physical courage in whatever scene ... seems to hinge on whether the individual can feel he is fighting for others as well as himself.
There was a scene early on during the first season of Roswell and I broke down crying. Since then, I've always just been able to do it.
Real art is basic emotion. If a scene is handled with simplicity - and I don't mean simple - it'll be good, and the public will know it.
To meet the demands of the fast-changing competitive scene, we must simply learn to love change as much as we have hated it in the past.
All of my scenes were with Jason Isaacs. I could definitely see myself going on an adventure with him, and learning as an actor from him.
Working on a film, the setup for an action sequence takes a long time, and we need to shoot the scene many times to get different angles.
My dad became a soap opera actor, and I was an extra in a skating rink scene on the soap. I didn't audition. It was nepotism all the way.
I try to use all of my senses when describing a setting, and try to think of everything that would impact a character in any given scene.
Earlier, I used to try to act, but now I just react naturally. I feel the scene and then do it. Emotions, feelings just flow in naturally.
I must confess I knew very little about the trance scene, I'm more house and commercial dance but it was really interesting and different.
Movies have to handle time very efficiently. They're about stringing scenes together in the present. Novels aren't necessarily about that.
My eyes don't work, at least not fully, because they are blocked by disease. The scene around me appears through a kind of curtain, a haze.
I wanted to watch the women interacting with [Warren Beatty], which takes he chose, and how the actresses were reacting in scenes with him.
It is vain to speak of approaching judgment when finding our place, our portion, and our enjoyment in the very scene which is to be judged.
Any time you get two people in a room who disagree about anything, the time of day, there is a scene to be written. That's what I look for.
I thought the grunge scene was cool. This is going to sound weird, but I remember doing a concert at a tavern in the mid-'80s with Nirvana.
If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer.
I was more feminine. I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene.
We pass now quickly from each other's sight; but I know full well that where beyond these passing scenes you shall be, there will be Heaven.
I went through a clubbing phase - then, I dunno, dude. The club scene in Jakarta sucks. It's rich kids and kids who are trying to look rich.
There were dozens of dating apps when Bumble came on the scene, but they weren't able to attract critical mass in a young professional group.
It's quite nice coming off doing a dark, upsetting scene. It's a relief that that's over with, and then you can get back to happy old Sophie.
We were the ones on scene when everything went down. We weren't better. We weren't worse. We were just the ones standing in the blast radius.
I'm Sudafed-ed up, but it's alright because I'm having to do this rather sultry scene, so maybe it's OK that my voice is three octaves lower.
There's no point in swanning through and being cool as a breeze in every scene. It's not really that interesting. Even if you're a superhero.
They hadn't much faith in travel, nor a great belief in a change of scene as a panacea for spiritual ills; they were simply glad to be going.
I was sad that Corpse Bride was so short. I would've liked to have had her around for way longer. She doesn't actually have that many scenes.
You need to understand the meaning of the dialogue to be able to convey it right. You need to know it to understand the nuances of the scene.
I've done quite a lot of dying on shows and in movies. To have a good death scene though - come on, it's brilliant. I love a good death scene!
It's possible that I've matured as a writer, and I hope I've matured emotionally, but I always find myself revisiting these adolescent scenes.
I'm sure every film it's going to be like, 'Okay, this is the scene where your shirt gets ripped off.' I'll never be able to keep my shirt on.
The opening scene in A New Hope, when you see the huge ship, it goes on, and on, and on, and on, and on... that is like a joke of awesomeness.
My focus is on the rhythmic relationship between body and ground and the visual relationships among the elements of the always-changing scene.
Just call me a family man and an actor who digs his whole scene, side interests and all. Just say I feel mighty good at the ripe old age of 27.
When it comes time to make the scenes concrete and shoot them, I want the freedom for it to exist which means adding, subtracting or modifying.
I don't do the L.A. scene. I stay focused and very myopic. I don't feel I need to prove myself or be in people's faces, especially in this town.
[Deadpool] is definitely squirm-inducing. It's a pretty hard R, violence-wise. But cartoony, also. Maybe fast-forward through to torture scenes.
If a comic comes out on the scene and it's really knock-out brilliant, the community is pretty good about getting the word about good newcomers.