Quotes of All Topics . Occasions . Authors
Once the state has been founded, there can no longer be any heroes. They come on the scene only in uncivilized conditions.
Whenever there's a nude scene, it's always uneasy. You're not in the comfort of your own home with your significant other.
We were at the dark end of the L.A. punk scene, and that scene was full-on and violent and aggressive and wild and intense.
I've never wanted to be part of an inner circle of any scene. I've always been an outsider looking to question and subvert.
I've always felt that the basic unit of writing fiction is the sentence, and the basic unit of the screenplay is the scene.
I like writing sentences. It's tactile and exciting. Whereas working at the level of the scene is a more cerebral pleasure.
I'm not really into gothic music, it's not really my type of scene but each to their own. I listen to pretty much anything.
I really spend as long as I can sketching everything out and working on the structure before I sit down to type out scenes.
It was fun. I'd never done anything like that. I'd never done any bi-sexual or lesbian scenes before, but it was really fun.
The music scene in Michigan is really folky and bluegrass, but my parents played a lot of disco. They really liked to dance.
As an actor, I've been taught to just stay with your scene partner, and whatever they do, let it affect you, be spontaneous.
I quite like it when you're working with people and you only get to know them through the scenes that you're doing together.
There always should be something hanging unfinished before a scene ends so that there's a reason for going to the next scene.
When you're around the whole Dead scene, they're there as a tribal thing; they're there as part of a rendezvous and a pow-wow.
What's powerful about a love scene is not seeing the act. It's seeing the passion, the need, the desire, the caring, the fear.
In a perfect world, the entertainment and media industry and the content on our screens would reflect the true American scene.
I was nervous and hesitant about putting myself out there for the pie scene. But I went for it and the results were wonderful.
You can put a dog in a scene and everyone's going to be better, I guarantee it. And if they're not better, just shoot the dog.
Any time a writer thinks he has all the answers to how someone should talk or react or end a scene, it's a spontaneity-killer.
The battlefield is a scene of constant chaos. The winner will be the one who controls that chaos, both his own and the enemies.
A man descending is propelled by inertia; the only initiative left him is whether or not he decides to enjoy the passing scene.
When youre in that scene, you really wonder if this is all youre ever going to be. You know how vile and filthy you are inside.
I'm bad in front of the camera. However, if someone gave me a small role in a film with two dialogues and one scene, I'd do it.
In reference to the murder scene in 'Dial M for murder' As you have seen on the screen the best way to do it is with a scissor.
I wish BTS could set up a model for k-pop with the best music and content so we have a positive impact on the U.S. music scene.
I just can't believe that anyone would start a band just to make the scene and be cool and have chicks. I just can't believe it.
I love the U.K. folk scene. In the States, nobody knows what to do with me. There's still a very narrow definition of Americana.
It's a terrifying feeling when you have to do multiple takes of a tricky scene because the focus puller cant keep a sharp image.
When I was a teenager, you were either a punk, a skinhead or a mod, or you weren't on the scene. Me and my mates were skinheads.
I never know when the seeds are being laid, I'm just like, "Wow, that's a pretty cool scene. Is that? Are we laying seeds here?"
When you're in that scene, you really wonder if this is all you're ever going to be. You know how vile and filthy you are inside.
I'm always doing what I can to look for and just feel out funny things that are happening in the scene and improvise off of them.
I love any scene where there's a physical confrontation. It reminds me that I'm in show business and I play pretend for a living.
I can't tell you how much we laughed on the set to have Alec Guinness in a scene with a big, furry dog that's flying a space ship.
Eternity! thou pleasing dreadful thought! Through what variety of untried being, Through what new scenes and changes must we pass!
When I was an art student in the early 60's before the acid scene began I was smoking pot just like anyone else who was an artist.
When we are in our dorms, we watch romance movies and dramas. When a romantic scene comes on, we hold on to each other and scream.
I've made humanitarian causes and my children much more my priority than the Hollywood scene, being liked and getting movie parts.
In the past I've worked with directors who saw very much their scene in their head and knew exactly how they were going to cut it.
When you are working hard, you don't have time for anything other than what you are doing in the scene and what the director wants.
This is the place. Stand still, my steed,- Let me review the scene, And summon from the shadowy past The forms that once have been.
I have to see the whole scene in my head before I go out and do it. Which I do. I will envision the entire scene before I shoot it.
A filmmaker doesn't have to suffer to show suffering. You just have to understand it. You don't have to die to shoot a death scene.
I have "come back" [to music scene] so many times, people are just like, Is this another one?... It's kind of like a joke to me now.
Hackman is able to live in the moment which means there is nothing for him at that split second than what is occurring in the scene.
When I first hit the scene, it was just a lot of go, go, go, go, go. I have a lot of natural energy anyway, but it was over the top.
I think it's great to see that there is such a connection to film music and the way people react or connect to a character or scene.
I don't get very involved in the L.A. scene. When you do get invited out, you are expected to be on all the time. It's just wearying.
If you get an impulse in a scene, no matter how wrong it seems, follow the impulse. It might be something and if it ain't - take two!
John Cusack is a dream. I did one one-on-one scene with him and we got to shoot it so many times, and he did it different every time.