I think, if I'm doing my job correctly, I'm presenting a scenario for you as the reader to engage with on your own. I mean, that's what the best art is supposed to do. It's not supposed to be political. I think if you read all my books, you know where I stand, pretty much.

I can't speak for everyone, but I know that I definitely don't want to be a consistent plastic surgery, cosmetic kind of scenario. I don't like going to the hospital. I don't want to put myself through pain. So I'm very limited; I know what I need, and then I call it a day.

It remains to be seen whether the more optimistic scenario for Sino-American relations can be realised. Much rests on the shoulders of the two leaders: Obama on this score has so far been disappointing; the early signs are that Xi is a highly confident leader who thinks big.

There's no really rosy scenario ahead, where climate change just doesn't happen, but I believe we don't have the ethical right to throw our hands up in the air and say, 'Game over.' Whatever pathway we choose, our descendants will be dealing with that reality for centuries to come.

If Iran and North Korea, by some horrible, devilish, nightmarish scenario, got together and went to war at the same time, one against Saudi Arabia and one against South Korea, I don't know what we would do about that. I don't know that we could stop them short of using nuclear weapons.

I think the really cool and compelling thing about math and physics is that it opens up entry to all these hypotheticals - or at least, it gives you the language to talk about them. But at the same time, if a scenario is completely disconnected from reality, it's not all that interesting.

My experience is that if the military didn't want to use force and was confronted with a president that did, the military would come back with what I would call the 'bomb Moscow' scenario. They would say it had to be done with conditions that were so extreme, you obviously wouldn't do it.

While a lot of management development books try to teach you a lesson or give you a scenario of what corporate culture and work practices are about, they're theoretical and written in a sermonizing way. Most people don't get past the first chapter, and they just look nice on the bookshelf.

Migration is as natural as breathing, as eating, as sleeping. It is part of life, part of nature. So we have to find a way of establishing a proper kind of scenario for modern migration to exist. And when I say 'we,' I mean the world. We need to find ways of making that migration not forced.

I think about everything first. I think about the scenario: the story and the characters, what I'm trying to say and I'll think about that for a couple of days until it's all locked in and then when I get to an instrument it'll just fall out. But the song's kind of all ready there in my head.

The world domination plan goal is that I would love Veronica Mars to become a brand like Sherlock Holmes is a brand, like Nancy Drew, in a way, is a brand. When people start listing who are the great fictional detectives, I want Veronica Mars to make that list. That would be the dream scenario.

We are told that the trouble with modern man is that he has been trying to detach himself from nature... In this scenario, Man comes on as a stupendous lethal force, and the Earth is pictured as something delicate, like rising bubbles at the surface of a country pond, or flights of fragile birds.

For me, it's always been a financial kind of scenario. I was actually the first one who signed the 'exclusive to Ring of Honor' contract. I was the first guy who ever signed one of those contracts. That was tough for me because I had no one to talk to. I had no examples to go on. I was the guinea pig.

Kim Kardashian's marriage to Kris Humphries famously lasted 72 days, and was reported in the tabloids as being all about the big bucks paid by magazines for the bridal photos: it is a spectacle of a bride-to-be as entrepreneur, not as romantic heroine; the groom, in this scenario, is nothing but a prop.

When you have a nightmare, you think, 'What caused this?' And then you can sometimes get the same scenario two or three nights, back to back. Or something really bad happens, and you feel absolutely sad and do not want it to be real. You don't want to fall asleep and get sucked back into that same dream.

If I wasn't acting, I would own a farm. Not like growing crops but maybe have a few animals like cows, and maybe an alpaca or a llama. I would chop wood all day. I would make a living doing that; it's, like, an idealistic scenario for me. It's very contrary to my upbringing, but maybe that's the appeal to it.

I have been doing technology foresight for a number of years now on the level of scenario design, primarily. I want to become more rigorous with research methodology and statistical methods. I want to shift from creating clever SF scenarios to being a professional forecaster able to make rigorous predictions.

I have a lot of cop friends that I'm close with and we talk about these things. I always ask them, 'In this situation and in this scenario, what would you have done or what should've happened?' If a guy doesn't have a weapon or doesn't seem like he has a weapon, drawing your weapon should never be the answer.

If I wanted to develop a scenario to destroy America, I would do what the Republicans are doing. Take the brightest and best young black men off the streets, put them in jail, make them meaner than hell for 8 or 10 years and then turn them lose in a society where there are plenty of guns for them to play with.

You can draw inspiration from anything. If you're a good storyteller, you can take a dirty look somebody gives you, or if a guy you used to have flirtations with starts dating a new girl, or somebody you're casually talking to says something that makes you so mad - you can create an entire scenario around that.

I remember when being a 'a company man' was a badge of honor; today in Silicon Valley it may brand you a loser or, in the best case scenario, someone afraid to take risks. Ten years ago, if you saw a resume that had multiple jobs in ten years, you would be worried about the capability of the individual. Not so now.

Being in a scenario where you're thinking, 'I can't do what I want to do due to the financial burden that comes with some of it,' makes you think, 'Well, I could go and do an after-dinner speech every night.' I'd probably earn more than I could in track-and-field. But that's a dangerous scenario to get yourself into.

The far more likely Trump scenario is this: Chinese leaders realize they no longer have a weak leader in the White House; China ceases its unfair trade practices. America's massive trade deficit with China comes peacefully and prosperously back into balance, and both the U.S. and Chinese economies benefit from trade.

I'm glad people think that I can do well. I always say I would rather that be the scenario than on the other end of it saying, 'We thought she'd be real crappy.' I'll take the side that I'm on. I'll take that people think that I'm going to do well; they have faith in me and believe in me, and that makes me feel stronger.

The African Americans' story is one that seems to be a repeated commitment to a scenario for success and failure. With each failure, the blow is that much more traumatizing until finally one reaches a point where there is to some degree an internalization, skepticism, fatalism, and expectation that it isn't going to work.

I try desperately to try and figure out how they'd react to different scenarios. That's part of what the DM's job is: to try and know their players well enough to where they can build encounters, challenges, and be like, 'I think they would do this in this scenario, so I will go ahead and prepare a few options based on this.'

I love Jonathan Adler but more importantly I love throws. To clarify, a throw is not to be confused with a blanket. A blanket is to be slept under, a throw is to accent a chair or sofa and give the illusion that in some scenario someone might rest underneath it. In reality, this scenario does not exist and I never want it to.

I always wanted to have a scenario where the guy didn't have my number, but I had his. What if women make the first move, send the first message? And if they don't, the match disappears after 24 hours, like in Cinderella, the pumpkin and the carriage? It'd be symbolic of a Sadie Hawkins dance - going after it, girls ask first.

When I started coming to the U.S., they were offering me only the typical stereotypical roles: the druggard, the criminal, the gang member, or in the best-case scenario, the gardener or the cook. I was fed up with all these roles that were always the same. And I promised I would try to change the image of Latinos in Hollywood.

When you see a struggle that you may be having personally put on a big screen and in a roomful of people, then it makes you feel less crazy or alone, because you're seeing that other people are dealing with it too. You get to see in this imaginary scenario how people might try and answer some questions or deal with some problems.

In the 2000 presidential election, Al Gore got more votes than George W. Bush, but still lost the election. The Supreme Court's ruling in Florida gave Bush that pivotal state, and doomed Gore to lose the Electoral College. That odd scenario - where the candidate with the most votes loses - has happened three times in U.S. history.

New video gaming systems are coming out that track every joint of your body. It's basically going to become a normal thing for us to allow Microsoft to put a three-dimensional camera on top of your television set looking at you, which sounds like a Big Brother scenario if ever I heard one, but, still, it's what we're going to allow.

Sci-Fi is the genre that explored both possibilities: the end of our existential crisis and the end of our existence. My novel, 'The 5th Wave,' explores the latter scenario, because, frankly, I believe it represents the likeliest outcome of an extraterrestrial encounter. In short, if they're out there, we better hope they never find us.

I was the assistant to the editor-in-chief of 'Esquire Magazine.' And my experience as an assistant was really best case scenario. My boss was absolutely the greatest boss I could have asked for. But I think there's something universal about being an assistant, regardless of whether or not your boss is the greatest or a complete terror.

I think that storytelling, at its essence, allows us to feel like we all suffer the same insanity or a similar insanity of existence: that nobody escapes scot-free. We're all going to wind up - at the best-case scenario - 80, 85, 90, broken, in pain, and feeling like it was all a dream and not really understanding the point of any of it.

'12 Years A Slave' is a film that is beautifully shot, wonderfully acted, and told in a compelling manner. However, there are some questions, in my opinion, as to its importance. Paramount among those questions is, What does this scenario illustrate that we didn't know or haven't seen before? And why does such a film garner such popularity?

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