Quotes of All Topics . Occasions . Authors
My daughter has probably gotten some benefit of being inspired by a woman who is willing to take on things. We travel. We travel to exotic places. I'm the first person to jump in the ocean with a whale. Even if I'm scared, I'll do it anyway, because I never wanted her to see fear, especially when she was younger.
I remembered being young in the late '70s and early '80s and growing up at the height of the Cold War. I remembered how scared I was of nuclear weapons, how often I though about them and about the possibility of everything and everyone I knew vanishing in a second in temperatures hotter than the centre of the sun.
In all the difficult decisions that I made through the course of running Loudcloud and Opsware, I never once felt brave. In fact, I often felt scared to death. I never lost those feelings, but after much practice, I learned to ignore them. That learning process might also be called the courage development process.
I was lucky. A lot of people have that. People that don't tell you what you want to hear, but what's best for you. I was blessed with great friends. I was always blessed that way. My dad always kept good people around me. I just got lucky. Because of the spotlight you're in, people are scared to tell you otherwise.
I love New York. I first came here with my Mom when I was in 9th grade. I took the subway for the first time and the doors closed between me and my Mom, and I was so scared. I could see her through the window and I didn't know what to do. I got off at the next stop and she caught up to me, but I couldn't stop crying.
Audiences have grown to equate being startled with being scared, and will complain that a movie 'isn't scary enough' if it doesn't have enough jump scares... so that means that a lot of studios will insist on shoving jump scares into a movie, regardless of character or story structure, thinking it 'makes it scarier.'
Anywhere from 40% to 60% of people, when they're given a requisition by a doctor to go get tested, don't, because they're scared of needles or the locations are inconvenient or the cost is too high. And if you're not even getting tested, how is it possible that we're going to move toward an era of preventive medicine?
Our information network is much better protected than our railroad network, and someone who cracks a system is able to cause far less human damage than someone who derails a train. Why, then, has 'computer crime' caused so much hysteria? Perhaps because the public is so willing - eager, even - to be scared by bogeymen.
Sometimes I make very selfish choices; like I did 'Once Upon A Time' for my inner 8-year-old and my hypothetical future child. I've done some movies because I would regret them if I didn't, but other projects I've done because they've scared me or if I felt I needed to do a big romantic comedy to help me professionally.
I've always been quite careful about what I wanted to do. I've just never wanted to revisit old ground or do something that's easy. I want to do something that I would look at and go, "I don't know what to do!" The most exciting thing is when you're a bit scared, so I'm looking to find something that's really terrifying.
In the past, I think I was scared of showing myself. I thought people disliked me because I received so much hate when I was young. But as I grew older, I realized that there were people who disliked me and people who liked me. So I learned that there was no need for me to be so conscious of what others thought about me.
The funny thing is, I was not a fan of horror when I was a kid. I was scared to watch scary movies. And then along came 'Abbott and Costello Meet Frankenstein,' and 'Abbott and Costello Meet the Mummy.' And I like those films because they made scary funny, and it was kind of ironic that I ended up doing the 'Hotel' movies.
When people are scared, they need something done that will make them feel safe, even if it doesn't truly make them safer. Politicians naturally want to do something in response to crisis, even if that something doesn't make any sense. But unfortunately for politicians, the security measures that work are largely invisible.
Love is important. I didn't have the energy to be giving it to somebody else in a way that they deserved, and I knew that. So I've always been scared to go too far with somebody I care for because I knew there would come a day when I'd need to pick up and finish a painting for the next three months. That day is inevitable.
My son had a tumour on his neck. We went for surgery but it failed because the tumour was difficult to remove. Later, we went to New York for his surgery. I was scared as his first operation had failed. I went to church and met a pastor. He told me to go ahead, God would take care of everything. And the surgery was successful.
I had no problem working for 15 hours straight when I was producing someone else, but I couldn't do it with my own songs. It took that moment of pointing the camera at myself to realize that it was okay to get lost in making my own music. I think before that I was scared of pushing myself to the point of staring into the abyss.
I like superheroes who are very human and underdog. That's why I relate to my character in 'A Flying Jatt': because he is a very normal person and very human. He was very unsure about his super powers; he didn't know how to use them. He is scared of heights, speed. Especially he is scared of his mom, but he has to listen to her.
'Melanin Man' was inspired by the words of an Uber driver in L.A. Before I got out of the car he said, 'They're scared of you young man. You're a king and they all know it. They want your culture, your soulful element and your style. You're Melanin Man, a super hero. Be safe out here.' Then I got out the car and took that all in.
The American middle class always wants to be upper class and is scared to death of being lower class. It's a highly mobile group of people. They're not like the people that want to be shopkeepers forever, have always been shopkeepers and want always to be shopkeepers. These people mostly are insulted by being called middle class.
There have been times when I have goofed up, and like every adolescent, I sometimes did get led the wrong way. I would come back home really scared to face my mom's wrath and anger, but surprisingly, I never got to face one. She would always tell me in a very nice manner that what I did was wrong and that I should correct myself.
I wear jewellery that I never take off. I have a ring and two necklaces. I always have them on and get scared when I have to take them off for photo shoots. The ring is my mum's mum's mum's, and she gave it to me for my 18th birthday. The necklace is the same one that my sister has. She's called Hannah, and the name is the chain.
So much of Hollywood is this kind of overly machismo, nonsensical view of masculinity, which I just don't find honest. I think it's this idea of - you know, we're told, well, 'Be a man, be a man.' But what does that mean, exactly? Does that mean you can't carry yourself with any fear? That you can't acknowledge that you're scared?
I never thought it was fair that women couldn't travel freely because it was dangerous. I'd stay by myself on the North Carolina coast for a couple of weeks, with my dog and my gun, and my mom would be terrified. I told her, if I stay home, a lamp could fall on my head. You can't spend your whole life inside because you're scared.
I'm a light sleeper. I've never been one of those people who can put their head down and suddenly everything disappears. Nighttime is the time I get most scared, anxious or worried. In those darker moments before waking or sleeping is when I feel most, I don't know, I can turn on myself, and my imagination can take me dark places.
The things I do, I do from the heart and out of love and respect for our planet and all living things. And I draw my courage from my love for justice and truth, and I calm my fears by comforting those who are more scared than me. And I try to do my best to make the world a better place, one small action at a time, as good as I can.
I'm not scared of anyone. I don't care whether you are a jiu-jitsu fighter or a wrestler or a stand-up fighter: I want to put myself against you, and I want to see who is better. And if you are the guy that is going to beat me, I'm going to take that loss like a man and go back, and I'll work on me self. That's how I look at fighting.
Yes, I am scared of prison. It's the last thing if you are after building up a business over 38 years and you are approaching your 66th birthday and you never owed a man a penny and you feel hard done by and you try to protect yourself and your family and go to prison - if that is the society we are living in, I am happy to accept that.
As I look back and connect the dots, all I want to do is go back and hug my scared young self, who took a lot of steps out of impulse not knowing what will happen. So many nights of disappointment, so many others of being disillusioned where I would have just gone ahead and quit it all - I still do not know what kept me hanging in there.
Our lives are pretty calm. Merging on the freeway in the closest you get to risking your life. So what's missing now is that primal emotion of being scared to death, and I think that's why people crave thrills like roller coasters or scary movies. They give you the chance to feel this very primal emotion in a very controlled environment.
Successful people just don't let failure define them or keep them from doing what they want to do. For example, I'd have people come up to me after my shows, and they'd say they want to do stand-up but are scared they're going to fail. I'd tell them, "You are going to fail, and anyone who is success has powered through many, many failures."
One of the reasons it's important for me to write about war is I really think that the concept of war, the specifics of war, the nature of war, the ethical ambiguities of war, are introduced too late to children. I think they can hear them, understand them, know about them, at a much younger age without being scared to death by the stories.
My first match was against Sputnik Monroe at the Amarillo Sports Arena. It was scheduled for only ten minutes. Sputnik got me down and was on top of me for the first eight minutes. My father came running down to the ring and yelled for me to get up. I don't know how I got up but I did. I was a lot more scared of my father than I was Sputnik.
I was still working at Google when I wrote the blog post '10 Tricks to Appear Smart in Meetings.' I was scared to share it at first because I didn't want my coworkers to think that I was making fun of them - which I totally was. But then afterward I had people coming up to me like, 'I have a meeting trick! Put my meeting trick in your next post!'
If you ever see young artists, and they're not sounding good, they sound good. They're good singers. They wouldn't be where they are if they didn't sound good. It's their nerves. Any time you see your favorite artist, and he's or she's screwing up or not hitting those notes, it's not because she can't hit it or she can't sing; he or she is scared.
The one thing that everybody wants is to be freenot to be managed, threatened, directed, restrained, obliged, fearful, administered, they want none of these things they all want to feel free … The only thing that any one wants now is to be free, to be let alone, to live their life as they can, but not to be watched, controlled and scared, no no, not.
I got the script of Imperial Dreams from my agent. I was at home having a full English breakfast and the email came through in my junkmail. Funnily enough, I was paying a T-Mobile bill, so I was able to see the email. After that I was engaged in the story. I was scared - fearful - because the story doesn't just penetrate one level in terms of narrative; it goes that level after.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
Even though I knew I was inside the space shuttle getting ready to go fly, something about it wasn't completely real up until we got the call at about one minute to go, to close and lock our visors and start our oxygen flow. People often ask me, "What did it feel like right at the moment of launch?" And they're surprised when I tell them actually what I felt was relief. It wasn't like being anxious or scared or anything. It was relief because this is something I had wanted to do my whole life and now that the boosters had lit, we were on our way to go do it and nothing was going to stop us.
