Quotes of All Topics . Occasions . Authors
He saw very clearly how all his life led only to this moment and all after led to nowhere at all. He felt something cold and soulless enter him like another being and he imagined that it smiled malignly and he had no reason to believe that it would ever leave.
I didn't see an abstract painting until I was 18, when I went to Vincent Price's house and saw Richard Niebencorn, Wolff, Jackson Pollack. He had an amazing collection. I didn't know people painted abstractly, I thought I was just doing something wholeheartedly.
Marx saw that capitalism is a wasteful, irrational system, a system which controls us when we should be controlling it. That insight is still valid; but we can now see that the construction of a free and equal society is a more difficult task than Marx realized.
I never claim my photographs reveal some definitive truth. I claim that this is what I saw and felt about the subject at the time the pictures were made. That's all that any photographer can claim. I do not know any great photographer who would presume otherwise.
Before I read the script [The Following], I saw the schedule, and imagine how confusing that was. I thought it was intriguing. I'm an actress. Even if it's, by proxy, all about me, I'm all for it. It was all about me, but I didn't have to show up, so it was great.
You can't deny that there's something between us." "No. There is. When I saw you today--I didn't know I'd been waiting for you until you were there. And then all of that waiting rushed through me in a second. That's something... but I don't know if it's certainty.
Theatre outings are my favourite thing to spend money on. The most influential play I saw was Bent, which starred Ian McKellen. And I loved the original performance of The Rocky Horror Show, with Richard OBrien and Tim Curry at the Royal Court, when I was about 15.
As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and...I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and... It was a mess.
V shook his head. “Remember what you saw in that clearing, cop? How’d you like that anywhere near a female you loved?” Butch put down the Bud without drinking from it. His eyes traveled over Rhage’s body. “We’re going to need a shitload of steel,” the human muttered.
Her violence frightened me. She always claimed that I was the jealous one, and I was often jealous, but when I saw things working against me I simply became disgusted and withdrew. Lydia was different. She reacted. She was the Head Cheerleader at the Game of Violence.
Searching for what I need, and I don't even know precisely what that is, I was going from a man to a man, and I saw that all of them together have less than me who has nothing, and that I left to each of them a bit of that what I don't have and I've been searching for.
I dreamt and saw that life was joy. I awoke and saw that life was duty. I served and found that duty was joy. See Life a Duty, Ellen Sturgis Hooper, (1816-1841) Topics: beauty, duty & Life I slept, and dreamed that life was Beauty; I woke, and found that life was Duty.
The people are maybe still as aware of the differences but they are more accepting of it that what we saw in the 70s and 80s, but the undercurrent is still there. There are maybe no racial slurs anymore, no firecrackers in mailboxes, the distinction is much more subtle.
Your words have come true with a vengeance that I shd [should] be forestalled ... I never saw a more striking coincidence. If Wallace had my M.S. sketch written out in 1842 he could not have made a better short abstract! Even his terms now stand as Heads of my Chapters.
I felt that even when they were polite they hardly saw me, that they would have begged the pardon of Jack the Bear, never glancing his way if the bear happened to be walking along minding his business. It was confusing. I did not know if it was desirable or undesirable.
I'm not anti-Semitic. My Gospels are not anti-Semitic. I've shown it to many Jews and they're like, it's not anti-Semitic. It's interesting that the people who say it's anti-Semitic say that before they saw the film, and they said the same thing after they saw the film.
The same day I saw my first horror camp, I visited every nook and cranny. I felt it my duty to be in a position from then on to testify about these things in case there ever grew up at home the belief or assumption that the stories of Nazi brutality were just propaganda.
I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire.
[I] was always my dream to attend the Art Institute. I have always had this zeal to become the best that I can be and I saw that this institution will act as an avenue to me achieving that goal. I applied to the institution and got accepted based on my impressive portfolio.
He had come to know quite thoroughly the world in which he lived. His outlook was bleak and materialistic. The world as he saw it was a fierce and brutal world, a world without warmth, a world in which caresses and affection and the bright sweetness of spirit did not exist.
I was always longing to do, emotionally and physically, what my male counterparts always got to do. I just felt envious, every time I saw a movie that I was in awe of, and it was usually a male lead. And those kinds of roles weren't available. They just weren't being written.
I didn't see that at all. I just saw everyone having a good time and everyone having fun [on set of Romeo + Juliet]. I didn't see anyone having any spats or disagreements. If they did, they hid it very well. But as far as I saw, it was a positive vibe. It was positive energy.
I'm glad that my parents missed one thing that was really unbelievable. They saw me hit this great success. It was a blast and we had a lot of laughs. And it was just an amazing time. They passed away. And then after I got, you know, famous, all these haters came out of nowhere.
Well David "Fathead" Newman was my first experience with improvisation. When I saw him play for the first time I realized that there is an importance of spontaneous music being made on the spot. It was so soulful and singing through his horn. So that's how I was inspired early on.
God's pleasure--the beauty creation possesses in his regard--underlies the distinct being of creation, and so beauty is the first and truest word concerning all that appears within being; beauty is the showing of what is; God looked upon what he had wrought and saw that it was good.
You can never do enough for the dead. You search around for comfort but there is no comfort; there never was and never will be. There is only a gradual wearing away of the sharp edges, so that you don't feel ambushed at every turn, as if you saw the dead suddenly rounding the corner.
Tocqueville saw the brute repression of deviants as a necessity if men were to keep convincing themselves of their collective dignity through their collective sameness. The "poets of society," the men who challenged the norms, would have to be silenced so that sameness could be maintained.
I saw 'Avatar' in the theater eight times and I got booed for it. I'm totally serious. First of all, I love that movie. I totally love that movie, but nothing intrigues me more than the fact that it made like $2.7 billion and so how many people had to see it for it to make that much money.
I just saw dialogue, in the audition, and had no backstory. I was like, "I'm just going to be myself because I have no idea who this is or where he's coming from." The typical questions that actors have to ask themselves were very hard. I had to imagine, a little bit, and just made it work.
Instead of answering your question directly I shall quote from the Indian poet Tagore: “I slept and dreamt that life was joy/ I awoke and saw that life was service/I acted and behold, service was joy.” In fact, through my work I discover life, people, and everything which happens around us.
What happens when we acknowledge the sovereignty and power of God without trusting in His goodness and faithfulness? A pitcher who saw God's power behind his extremely unlikely rise to the big leagues wondered if, at any difficulty he encountered there, God might be taking his ability away.
If a British guy saw someone at the wheel of a Rolls- Royce, he'd say 'come the revolution and we'll take that away from you, mate', where the American would say 'one day I'll have one of those, when I have worked hard enough'. It's unfortunate we Australians inherited the British mentality.
One time I dropped a fly ball in Milwaukee and, after the game, the writers asked me what happened. I told them, 'Well, I was looking up and a UFO flew right across. It was weird. I never saw anything like that in my life.' Man, I was only joking and they wrote it up and put it in the paper.
There,” she said triumphantly. “Like that.” He began to wonder if they were speaking the same language. “Like what?” “That! What you just said.” He crossed his arms. It seemed the only acceptable reply. If she couldn’t speak in complete sentences, he saw no reason why he had to speak at all.
I saw how the forms of love might be maintained with a condemned person but with the love in fact measured and disciplined, because you have to survive. It could be done so discreetly that the object of such care would not suspect, any more than she would suspect the sentence of death itself.
He saw all these forms and faces in a thousand relationships become newly born. Each one was mortal, a passionate, painful example of all that is transitory. Yet none of them died, they only changed, were always reborn, continually had a new face: only time stood between one face and another.
I saw money becoming more and more important everywhere. It's one of the most abstract and important inventions by human beings. At the same time, money is capable of extraordinary corruption in every kind of relationship. I tried to see how and why, more and more, money is becoming a religion.
The civil rights movement was based on faith. Many of us who were participants in this movement saw our involvement as an extension of our faith. We saw ourselves doing the work of the Almighty. Segregation and racial discrimination were not in keeping with our faith, so we had to do something.
I saw a crow building a nest, I was watching him very carefully, I was kind of stalking him and he was aware of it. And you know what they do when they become aware of someone stalking them when they build a nest, which is a very vulnerable place to be? They build a decoy nest. It's just for you.
Because too many times in life there's just one person that I met, just one thing that I heard, one movie that I saw, one song that was sung, that changed my life. So I'm always trying to stay awake to be in the moment, and capture the moments when they come, because they come and go all the time.
To be equitable, economic growth has to be sustainable. To be sustainable, economic growth has in turn to be all-inclusive. All-inclusive is no longer the greatest good of the greatest number. It is actually 'Sarvodaya' or the 'rise of all'. This Mahatma Gandhi saw as essential to Satyagraha itself.
Mel Brooks came to see Oh, Hello in L.A. Mulaney and I had a meeting with him, and we invited him to come to the show, and he saw the Oh, Hello show live in L.A. To me, he's the most famous person. Having him come to our show that was so inspired by both of us loving The Producers and all his movies.
He walked into a room and everything stopped. Elvis was just so physically beautiful that even if he didn't have any talent... just his face, just his presence. And he was funny, charming, and complicated, but he didn't wear it on his sleeve. You didn't see that he was complicated. You saw great needs.
The Movie is something that I made with some friends of mine in L.A. My friend, Luke Eberl, is the filmmaker. He shot this movie and asked a bunch of his friends to be involved with it. I just saw him the other day and there is no money to finish the film. But, you know, I literally have a cameo in it.
When I was 19, I thought [Brokeback Mountain] was going to be the best movie ever made. And everyone was going to see it and it was just going to be incredible. And then nobody saw it and it didn't get bought at Sundance. And it was a really great experience. Humbling. And then it's since found its way.
Over time, there's a very close correlation between what happens to the dollar and what happens to the price of oil. When the dollar gets week, the price of oil, which, as you know, and other commodities are denominated in dollars, they go up. We saw it in the '70s, when the dollar was savagely weakened.
I've always believed that a good twist is one that, when it is presented to the audience, half of them say, 'I saw that coming.' And half of them are completely and totally shocked. Because if you don't have the half that saw it coming, then it wasn't fair: You never gave the audience a chance to guess it.
I was shocked cause I didn't even know that they made my jersey. I didn't know that they made it so fast, so when I saw it I was like, I had to look three times and I was like, 'Did they customize that?' And then I saw a couple of other ones and I was like, ok, they must've made them overnight or something.
After [Adolf] Hitler took power, Hoffmann moved to a grander place on the Ebersbergerstrasse. I never saw the first house, I was never there. It was at the Schnorrstrasse that Eva [Braun] and he first really got to know each other. Some of this was before Geli Raubal's death, much of it was after that event.
I grew up looking at... going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.