Quotes of All Topics . Occasions . Authors
They say your childhood influences your tastes and interests, or your approach if you're an artist. So what you create, whatever you saw, whatever your childhood was like - it influences how you're going to end up.
Everybody fights for money, of course, but I wanted to leave a legacy when I retired, get my name in the history. I don't think like that anymore. When I lost the belt, I saw how reality is. Champion means nothing.
I think what I came from and what I saw molded me into a certain person. Nothing was ever wrapped or a silver spoon, so I don't think I would know how to live and I don't think I'd want to live if it wasn't a grind.
When I was watching 19 and 20-year-olds go through this, dropping out of college to become famous on the Internet, I saw that it can go well but it can also go poorly, and usually it'll be a mix of those two things.
I remember this vividly: It was 1977, and I was in Sears with my mom. And I saw this display, and it was for 'Love Gun.' I bought the record just because of the look of that display. Because I really loved monsters.
He saw us play a few times in fact. I did this song called I Can't Keep From Crying Sometimes, and Jimi loved it. He paid me a huge compliment when he told me that he was thinking of doing something similar himself!
There is a scene in the movie with DJ Cutkiller, one of the biggest European DJs from France, and he was scratching like crazy. When I saw that, I was 14, and I was like, 'Yo that's what I want to do. That's crazy.'
I've read that a naked eye can see six thousand stars in the hundred billion galaxies, but I couldn't believe it, what with the sky white with starlight. I saw a million stars with one eye and two million with both.
I still believe in putting something out and not asking people to buy the record, then buy a ticket to my show and then buy a t-shirt and then a, like, copy of the show they just saw on CD. That's undignified to me.
When I was a student at Princeton University, I was working part time in a grocery store. I saw an ad for teachers of a prep course. I don't remember what it paid, but it was easily double or triple the minimum wage.
That was always the difference between Muhammad Ali and the rest of us. He came, he saw, and if he didn't entirely conquer - he came as close as anybody we are likely to see in the lifetime of this doomed generation.
Some of my battles with weight have been very public. But most of them have been internal. Even at my thinnest, when my body was being praised, I wasn't happy with what I saw in the mirror or how I felt about myself.
When I saw 'subUrbia' on stage, I started having those feelings inside me. I saw it as a film, and I felt I knew the characters, or I was the characters. It really dredged up all this stuff in me that never went away.
I took an acting class. After the first day, the teacher quit, so they said take another. When I saw 'How to be a Stand-up Comedian,' it resonated. I realized I'd rather make 200 people laugh than make one person cry.
The miracle of light pours over the green and brown expanse of saw grass and of water, shining and slowly moving, the grass and water that is the meaning and the central fact of the Everglades. It is a river of grass.
Every patient is a consumer, and every consumer is a potential patient. What NantWorks is doing is building the world the way Da Vinci saw it, and augmenting every frame a human being sees as they work, live and play.
I've enjoyed collecting. I've enjoyed art ever since - I'll tell you when - I went to Columbia. I went to the Met, and I saw Poussin's 'Rape of the Sabine Women', and it's this incredible, epic, great, great painting.
I always saw pollution as theft, and I always thought, 'Why should somebody be able to pollute the air, which belongs to all of us, or destroy a river or a waterway, which is supposed to belong to the whole community?'
I very rarely saw Tom Kite around. I've talked to Tom about it. I don't think Michael Jordan needed to be on the captain's cart with Kite; he needed to be walking in the gallery, supporting them from outside the ropes.
I hardly expected the grand jury to sustain me, after they saw everything different from what it had been while I was there. Yet they did, and their report to the court advises all the changes made that I had proposed.
My life has been a continuous fulfillment of dreams. It appears that everything I saw and did has a new, and perhaps, more significant meaning, every time I see it. The earth is good. It is a privilege to live thereon.
When I was going off to training and matches at Arsenal, my mum wouldn't be on the side cheering me on: she'd be working so I'd have football boots. I saw that you had to work hard if you wanted to do anything in life.
Before the whole Disney realm had undergone this huge revamping, as a kid, I always saw myself doing these dramatic indie parts. And then I fell in love with doing comedy and doing kid shows and really working for kids.
One of the problems we saw in the last presidential election in our party is that our nominee, while winning the election, which we ought never to forget, often lost sight of the difference between strategy and tactics.
My father was an insurance man and a small-time gambler. He was a good man, but he had an eye for the racehorses, and I saw how it used to bother my mother. I've never gambled a dime. Never, in all those years in Vegas.
I had once thought I would become a doctor but gave up on the thought soon enough. I took up the racquet instead. Later, when I saw my sister studying so much to become a doctor, I was like, 'Thank God I am a shuttler!'
Jealousy, greed, fear. We're all full of these things. But also love and compassion. If you saw a drowning baby, it wouldn't matter if you were wearing a tuxedo on the way to your own wedding. You'd jump in to save him.
When I saw the rise of the anti-Christ Donald Trump, I was like, 'Hell no.' We can't be in a country where we love celebrities so much that we let the executive producer of 'Celebrity Apprentice' become the GOP nominee.
As you wake up to sort of Morocco coming to life, and you drive a two hour journey through the desert as the sun is rising over the sand dunes... I saw landscapes and visual stuff that I'll never forget. It was special.
The secret of the truly successful, I believe, is that they learned very early in life how not to be busy. They saw through that adage, repeated to me so often in childhood, that anything worth doing is worth doing well.
I wound up becoming an A&R man at London Records in the 1990s, during the boom of Britpop, the last great gold rush of the music industry. I saw incredible greed and terrible behaviour. I was greedy and terribly behaved.
The British invasion was the most important event of my life. I was in New Jersey and the night I saw the Beatles changed everything. I had seen Elvis before and he had done nothing for me, but these guys were in a band.
I really told my story as I saw it in 'Cross to Bear,' and I was pleased - and a bit surprised - by how well it was received and how it sold. No. 2 on the 'New York Times' bestseller list? I'll take that any day, my man!
My uncle died in 1987. I unfortunately - I saw it happen before it happened, which was really, really hard because I was 16 years old and I thought, like, Well, I'm seeing this. I'm supposed to stop this. And I couldn't.
Because I've been around forever and ever, like wallpaper, people ask me for secrets... it's the same with my skin care range; that's out of necessity. As soon as I saw the first signs, I bought everything in the market.
I mostly play old period songs, as they suit a ukulele more. I bought it when I saw the tribute concert to George Harrison. Joe Brown came on and sang 'I'll See You In My Dreams,' and there wasn't a dry eye in the house.
As might be supposed, my parents were quite poor, but we somehow never seemed to lack anything we needed, and I never saw a trace of discontent or a failure in cheerfulness over their lot in life, as indeed over anything.
The first time I saw 'Minecraft,' people wanted to have 8-bit style video game music. But I wanted to go around that and make something organic and partly electronic, partly acoustic, and see if that would be interesting.
I did, like, one or two plays in high school, but I don't think I realized I wanted to do comedy until I got to college, and I started doing improv and saw the Upright Citizens Brigade perform and did workshops with them.
When I was 17 years old, Frank DiLeo saw my very first music video and flew to my hometown of Las Vegas to meet with my family and me. Frank told my dad, 'I am coming out of retirement to manage one last big act: Manika.'
Stability is the number one thing you need to be successful in anything. I constantly had the rug pulled out from under me. I think people were jealous of me. I think people saw me as this guy who could conquer the world.
When I started work with LucasArts Computer Division back in 1984, I went to the Palace of Fine Arts and saw the Festival of Animation for the first time. I loved the diverse collection of animated films the festival held.
The worst time was 1983. Love and life and everything went wrong. I reached absolute rock bottom. I saw the Minotaur at the bottom of the abyss. I learnt of the harshness of the world and its impartiality to human failure.
In my view, far from deserving condemnation for their courageous reporting, the New York Times, the Washington Post and other newspapers should be commended for serving the purpose that the Founding Fathers saw so clearly.
I once saw my mother playing Mary Magdalene in a parish event. But she had to put the role aside in order to go and front the choir who were singing at the same occasion. She left the stage halfway through the Crucifixion.
Within my own life, I read all the beloved novels by lamps of vegetable oil; I saw the Standard Oil invading my own village, I saw gas lamps in the Chinese shops in Shanghai; and I saw their elimination by electric lights.
My father saw Islam as a way to connect with the community. He never went to prayer services except for big communal events. I am absolutely certain that my father did not go to services every Friday. He was not religious.
She saw the myriad gods, and beyond God his own ineffable eternity; she saw that there were ranges of life beyond our present life, ranges of mind beyond our present mind and above these she saw the splendors of the spirit.
Promoters saw the potential in me and the value in me. It was because of companies like Evolve, PWG, Progress, and Beyond Wrestling. Those are the big ones that gave me a push and made my name worth something on the indies.
When I would go to the barrio, people saw me as a rich person, but when I'm around rich people, they see me as someone from the ghetto. It's all perceptions. I like moving between worlds. I feel equally comfortable in both.