I regard the death penalty as a savage and immoral institution that undermines the moral and legal foundations of society. I reject the notion that the death penalty has any essential deterrent effect on potential offenders. I am convinced that the contrary is true - that savagery begets only savagery.

"I believe that no characteristic is so distinctively human as the sense of indebtedness we feel, not necessarily for a favor received, but even for the slightest evidence of kindness; and there is nothing so boorish, savage, inhuman as to appear to be overwhelmed by a favor, let alone unworthy of it."

I was very familiar with both actors, as well as Christina Hendricks and Bill Sage, Jimmi Simpson, Polly McIntosh, but the other main actors were new to me. And they were all terrific. Just amazing. Actually, Lowell Northrop optioned Savage Season from me, first book in the series, and I wrote a screenplay.

My mind became agitated with the enquiry - why a nation, separated from us by an ocean more than three thousand miles in extent, should endeavor to enforce on us plans of subjugation, the most unnatural in themselves, unjust, inhuman in their operations, and unpractised even by the uncivilized savages of the wilderness?

'Liberal Fascism' is less an expose of left-wing hypocrisy than a chance to exact political revenge. Yet, the title of his book aside, what distinguishes Goldberg from the Sean Hannitys and Michael Savages is a witty intelligence that deals in ideas as well as insults - no mean feat in the nasty world of the culture wars.

When forced to survive in an apocalyptic world, there are some characters that embrace their higher selves with some emerging as natural born leaders, and others succumb to their more base and primal selves and basically transform into savages. It's really a fascinating character study in the exploration of the human psyche.

Man is naturally more disposed to beneficent than selfish actions. This we learn even from the history of savages. The domestic virtues have something in them so inviting and genial, and the public virtues of the citizen something so grand and inspiring, that even he who is barely uncorrupted, is seldom able to resist their charm.

A relation is formed betwixt every man and the fruits of his own labour, the very thing we call property, which he himself is sensible of, and of which every other is equally sensible. Yours and mine are terms in all languages, familiar among savages, and understood even by children. This is a fact, which every human creature can testify.

When you're writing something, and you're putting yourself out there, or you're performing and someone comes in and savages that, then of course it feels personal. It doesn't feel like it's just business, because there's no business - it's not like we're conducting business, this anonymous critic and I. It's just that this person is tearing me a new asshole.

"Stepping outside your comfort zone is supposed to feel uncomfortable because we're in new and unfamiliar territory. Being uncomfortable is a sign of success, NOT of failure! So if we are uncomfortably outside our comfort zones, then than means we are growing!!! And THAT is cause for celebration!" (modified from a passage in Roz Savage's "Rowing the Atlantic")

Mine was, as it were, the connecting link between wild and cultivated fields; as some states are civilized, and others half-civilized, and others savage or barbarous, so my field was, though not in a bad sense, a half-cultivated field. They were beans cheerfully returning to their wild and primitive state that I cultivated, and my hoe played the Ranz des Vaches for them.

Do you dance, Mr. Darcy?" Darcy: "Not if I can help it!" Sir William: "What a charming amusement for young people this is, Mr. Darcy! There is nothing like dancing, after all. I consider it as one of the first refinements of polished societies." Mr. Darcy: "Certainly, sir; and it has the advantage also of being in vogue amongst the less polished societies of the world; every savage can dance.

It was not the passion that was new to her, it was the yearning adoration. She knew she had always feared it, for it left her helpless; she feared it still, lest if se adored him too much, then she would lose herself, become effaced, and she did not want to be effaced, a slave, like a savage woman. She must not become a slave. She feared her adoration, yet she would not at once fight against it.

Her cheeks were flushed. She caught hold of the Savage's arm and pressed it, limp, against her side. He looked down at her for a moment, pale, pained, desiring, and ashamed of his desire. He was not worthy, not... Their eyes for a moment met. What treasures hers promised! A queen's ransom of temperament. Hastily he looked away, disengaged his imprisoned arm. He was obscurely terrified lest she should cease to be something he could feel himself unworthy of.

I started doing drag in Seattle because I started doing my column before I moved here, and then moved here and wanted to be able to go out and do things as Dan Savage without being recognized the next day, because the column was just in Seattle and it was kind of a sensation and I was beating people up. I was really worried and I didn't want to beat somebody up in a column and have that person know what I look like when I didn't know what they looked like.

The affiliation clause in our Constitution is a privilege: a courtesy to a sympathetic body. Were you not a Mason, or Co-Mason, you would have to be proposed and seconded, and then examined by savage Inquisitors, and then-probably-thrown out on the garbage heap. Well, no, it's not as bad as that; but we certainly don't want anybody who chooses to apply. Would you do it yourself, if you were on the Committee of a Club? The O.T.O. is a serious body, engaged on a work of Cosmic scope. You should question yourself: what can I contribute?

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