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You know, you grow up with the image of John Travolta being super cool - 'Saturday Night Fever,' Brian De Palma, handsome young god... he, in reality, is a very silly man. And I mean that in a good way. He'll walk around the set talking in little weird voices, making people laugh.
I love these sort of documentaries, which you might turn on late on a Saturday night - like, say, 'The Alma Cogan Story.' But they are ripe for spoofing, because the presenters are always so serious and anxious to make themselves look like rather attractive and interesting people.
When I spent time with my father, it wasn't playing ball in the back yard. I came to his office and listened to him do business or sat in on meetings. I walked job sites. On Saturday, we'd see my grandfather in Queens for a couple hours, and then he'd say, 'Let's go collect rent!'
During my pre-college years, I went on many trips with my father into the oil fields to visit their operations. On Saturday mornings, I often went with him to visit the company shop. I puttered around the machine, electronics, and automobile shops while he carried on his business.
The perfect party for me is having six to 12 people for dinner Friday or Saturday - good, fun friends, a lot of artists. I have a beautiful deck that looks over the canyon and Los Angeles on one side, so it's very pretty at night. It's a great opportunity to catch up with friends.
People are out of their home on a Saturday night or they're at the movies or they're at dinner and a lot of the people who flip on the television are doing just that. They may have never seen your show before and you can't count on to your audience to be there week in and week out.
On 'Saturday Night Live,' I never really wrote. You know, I would just - I would let the writers cast me into the show. So my strength - and I put all my energies into performance. I just couldn't deal with the rejection, you know, getting your sketches cut, and it was hard for me.
Like the assassination of JFK, everybody alive then can remember where they were that Doomsday Week of the Cuban Missile Crisis in October 1962. That Saturday, 27 October, was, and remains, the closest the world has come to nuclear holocaust - the blackest day of a horrendous week.
I used to do a Saturday drama group called Young Blood Theatre Company with school-friends in west London - nothing to do with my mum and dad. A casting director came to pick people out for a new BBC children's series called 'MI High.' She picked me, I auditioned, and I got the job.
Tina Fey, a performer and head writer for 'Saturday Night Live,' has deftly adapted Rosalind Wiseman's nonfiction dissection of teenage girl societal interaction, 'Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends and Other Realities of Adolescence.'
My part of Brooklyn has always been a very warm neighbourhood, even before I had anything going on in the music industry. When I step out of my house to go for coffee on Saturday mornings, I might say hi to 20 people before I get to the cafe. I think they feel they own me, in a way.
I went to see the Go-Go's on a Saturday night in '78 and had the best time. I was so serious about the way I played but they were having a blast. They weren't quite ready, but man there was something special. The girls just needed someone to push 'em a little and I eventually pushed.
Basically, we used to have a rule at 'Saturday Night Live' that you're not allowed to bring up 'The Simpsons' at the rewrite table, because 'The Simpsons' has done every joke there is. Every week there would be guys going, 'The Simpsons did that.' I go, 'C'mon.' And 'South Park,' too.
We'll serve, on a good Saturday night six or seven thousand people in all the restaurants, and it's like, the percentages are that maybe one person's not going to like what they get. And I can't be there to fix it. I hate that. We're in this business to make things that please people.
As a kid, I trained to be an Olympic gymnast. My schedule was rigorous. Four hours a day, Monday through Saturday, I was at the gym. My body was like a boy's, narrow hips, flat-chested, wide shoulders. When I was 12, I badly injured my ankle and was forced to stop training immediately.
I was always a silent comedy nerd. I would stay up late and sneak downstairs to watch 'Saturday Night Live' and 'Kids in the Hall,' and things like that. Very early on, my parents realized that I was not going to be an engineer or a doctor. I just don't have those inclinations, at all.
I started on 'Saturday Night Live' the same time Conan started on Late Night. We just had a relationship because I would be upstairs in the studio and whenever he couldn't get a guest - which was often back then since he was just starting out - he would just call me down to be a guest.
A lot of the original people on 'SNL' came through Chicago - and Toronto, I'm sure - but Chicago was the center of it all. When I was there, Chris Farley - I knew him; we hung out and stuff - he went off to 'Saturday Night Live,' it was like, 'It's possible to be from here and make it.'
My dad traveled so much for work that, when he was home, we always wanted to spend as much time with him as we could, so going to practices and doing stuff like that with him took precedence over Saturday morning cartoons. We'd go to practice with my dad just so we could be a part of it.
When I lived in Hungerford, it was wake up 5:30 A.M., get to the van at 6 A.M. with eight other blokes, drive to Shinfield, which is in Reading, 45 minutes away. Start at 7:30 A.M. to 4:30 P.M. with two half-hour breaks and then home. Train Tuesday and Thursday and then play on Saturday.
I recently saw this home video where my brother is playing this character Arsenio Grimley, who is a mix of Arsenio Hall and Ed Grimley - which, clearly, is my parents' doing, because he's, like, 10. He's the host, I'm every guest, and then my dad is Elton John. That was a Saturday night.
During 'Saturday Night Fever' at the end of the first act dance number I tried to perform a split-jump, only I can't do them so I ended up on my ass followed by the most unsightly backward roll out of it, followed by the cast falling over in laughter and a good portion of the audience too.
My mom thought I could dance because I used to dance to this Janet Jackson song she'd play when I was a baby. Then she would take me to a Saturday dance school. I used to go every week and got spotted by a scout, who suggested I audition for the role of Billy in 'Billy Elliot the Musical.'
Arguably, the first five years of 'Saturday Night Live' were some of the most radical things ever seen on television. When NBC said, 'Okay, you can do a show from 11:30 to 1 on Saturday night,' they didn't think anyone would watch. It was like giving a piece of the candy store to the kids.
I learned that the hardest party to pull off successfully is Saturday night dinner. This meal is expected to be elaborate: appetizers, first course, dinner, dessert, and coffee. People arrive at 7:30 or 8 p.m. and stay for hours - definitely past my bedtime - and they all go home exhausted.
A military childhood in the 1950s was very much informed by WWII. My brothers and I often heard stories from our dad - and from other kids - about things that had happened to their dads. We constantly played war games and, nearly every Saturday, saw a different WWII movie at the post theater.
I don't think we were shy so much as we were terrified. Especially when we did 'Saturday Night Live' on live TV. We looked really animatronic because we were scared, but it came off as being this alien sort of attitude, which served us well, because people were like, 'Whoa, this is so weird.'
I write for a radio show that, no matter what, will go on the air Saturday at five o'clock central time. You learn to write toward that deadline, to let the adrenaline pick you up on Friday morning and carry you through, to cook up a monologue about Lake Wobegon and get to the theater on time.
Who made me laugh when I was growing was Chaplin and the Marx Brothers, and then moving on, there were so many that I was a writer for for many years: I was a writer for the Smothers Brothers, Lily Tomlin, then I started on 'Saturday Night Live' as the head writer the first year we started it.
We try to put on a show that people can be proud of whether you are in Tuscaloosa, Baton Rouge, Austin, Tallahassee or Columbus, Ohio or wherever you are. We try to be symbolic of where you happen to be that Saturday. You tune into it, you see the energy, passion and love we have for the sport.
When I was a boy, I read a terrible article in a big weekly American magazine called the 'Saturday Evening Post.' In the middle of this family magazine on my parent's coffee table was an article about this family that was camping, and they were all mauled by a grizzly bear in their sleeping bags.
A lot of my friends, when I was 14 or 15, they were all up and down, wanting to go out on a Friday night, and my dad had me working really late on Fridays and Saturday mornings and even on Sunday mornings. And when I'd finished all that, we used to spend the rest of the time talking about boxing.
One week before my 17th birthday, I had a blind date with June Rose, a television actress on network soap operas, a model, and a regular on the popular Dick Clark's Saturday night 'American Bandstand' show from New York. We were married five years later, one week after my graduation from Columbia.
Just like every person who works for Dortmund is a fan of the club, it was the same at Mainz. When I was a player there, we had 800 supporters on rainy Saturday afternoons, and if we died, no one would notice or come to our funeral. But we loved the club, and we have this same feeling at Dortmund.
I like work/life separation, not work/life balance. What I mean by that is, if I'm on, I want to be on and maximally productive. If I'm off, I don't want to think about work. When people strive for work/life balance, they end up blending them. That's how you end up checking email all day Saturday.
Heinrich Heine once imagined the exiled Israelite as a dog who regains his stolen manhood only when he embraces the Sabbath bride. I see western swing performing a similar function in hardscrabble Texas, turning dirt-poor hired hands into Dapper Dans with magic feet at the Saturday night hoe-down.
You can't assume anything in politics. That's why every Saturday I walk around my district. I talk to the longshoremen in Charlestown. I listen to the people in East Boston and their concern on the airport noise. I walk down to the Star Market in Porter Square, and people tell me about meat prices.
I work during the days and have night classes on Wednesday and Thursday and live with my partner, who is in school during the days and works Wednesday through Saturday nights. Monday and Tuesday are therefore our nights, and we both get our work out of the way so we can actually spend time together.
I got the call to play Tony Manero in 'Saturday Night Fever' in Madrid, a role I'd always wanted, as it's such a well-constructed show, and my background is in musical theatre. I'd been travelling back and forth between London and Spain for auditions and had been borrowing money from friends to do it.
There's not just playing on a Saturday and you receiving your money at the end of the month. There's so, so much more to football than what people see. My agent told me when I was 15, 16, 'you can have all the ability in the world but if you're not mentally strong enough football will swallow you up.'
I've written everywhere - in hotel rooms, cafes, airports, and planes all around the world. Now I have a home office, and the wi-fi is really bad down there, which is great. If I make a date with myself to write from, say, 6 A.M. to 10 A.M. on a Saturday, the fact that no emails come in helps me focus.
I measure success in terms of the connection with the audience, which we've been able to do in spades. I mean, it's very hard to do that. You think about it, you go back in time, you can say, 'Well, there's, like, 'Saturday Night Live' and 'Rolling Stone' or 'MTV.' I think 'Vice' is in that category now.
I was the worst teacher you have ever imagined - not that we did not have fun. We had a ton of fun. We just did not learn any scripture. I would think all week long what could I talk about on Sunday, and then I would scramble on Saturday to find some kind of scripture to go with it. This was my teaching.
If I'm doing a show on Sunday at 7 P.M., that wouldn't be the same show that I'd do at 11 P.M. on a Saturday - it's a different room at a different time of day with different sensibilities. That doesn't mean you have to compromise your art, but it is communication: you have to know how to talk to people.
I used to go round to my granddad's house on a Saturday morning, and we'd sit and eat our porridge and watch re-runs of 'Steptoe and Son' on BBC Two. I thought it was hilarious - and Rag 'N' Bone Man sounded like a blues name to me. It reminded me of people like Sonny Boy Williamson and Big Mama Thornton.
When I was a boy, I had a baseball team of my own. We played on a vacant lot between Ninetieth and Ninety-second streets. I had a little menagerie of my own, some pigeons, guinea pigs, and so on. On Saturday mornings, I had to take my music lesson. Then the members of my team used to come see my menagerie.
Five days after the Tsarnaev brothers blew up Boston's most sacred event, and just 24 hours after one brother was killed and the other was caught, everyone decided that it was OK to play baseball at Fenway again. The game happened on a Saturday afternoon, preceded by an emotional ceremony and many prayers.
My grandfather, Arthur Baskerville, he played and still plays a little bit piano and trombone, and so when I was a kid, I always heard jazz around the house, but I also went to his gigs, whether it be a Saturday brunch in my hometown Columbus, Ohio. We'd go and hear him play with some of the local musicians.
I remember lying on the floor of my room, staring at a black-and-white television for most of the '80s - watching 'Diff'rent Strokes,' 'Facts of Life,' 'Silver Spoons,' Saturday morning cartoons, and 'Murder, She Wrote' while eating an insane amount of Stouffer's French bread pizza. I was sucked into it all.
Mobile is a seaport town, and we ate a lot of seafood. We'd go fishing, we'd catch our fish and we'd eat our fish. It was a ritual on Saturday morning for all my family - my grandfather, my brothers, my uncles, my father - to go fishing, and then the ladies of the family would clean the fish and fry them up.