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I came away from 'Saturday Night Live' feeling very well represented. I felt, and I still feel like, they let me do so much stuff that I wanted to do. Stuff that I almost didn't even know what it was.
As a kid I would watch 'SCTV,' 'Saturday Night Live,' 'Monty Python' and 'The Kids in the Hall,' and be amazed that these guys got to be different people every week. It spoke to the acting side in me.
It was a terrible blow that was dealt when I was fired from 'Saturday Night Live', but I have to say that a few doors opened right away. Movie roles started to roll in, and pretty soon, I was over it.
I've gotta long list of things to do, bucket list things - play 'Saturday Night Live,' make a movie. I want a lot of things, but one of my deepest wishes would be to headline - and sell out - Red Rocks.
The thing I really love about 'Saturday Night Fever' is that the movie is a gritty drama. Most people just remember the amazing, whimsical fantasy dance scenes, but then, when you watch it again, it's raw.
I remember after the second episode of 'Saturday Night Takeaway' aired, there were thousands of comments about how bad my teeth were. That got to me most because I was so insecure about my teeth as a child.
Saturday Night Takeaway' is the show we always wanted to make. It's a direct descendant of 'Game For A Laugh' and 'Noel's House Party' and 'Russ Abbot's Madhouse,' and they're all shows we grew up on as kids.
You know, if you look all my stuff... If you go back to 'Saturday Night Live,' my stuff always has music, even a bunch of my comedy stuff - like in 'Shrek,' the donkey is always singing. Music is always there.
Every time I see Trump on TV these days, I'm waiting for him to burst out, 'Live from New York, it's Saturday Night!' That would make sense to me - that this has all been one long 'Saturday Night Live' sketch.
I didn't want to be an actress; I never thought of being an actress because, as children, there were three of us - I was the middle child - and we spent our time in church from Sunday morning to Saturday night.
Someone like Ashlee Simpson, she lip-synchs on 'Saturday Night Live,' gets totally called out la Milli Vanilli, and no one really cares that much. It doesn't make me hate Ashlee; she's just taking instructions.
Without realizing it, I think I've wanted to do a sketch show since I was, like, 11 years old. Like everybody else in comedy, I grew up watching 'Saturday Night Live,' and I was doing characters with my friends.
Saturday night is your big night. Everybody used to fry up fish and have one hell of a time. Find me playing till sunrise for 50 cents and a sandwich. And be glad of it. And they really liked the low-down blues.
My ideal Friday and Saturday evening would be... Friday to go out and have dinner with my girlfriends. Saturday night, I would stay in. I would have somebody cook for me out there because I do not cook very well.
I felt like I couldn't fully be myself and accepted in my family, so I would lock myself in my room on a Saturday night and watch 'Saturday Night Live,' and that was, like, the best thing that ever happened to me.
Where do these arms come from, these Saturday night specials that constitute the instrument of threats in bank robberies, or the hand grenades used by terrorists? How can their sales and their import be permitted?
I loved 'Saturday Night Fever' when I was a kid. I couldn't believe people talked that way. It was just a whole new culture I didn't understand. I snuck into it. It was an R-rated film. So it holds a special place.
We used to go to the pictures every Saturday night but we had to leave a little bit early and get home and watch Match of the Day - and my wife still complains she missed the last five minutes of every film we saw.
We have a show very early on called 'Slap Bang' on a Saturday night and it didn't work. It started off peak time and started getting earlier and earlier in the schedule. I think that that taught us you have to adapt.
I look back at 'Saturday Night Live' and I think, some people didn't like me doing 'Weekend Update.' Who cares? A lot of people did. When you're reaching that many people, you're not going to have everybody like you.
I come from Beverley in East Yorkshire, and no one there would step outside their front door, or even their back door, on a Saturday night - or any other time, for that matter - unless they were dressed to the nines.
I mean, sitcoms shouldn't be doing 'Saturday Night Live.' You can't just do bit after bit after bit. You have to string it together with tight writing and performances. Hollywood seems to have forgotten how to do this.
I had dreams of conehead aliens when I was little. Before 'Saturday Night Live' did it. And then they came out with them, and I went on to be a glorified extra in the movie. When everyone else was laughing, I was scared.
'Saturday Night Live' was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.
Muslims do drink, as anyone who has spent a wild weekend with Saudi booze tourists in Bahrain will know. Those Saudi tourists are like teenage girls in Manchester on a Saturday night. But each country and region is different.
I found school quite tough, but Saturday night was movie night, and I started to empathise with the characters on screen. I started to get more involved with what these people were experiencing. Film inspired me to do better.
I love meat and vegetables. If I did a diet, I would do Paleo, except they have no cheese, which is very upsetting. I'm going to start my own Chrissy diet that's like Paleo plus cheese. Plus late Saturday night drive-through.
I've got my foot in 'Saturday Night Live,' and my heart is there in a lot of ways, but I'm really pushing myself to do these new projects. It's scary as hell, but it's fun to have other things to keep my creative brain cooking.
'Saturday Night Live' is a very particular beast. What it celebrates are individuals who can stand out. I did good work there, but going onstage and saying, 'Hey! Hey! Look at me! Aren't I funny?' - that just wasn't my instinct.
They sent me the script and I thought that there was something very appealing and funny about it. Also, I was familiar with Mike Myers' work in Saturday Night Live, but I did not know the extent to which he would make this creation.
Because I have moderated two general election debates - in 2004 and 2008 - I know better than to carp from the sidelines. I am confident in my accomplishment of having had Queen Latifah portray me on 'Saturday Night Live' both years.
Our television set was in the bedroom. I can picture my mother fast asleep, exhausted from driving my brothers around. I can picture the Maple Leafs playing the Canadiens. One or the other would always be on the CBC on Saturday night.
I don't know what your childhood was like, but we didn't have much money. We'd go to a movie on a Saturday night, then on Wednesday night my parents would walk us over to the library. It was such a big deal, to go in and get my own book.
My typical Saturday night is a great solo dinner at one of my favorite restaurants. I like to talk to the restaurant staff while I eat, then come home, finish up some work until midnight, and then play the keyboard until I'm ready to sleep.
When I graduated from college, I moved to New York and started doing improv because I read all about the early 'Saturday Night Live' guys having come through Second City and learning how to improvise, so I wanted to get immediately into that.
Doing Saturday Night Live definitely affects my relationship with my girlfriend and with my family, because you feel so much pressure to do well that night. But I think everyone's grown to accept that and so they give me my space at the show.
I don't miss 'Saturday Night Live.' I feel less of a need for the fulfillment that performance used to give... I don't have to do everything right away. As long as I can walk and jump, I'll still perform, but I no longer feel such a compulsion.
I left 'Saturday Night Live' without a film to go to, and I'd filmed 'Old School' while I was in my last season of the show, and that hadn't come out yet. I was a free agent, in a way, but I knew it was time to leave the show and test the water.
Saturday night at my house, I often trot out classic movies and force the urchins to watch them. There is much wailing and gnashing of teeth, but I think it's important to teach kids about American culture, and films are certainly a big part of it.
Going to salsa clubs may be popular, but I feel we're really missing something as a society by overlooking ballroom dancing. If only we could persuade schools to teach it or there was somewhere young people could go on a Saturday night to learn it.
Nihilism in American comedy came along way before 'The Simpsons.' There was a fairly nihilistic point of view to 'Saturday Night Live,' for instance, back in the beginning, and a lot of really dark comedy had a really anti-sentimental take on life.
In 'Mother's Day,' which is directed by legendary director Garry Marshall, I play a mother figure to the character played by Jason Sudeikis from 'Saturday Night Live.' He's a widower, and I'm a mother who's helping him to get over the loss of his wife.
I've had four fantastic years on 'Strictly Come Dancing,' but for us it's about moving forward and the end goal is to present a shiny-floored Saturday night TV show that we all love, for example, 'Strictly,' 'Britain's Got Talent' - those sort of shows.
I never felt that I was a leading-man type in high school. I was always the goofy guy who was getting attention from girls who could make them laugh by doing impersonations of, like, 'Saturday Night Live' sketches... I was more James Stewart than James Bond.
Politics is a tough game. But would I change places with a trauma nurse in an emergency ward on a busy Saturday night? No way. There are lots of jobs in the world that are tougher than politics. And politicians and people who've done it need to remember that.
I did a number of local children's theater plays growing up, but in 5th grade, I had some good times on stage making people laugh as a troll in 'The Hobbit.' That solidified my dream to be on 'Saturday Night Live,' which was hugely influential for me growing up.
Trying to be a leader in a sort of very atypical workplace like 'Saturday Night Live' forces you to realize that no one wants you to be their leader. If you can help them get their thing on TV or whatever, they want that. But no adult is looking for a role model.
I think that's the thing I learned at 'Saturday Night Live' - any time I would try and strategize, I would always, always fall on my face. Things worked out when I tried to make it about what I was feeling at that moment and what I was into in that moment of my life.
I grew up in rural Missouri about two hours north of St. Louis, and if the wind was blowing right on a Saturday night, I could catch All Star Wrestling out of Kansas City, which was run by Bob Geigel, and some of the stars there were Bulldog Bob Brower and Ray Candy.
Saturday Night Live is such a comedy boot camp in a way, because you get to work with so many different people who come in to host the show and you get thrown into so many situations and learn how to think on your feet, so filmmaking actually feels slow, in a good way.