I thought I sang - it's OK - it's so hard to sing! Singing - I had no idea. I'd get fatigued at the end of a phrase - the amount of respect I have for singers!

When Elvis sang, it almost sounded like he was whispering. But after you heard the record, his voice was the strongest thing you ever heard. He was incredible.

From the time I sang my first solo in church when I was probably 12 years old, I was bitten by the bug. From that point on, I never wanted to do anything else.

From when I first started listening to music, M. S. Subbulakshmi has been one of my biggest influences. She poured her heart and life into everything she sang.

So you know, my plan was that I was going to make records, and be a rock star. And that's really what I wanted to do. And I sang from the time I was very young.

My mother sang. But back in the day, it was looked down upon if the lady of the house wanted to sing in public. So, she couldn't pursue her musical aspirations.

In Van Halen there were moments, like in some of the ballads, I put my heart and soul into those records. Those lyrics when I sang 'em, I gave myself goosebumps.

I don't sing to people. I sing for them. I told that once to Elvis Presley. He bought it. After that Elvis sang not to but for the audience. A subtle difference.

My mum, Olwen, was a bright and talkative woman who loved a gossip and a story and was given slightly to malapropisms. And she was Welsh, so, of course, she sang.

Two decades later, Gary Jules sang 'Mad World' for the film 'Donnie Darko' and got the Christmas No 1 in 2003. That was probably the proudest moment of my career.

Professionally, when I did the Olympic games and sang for my country in Australia. It was a big moment, Sydney in 2000. It was just a brilliant moment in my life.

My parents always supported me, but I was put to task. My father thought when I sang, I was sharp; my mother was upset when I wasn't in the first line at recitals.

And I was very shy as a kid; if you sang me 'Happy Birthday,' I would cry. Quite shy. So the idea of being an actor, much less a model, was just out of this world.

In elementary school, I sang and danced to 'Pink Cadillac' and 'Math Stinks' in the variety show, but mostly, my musical performances have been on 'The Goldbergs.'

I sang the 'Sunday Night Football' theme song two years in a row - my first part in American culture, although I still don't know anything about American football.

I was driving home and thinking about what rock and roll should be about. 'Adventure and Trouble!' I thought. I sang the song first and then added the chords later.

People recommended that I didn't sing at the school as a jazz major. So I sang and produced on my own time, but I didn't have a lot of support. I just did it anyway.

I believe in 'Hard Livin'.' The song has a lot of potential. I sang it on the road for about a year before I put it on an album. The crowds really seemed to like it.

When we were first started we were doing a lot of Motown stuff, but actually playing it more in a rock way. Everybody in the band sang and we did a lot of harmonies.

I had always sung, as far back as I can remember, for the pure love of it. My voice was contralto, and I sang in a church in Naples from fourteen till I was eighteen.

I was more of a dancing kid than a singing kid. I mean, I sang in school choirs and I sang in school musicals, but I was much more interested in dancing than singing.

I think Bridge Over Troubled Water was a very good song. Artie sang it beautifully. The Boxer was a really nice record. But I don't think I've written any great songs.

My goal in life was to host the MTV Awards, because it's the awards show that Prince sang on, and that was the awards show that Eddie Murphy hosted and Arsenio hosted.

I felt alive when I read a script and acted out a scene, or sang a song. It was my dream. I'm just very lucky that I'm still doing it and able to earn a living from it.

As a kid, on the cotton fields, I had this tune in my head. I hummed it and sang it. It was the same melody as 'When A Man Loves A Woman.' I could never, ever forget it.

I had this thing about not giving too much of myself away, so I thought, if I sang lyrics, that's giving too much away. You know, I really didn't want to give myself away.

What is that song that Willie Nelson sang? 'Oh, the days dwindle down to a precious few.' I think of that. No big deal. I've reached a stage in my life where I am content.

The first time I sang with David Daniels... I had never performed with a countertenor before. That first time was magic, it was so beautiful. And he's such a great artist.

In the past, I'd sort of know before Ozzy sang something, what he was going to sing. I'd know what sort of way a melody was going to go 'cause of the way he'd approach it.

Nobody sang better than my mom. That's why I've never even thought of singing for singing sake. I've always thought of a song as an acting piece, as a way to say something.

In high school, I had two friends that were suffering from cancer. I would go and sing for them while they were in hospital, and I sang at their services after they passed.

The first time I sang in front of an audience, I was about 14 - it was at my guitar school's showcase, and there were about 30 people there. I was so nervous, but I did it.

The only reason I became the singer in the band is because I sang the best. It wasn't out of some desire to be a star or be a famous singer. It's not like I love interviews.

At seventeen years old, I found out I could sing, and I got up and sang in a club, and I got a big hand, and I thought, 'I'm gonna continue this.' So that's how it all began.

I sang 'American Pie' a lot in my stage set. It had a knack of uniting an audience in a sing-along. It's a clever song about American history but wrapped in a fantastic tune.

Then on to all the terrific american songwriters, from Tin Pan Alley to the Beatles, from Bob Dylan to Paul Simon. Whoever wrote and sang in the song form I have appreciated.

I sang at least one hit for almost every star - Dharmendra, Jeetendra and Vinod Khanna included, and several hits for all the Khans, Akshay Kumar, Rishi Kapoor and many more.

Chris Kirkpatrick and I were in college in choir together; we sang at our community college. I'm partially the reason why Chris even got into being in a boy band with *NSYNC.

It was really fun. Well, Bobby was just basically a folk singer. He didn't play with any bands or anything, like all the rest of us. Just played his guitar and sang his songs.

The big compliment came from the beer drinkers who didn't know me. They wouldn't drink or move when I sang. If they had their glasses in mid-air, the glasses wouldn't come down.

I worked with Jim James on my film 'I'm Not There' - he sang 'Goin' to Acapulco' with Calexico backing him up. We just hit it off, and it's such a beautiful moment in that film.

I started when I was about 3, and worked and worked and worked. I sang at nursing homes, Walmarts, and still didn't get no place. But I had this feeling that I was almost there.

My grandfather always sang about the light, and for some reason, I don't know why, it even goes back to when I was seven, eight years old, I've always been attracted to the dark.

I always sang. I wanted to be in a band with my sister, and I was, at 11. At 12, I started writing seriously, and that was my pacifier all through high school - that and painting.

You know when I really realized like 'wow' what a gift this is was when I sang at camp and a girl wrote me a letter and said the song that I sung kept her from committing suicide.

I never really sang for anyone, apart from in the shower or with my best friend. I was shy. I didn't want to take voice lessons. I knew I could sing, but I just didn't tell anyone.

The New York that Frank Sinatra sang about, people will never know that place. The New Orleans that Louis Armstrong sang about is the New Orleans that's still there - it's preserved.

Acting was truly all that I ever wanted to do. I've always acted in plays and sang and played music, and you get to a certain age and think there's nothing else that you'd rather do.

I met Ne-Yo in London. I sang for him and he said, 'I want to sign you.' It was amazing - it meant my name was buzzing around the industry and I got to meet lots of different labels.

There was a chance for me to write one song for the section where Elvis sat in his black leather outfit and sang the old hits. At eight oclock the next morning I had written Memories.

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