Quotes of All Topics . Occasions . Authors
Bond is part of the system. He's an imperialist and a misogynist, and he laughs at killing people, and he sits there slugging martinis. It'll never be the same thing as this, because Bourne is a guy who is against the establishment, who is paranoid and on the run. I just think fundamentally they're just very different things.
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
When I first told people I was writing a book, some would say that was interesting, but others thought it was some holiday project and I would lose interest. I think my parents thought the same thing, and they were surprised when I kept going. I'm not sure I thought I would keep going, but then it became a big part of my life.
Today, not to take away from any of the present artists, but music has gotten a little shallow, in my opinion. Everybody's talking about the same thing: sex, money, clothes, cheating... I want to open up not necessarily better conversations, but, in my opinion, more important ones, and touch on things that are actually going on.
When I had photographed Prince William's mother, I brought along a CD of Dalida, a French singer, that we played on set all day to relax everyone. I decided to do the same thing for Catherine and William. The contrast of the contemporary informal music playing in the beautiful rooms with so much history caused a lot of laughter.
Don Draper-style advertising is really only available to the biggest brands out there. It's only commodity goods that use those kind of messages because they have to differentiate goods that are really hard to differentiate between - Shell gasoline versus Exxon, Coke versus Pepsi, Sprint versus T-Mobile, it's all the same thing!
I've always been fascinated by Picasso and how he would look at a single image through multiple perspectives and from separate moments in time. He would look at a woman's face and he would see almost a three-dimensional look even though it was a flat canvas. I thought, well why couldn't we do the same thing with a football play?
I'm thankful God has given us the technology where we can see each other through Skype on the computer. It's not the same thing, but at least we can see each other. Imagine the time before when that wasn't available and people had to go defend our country. It's really hard. I go two weeks without seeing my family and I go crazy.
When you learn to read and write, it opens up opportunities for you to learn so many other things. When you learn to read, you can then read to learn. And it's the same thing with coding. If you learn to code, you can code to learn. Now some of the things you can learn are sort of obvious. You learn more about how computers work.
I've seen the same thing emerge in the research around the interaction of sleeping and moving and eating: if you get a good night's sleep, you are significantly more likely to make the right choices about what you eat the next morning, you're more likely to work out, you're more likely to get a better night's sleep the next night.
For me, it's a real shock to see American mainstream films. I can't see these films because it's always the same thing to me. This is very American. Violence is very American, and I can't understand these films. Why do they use violence? To show what? Masculinity? To show fear? Defense? What are you showing with all this violence?
Philiosophers like Hume and Descartes and Hobbes saw things similarly. They thought that mental images and ideas were actually the same thing. There are those today that dispute that, and lots of debates about how the mind works, but for me it's simple: Mental images, for most of us, are central in inventive and creative thinking.
I mean, I get letters in the mail because I had a heart defect when I was one, I had surgeries and stuff. And so you get these letters in the mail that just, they are crazy, they are just like, yes, well our son is dealing with the same thing and we saw you on TV and I mean it is such a cool thing to inspire and kind of give hope.
The designers usually don't like to say until we're on the runway. Like when I did Prada last year, I couldn't mention doing Prada or even Tweet or take a picture and put it on Twitter saying I was backstage at the Prada show. And Dolce was the same thing. They like to keep a little surprise, I guess, a little secret for everybody.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
I had to deal with it so often, I found ways of making a point against racism. When I played against Real Zaragoza, they chanted like monkeys and threw peanuts on the pitch. So when I scored, I danced in front of them like a monkey. When the same thing happened against Real Madrid, I scored and held my fist in a Black Power salute.
It's certainly anyone's prerogative to say, 'I liked something more when it was this' or blah blah. But there's a kind of laziness as a consumer of entertainment, I think, to wish that something was repeating itself and doing the same thing. But to each their own, and I do it all the time. I've dropped television shows as a viewer.
I'm certainly aware of the fans. I'm always hoping that what I'm doing is something they'll like, because I do appreciate them. But, no, when I get into the studio, it's all about what I like. It's the same thing that led me to the possibility of making that first Boston album, which was to divorce myself from all other influences.
Music's always going to evolve, and we can't really stop that, so we have to figure out what's the next thing and how we move towards that as opposed to just being like, 'Oh, cool: let's just continue making tear-out EDM hits that are gonna last 2 months, and then somebody else is making the exact same thing under a different name.'
It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.
In primary school in south-eastern Nigeria, I was taught that Hosni Mubarak was the president of Egypt. I learned the same thing in secondary school. In university, Mubarak was still president of Egypt. I came to assume, subconsciously, that he - and others like Paul Biya in Cameroon and Muammar Gaddafi in Libya - would never leave.
I think the biggest learned behavior that I would love to get rid of is that little voice that tells you, 'That's stupid. You shouldn't say that.' And then five seconds later, you hear somebody saying the same thing, and you think, 'Seriously, what is wrong with me?' I think, in particular, a lot of women do it. And that's a problem.
I was having problems with depression and anxiety disorder, and it felt like not blogging about it was creating a false history. When I did finally share the problems I was having, I was shocked - not only by the support that was given to me, but also by the incredible amount of people who admitted they struggled with the same thing.
Every person is different and unique. I am a female. I'm Indian. I'm 4'11". People should never be defined by what they look like and sort of these demographical parts about them, but the most important thing is the work you do, so females are just as capable as doing that as males, and the same thing with any other person out there.
Sometimes when I pose for pictures, people say it's impossible that I have a flat stomach without working out like crazy and having a personal trainer, and sometimes they get mad at me, and I find that hard because I think there's a lot of women who have the same thing happening to them because they lived a healthy, active lifestyle.
I was impersonating people way, way, way early, as far back as I can remember. And I would do people on my street for my parents, I remember. And in school, I did the same thing with all the teachers. It was just like, I mean, it was something I loved to do. I don't think there was a time when I wasn't doing it. I was always doing it.
Think how different it is to experience a word than a sound. When you're hearing a singer, you're controlled by the words, because you understand the language, you know what they're talking about, and you're forced to think about what they're talking about. But when you're hearing that same thing without a word, you're free to wander.
All generations think the present moment is the greatest but also have this fascination with before their time. I do the same thing. I see old British movies. I'm like, 'Man, I would love to be in London at that time.' But then I wouldn't be able to watch 'The Walking Dead,' I wouldn't have cable, and my pizza options would be limited.
The same thing is to be understood of all bodies, revolved in any orbits. They all endeavour to recede from the centres of their orbits, and were it not for the opposition of a contrary force which restrains them to and detains them in their orbits, which I therefore call Centripetal, would fly off in right lines with a uniform motion.
It's interesting to me because theater is, on any given day, 10,000 times harder than film and television. And that's not to say film or television can't be hard or challenging; it's emotional to do the same thing over and over and over. But in terms of stamina, there is nothing like an eight-show week to separate the men from the boys.
To me, Wu-Tang is beyond Wu-Tang Clan... It's just like, hip-hop is beyond Grandmaster Flash, but Grandmaster Flash was one of the first guys to hit those turntables like that. The same thing with Wu-Tang. You'll see the difference in hip-hop from the moment we came in to before we came in. We changed it. We changed the whole structure.
We were shooting 'Hot Fuzz' in my hometown of Wells, Somerset, and I remember looking at the dailies and going, 'Wait, there's a Starbucks in the shot. I don't remember that being there!' We had to digitally remove it; the same thing happened with a McDonald's in another scene. I had this sensation of, 'What's going on here? Where am I?'
I discovered Einstein said the same thing about his celebrated theories of relativity that writers say about their work when he said he didn't have any feelings of personal possession of these ideas. Once they were out there, they came from somewhere else. And that's exactly the feeling when you write. You don't feel possessive about it.
The way Fatboy Slim layers motifs is the same as 18th-century baroque counterpoint. You have an idea, then you have an answer to the idea in another voice, then you have a counter idea accompanying the original idea, and you build up your texture like that. I'm really into Kruder and Dorfmeister at the moment, and they do the same thing.
Growing up the way I grew up, food was scarce. So when you had an opportunity to eat, you ate. When I graduated from high school and went to college, I weighed 160 pounds. So, I knew I had to put on the weight. I ate everything from fried food to fried chicken wings. When I came to Green Bay, I did the same thing because I was 172 pounds.
With all due respect to 'The Vampire Diaries,' doing the same thing, over and over again, for essentially five years straight, it really becomes laborious and tedious, and it becomes a job. You obviously find gratification in acting, but you're playing the same character. No matter how compelling it is, it starts feeling pretty monotonous.
My proudest thing in my career is that I was able to change it three times. And I'm happy about that. I couldn't have done the same thing my whole life; I would've gone nuts. I couldn't do it, because I do things based on impulsive excitement, and I'm just not that guy that can do something for 50 years and be excited about the same thing.
I mean, what is racism? Racism is a projection of our own fears onto another person. What is sexism? It's our own vulnerability about our potency and masculinity projected as our need to subjugate another person, you know? Fascism, the same thing: People are trying to untidy our state, so I legislate as a way of controlling my environment.
Temptation is just the feeling that you're the most independent person on planet Earth. That you know everything. That's something that we all go through as a kid. Now, this lifestyle that I'm in, the same thing exists! But it's 10 times worse, because everything is at my disposal. When you're in the limelight, you can get anything you want.
As a scholar, you don't want to repeat yourself, ever. You're supposed to say it once, publish it, and then it's published, and you don't say it again. If someone comes and gives a scholarly paper about something they've already published, that's just terrible. As a university president, you have to say the same thing over and over and over.
I don't think you can cry if the script is rubbish. I have to feel it; it's as simple as that. It's just like if you're watching something moving, and you feel yourself welling up. It's the same thing. You're just being carried along with the story. There's nothing magical about it. I think I'm in touch with my emotions, and I can't help it.
The laws of literary creation are unique; they don't change, and they are the same for everyone everywhere. I mean that you can tell a story that covers three hours of human life or three centuries - it comes to the same thing. Each writer who creates something authentic in a natural way instinctively also creates the technique that suits him.
I think what people need to realize is that, with trans people, we're like everybody else. No group of people are all the same. All women are not the same, all men are not the same, all children are not the same. It's the same thing with trans people - we're all so different, we have different goals, different dreams, and different aspirations.
'Friends' started because Rachel left her husband at the altar. This likability factor is just so stupid to me. It's the same thing as 'wish-fulfillment,' which is a big word you hear in a lot of Hollywood rooms. It basically means that people want to see other people living a life they can't lead, and I don't buy that. I think that's not true.
There's this little box that African-American actors have to work in, in the first place, and I was able to rise above that box. I could have done a bunch of movies where I stayed as the Axel Foley or Reggie Hammond persona. But I didn't want to be doing the same thing all the time. Every now and then, you crash and burn, but that's part of it.
Racism is a cancer. Black people have been dealing with this ever since we landed on these shores in shackles and chains. If we've been doing it for that long, those of us who are impatient need to be a little more patient and keep on addressing those things, not ignoring it. White people need to do the same thing. Don't turn a blind eye to it.
Fashion is not interesting unless it has some connection to something outside of that world. It's the same thing with any part of the arts: you can't just take pictures - you have to look at science, to listen to music; you have to be aware of the connections within the world. If you take something in an isolated box, it loses all significance.
I think you have to realize that most ancient warfare is really kind of hit and run, honestly. You go and you bash down the walls of some enemy 50 miles away and you take some slaves, you take some cattle, probably a bit of cash too, and then you say goodbye and go home and you probably do the same thing next year - or try to, or they do it to you.
I always say that drag queens are like an exaggeration of women, and I'm like an exaggeration of drag queens. People ask, 'Why do you do your makeup so differently?' and I always say, 'Well, in a subversive art form, ask yourself why so many drag queens do their makeup exactly the same.' If you can do anything, why does everybody do the same thing?