Quotes of All Topics . Occasions . Authors
You really can't do a remake. I mean, 'King Kong' needed its turn to be remade. It needed an update. But the 'Bad News Bears,' or 'The Shaggy D.A.,' those are classic movies. I think they did a good job of remaking them, but it's just not the same thing. Nobody can top Tatum O'Neal. It just isn't the same.
My house was a revolving door. You walk in, you walk out, you get whatever you can eat, you leave, you go hang out with friends. I'm on my mission, my sister's on another mission, my dad is working trying to provide, my mom is trying to do the same thing. And somehow, we're all co-existing with each other.
What's important at the grocery store is just as important in engines or medical systems. If the customer isn't satisfied, if the stuff is getting stale, if the shelf isn't right, or if the offerings aren't right, it's the same thing. You manage it like a small organization. You don't get hung up on zeros.
My second business would have succeeded but for competitors' jealousy. I was selling motorbike gear cheap, but the people I was undercutting complained to the manufacturer and cut off my supply. It showed me how corrupt business can be. When I sold phones, the same thing happened, but this time I was ready.
I've tried open-ended jobs and found myself incredibly unhappy. I don't like the monomania of showing up every day and doing the same thing. I don't know where my next cheque is coming from, I don't know where my next job is coming from, I have really sketchy health insurance, but I need variety in my life.
I think a good story can do as much as a novel; not the exact same thing, of course, but just as much artistically. They're different beasts, but to tackle an expansive country like the United States, you're either going to write a big novel, or go in to various points on the map and write stories or poems.
The lack of diversity, specifically in genre films and the superheroes our kids grow up watching and emulating, they can't really identify with. When you see the same thing, over and over again, and it seems not to speak of you and your heritage and your culture, it leaves you out of this world a little bit.
The fabric of North Carolina and what makes our state so special is our families and our common desire for a brighter future for our children. No matter what your family looks like, we all want the same thing for our families - happiness, health, prosperity, a bright future for our children and grandchildren.
Blake Lively is my style icon, and she always has rocking clothes and shoes. She keeps it really simple with hair and makeup, and I try to do the same thing. Onstage, I do a little smokier, a little more contouring, but I still always want to be an approachable and real artist, so I never try to go overboard.
I would have never wanted to write another management book. There are so many of them, and everybody says the same thing about them, and they are all the same - they give the exact same advice. It's like a diet book; they all say eat less calories, exercise more, and every single book has the same conclusion.
When I was first approached for 'Pass the Plate,' I was thrilled because I love to cook. And I love to cook healthy. The reason I started cooking was because I would go to restaurants and have just amazing food but feel so heavy and gross. I would go home and try to cook the same thing, but a healthy version.
There's so many FM hits that I love. Bob Seger, there's two of his songs that I love. I would probably love more, but I don't sit around listening to Bob Seger records. It's the same thing with Tom Petty; he writes amazing hits, but it's not often that I sit around at home listening to a whole Tom Petty album.
People talk about the difference between working on stage and working on film. I think you could say that there are as many differences between working on low budget films and working on big budget films. You really are doing the same thing, but at the same time you're doing something vastly different as well.
Some people like the same thing forever, but I don't know. We kind of, like, listen to loads of different stuff, and our attention spans aren't good enough. So there was a bit of frustration when you're, like, having to play the same thing all the time because we play all, like, loads of different instruments.
I'm normally late, so I just kind of throw on the sort of thing that's at hand. And then I'll go through phases of wearing the same thing again and again and again - and my wardrobe is mainly about black and white, so it goes together. I'll play with certain elements, but I don't really think about it too much.
First and foremost, Howard Cosell is sports. There are all these people, these fans, who claim that when Cosell does a game on television, they turn off the sound on the TV and listen to the radio broadcast. Oh, sure. You probably know critics in your neighborhood who vow the same thing. Well, too bad for them.
I love coaching my grandkids, but I love working with my two sons. J.D. is the head coach, and I'm the assistant - you believe that? I missed so much of them growing up. I really messed up there. So I like working with J.D. and Coy. I'm trying not to do the same thing again. With J.D. and Coy, I missed so much.
In any film business, if you're trying to get your next film made, you would never say, 'Oh, my last film was a cult film.' I'd say, 'Oh, great, well I hope this one isn't!' I always say to Johnny Knoxville, 'How do you do it? You sort of do the same thing we did, except you made millions, and I made hundreds.'
That literary-popular distinction is, in my view, vastly overstated. At the far poles there are clearly books that are purely commercial and purely literary, written for audiences that want to see the same thing enacted over and over and over again. But the middle is where most people read and most people write.
I think any actor can relate to the feeling of 'Just tag me in, coach, give me a chance.' Athletes go through the same thing. To be quite honest, most people in any job or career probably go though that, when you want a chance to prove what you can do, or somebody is taking away a chance at something you can do.
I honestly go back and forth in my head about using advanced and innovative technologies for creating my characters. There's something more 'real' and charming when the characters aren't perfect. It's the difference between anything that's built by a computer and machine versus the same thing being made by hand.
When I heard 'Back to Black' from Amy Winehouse, I was, like, 'Wow.' To hear such a soulful voice that feels like it's from a different era, I mean, it felt so fresh and unique, and that was something that opened my eyes and made me believe that it's not always about churning out the same thing in this industry.
It used to be that watching a film was a very special occasion, the same way flying was. Before, if you took a flight from New York to L.A., most of the windows would be open. Now, we get on planes and we just close them because we're so used to what it feels like. I think the same thing has happened with cinema.
I don't want euro bonds that serve to mutualize the entire debt of the countries in the euro zone. That can only work in the longer-term. I want euro bonds to be used to finance targeted investments in future-oriented growth projects. It isn't the same thing. Let's call them 'project bonds' instead of euro bonds.
Conor McGregor has a beard because of me, because I'm the one who allowed it. If it wasn't for me, none of these guys would have a beard. The same thing with the belly. Fighters who don't look like bodybuilders wouldn't be in the UFC if it wasn't for me. There's a lot of things I've definitely paved the road for.
I think every time you coach a certain team, when you leave that franchise, I think you continue to grow. You take a look at the things that you did, the things you wish you had done better. You analyze your strengths and your weaknesses, and then when you move to your next job, you continue to do the same thing.
I did tons of theater in school, and then when I was 16 and got my driver's license, I started driving to Los Angeles, along with my friend Eric Stoltz, who was a year ahead of me and was doing the same thing. So we had the same manager, and we started auditioning for things and doing commercials when we were 16.
Every publisher or agent I've ever met told me the same thing - that Irish readers don't want to read about the bad old days of the Troubles; neither do the English and Americans - they only want to read about the Ireland of The Quiet Man, when red-haired widows are riding bicycles and everyone else is on a horse.
I like that in 'Caprica' the virtual world is a new thing. The parents didn't have that growing up. And it's the same thing about the Internet and all the current technology. It didn't exist like it does now for our parents' generation. Kids aren't relating to their parents anymore, and I just find that so honest.
I don't mind when people are telling me about their 1971 Firebird, but it's the same thing as people telling me about their car or something. It's fine if you have an interest. By talking with me, though, you could be interviewing a novelist about guitars. It's the same thing, except I don't write that well either.
Ted Cruz cut his teeth politically in Texas on disrupting the Republican establishment, and Texans love a fighter. It's the same thing that has made me successful is that when people look at me, they see a fighter, somebody who takes on the establishment, who isn't intimidated, and is willing to kick through doors.
It's a myth that I received any flak from the metal community over my decision to come out. I have, in fact, received numerous positive responses from fans, as well as e-mails from people who were going through much the same thing. It's horrible to keep something like that secret, and I felt I had to make it public.
I started writing 'Leaves Of Grass' when my professional life was falling apart somewhat. I just had a movie implode in pre-production. And so I came back licking my wounds to New York, where I live, and started to write a script about a protagonist for whom the exact same thing happened: His life was falling apart.
It's really important for me that the people who listen to my music get something that can hopefully help them get through whatever they're going through. Music is the only thing that's able to help sooth my soul in that way, and my goal is to always put things out there that that do the same thing for other people.
Don't buy this 'believe in yourself' rubbish. Why do they keep telling youngsters that? There's no point believing in yourself if you don't know what you're doing. Once you've got a vision of what you want to do, by all means stick to that passionately and doggedly. Believe in your ideas. It's not quite the same thing.
The best way to make change is to know how something works. If you're going to go build something or change whatever it is, if you don't know how it works and you're trying to go make a change in it, the first thing you're doing is you're spending time figuring out how it works. The same thing happens in organizations.
My father was very sick around the time I was born. The doctors thought he wouldn't live. He did recover, but I don't remember him as very active. I do remember lots of schtick around the dinner table. Generally, he and my brothers and I were all laughing at the same thing my mother did not find funny, whatever that was.
All athletes speak about the mental element of athletics, and it usually boils down to the same thing: if you can remove your ego from the game, you can function with much more clarity and you are more likely to succeed. Wouldn't it be interesting if we all began speaking about the mental element of our lives in this way?
I always collect images, maybe because I was working with historic material - but even if I were working with contemporary material, I would do the same thing. I keep a kind of index of them while I'm working. I find them incredibly useful, not so much to illustrate a time, but to give some sense of the feeling of a time.
My mother always helped me because she was kind of a research fanatic. When she would write a screenplay, there would be so much research all over the walls. And so when I started working as an actress, I would do the same thing. She instilled in me a love of taking everything very seriously. It didn't matter what it was.
Proust, my big inspiration for 'Goon Squad,' uses music a lot in his novel, both in terms of plot and structure. I liked the idea of doing the same thing, which is one reason I structured 'Goon Squad' as a record album, with an A side and a B side, that's built around the contrasting sounds of the individual numbers in it.
Acting feels different. I'm not sure exactly what that is, but it used to mean a lot more. Maybe that sounds like I'm throwing it away and I'm not, I'll still do the best damn job I can, but it doesn't mean the same thing. I'm going to get the answer for myself one of these days. It's the male menopause, that's what it is.
With movies, depending on who your director is or what kind of movie you're shooting, you kind of have more of an ability to play around with the material, go off the page, improv. It's like we did with '21 And Over.' Same thing we did in 'Walk Of Shame.' Same thing we did in 'House Bunny.' You have the freedom to do that.
If you keep hearing the same thing over and over again from your fan base, you should pay attention to that. But that's just another bunch of loud voices in your ear. I would imagine it makes it very hard to stay in touch with your own gut. You try to think of it as just another episode, but that never works. It just isn't.
The contrasting focus on connection versus hierarchy also sheds light on innumerable adult conversations - and frustrations. Say a woman tells another about a personal problem and hears in response, 'I know how you feel' or 'the same thing happens to me.' The resulting 'troubles talk' reinforces the connection between them.
I'm probably wouldn't do anything differently if I had to do it again. Every little thing that happens to you, good and bad, becomes a little piece of the puzzle of who you become. Every successful person you read about - Warren Buffett, Bill Gates - they all say pretty much the same thing. 'Do what you love.' I know I did.
I want to work on projects that I feel passionate about and do things that are fun and challenging. I would love to do a live musical. I'm not interested in doing the same thing over and over or the fame and exposure that comes with it. When people keep doing that, they just end up doing the same dumb stuff again and again.
I look at the NFL and see how the transition has gone at quarterback. I might be coming along at a good time. For me personally, this is about doing the same thing I've been doing at USF - just smile, have fun, enjoy the experience, keep a positive attitude and encourage my teammates. I like to feed off the people around me.
Major League Baseball has the best idea of all. Three years before they'll take a kid out of college, then they have a minor league system that they put the kids in. I'm sure that if the NBA followed the same thing, there would be a lot of kids in a minor league system that still were not good enough to play in the major NBA.
I love Mike Tyson. I was a fan, as everybody else was. The moment somebody stood up to him, he didn't do so well. And that's the same thing with Anthony Johnson. The guy's a bully. He wants to intimidate you; he wants to dominate you. He wants to knock you out. But what happens when you don't knock somebody out? What happens?