Sam Quotes - Page 6

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It's been really cool to me to watch someone like Sam Hunt, whose lyrics and roots are in country but you can hear that he listens to Drake and Justin Timberlake - and that's OK. It allows songwriters to be more honest because it's like, 'This is who I'm listening to.'

I love music; I love dancing. I took, like, eight years of ballet when I was a kid, and I still love dancing. There's been a couple of films where I was able to do some dance numbers, like 'Romy and Michelle' and 'Summer of Sam,' and I'm so happy when I get to do that.

The U.S. government uses cash accounting. That is illegal for any enterprise of any size in America except for the U.S. government. Every for-profit business, every not-for-profit business, every state and local government has to use real accounting except for Uncle Sam.

That is - the use of the subjective camera is an idea that's been around in movies for a long, long time. And it's an idea that was seized on very notably by Sam Fuller and by Alfred Hitchcock in two different very kind of - otherwise very different styles of filmmaking.

My first job with Walmart was unloading trucks in a warehouse. Then I worked as an assistant manager in a store, and I was lucky enough to get into our buyer-training program. I loved merchandising and had a career path that led me through Sam's Club and Walmart International.

I've met so many remarkable people so far, coming up through stand-up all these years, who just aren't alive anymore. Because they are dead. Some really great people who helped change my life and career, people like Richard Pryor, Sam Kinison, Rodney Dangerfield, Johnny Carson.

My parents took me to Sam Ash, and I got a pretty cheap setup - a MIDI keyboard and one of those cheaper mixers - but it was dope, though; it was something. That was kind of how it was: just going to school, skating back home, making music, telling my parents I did my homework.

My dad sung and played piano. But he was also a man of God. He was a minister. So when Sam Cooke would come in town, you know, with The Soul Stirrers at that time, he was singing gospel, they would end up at my dad's church, and it would always be a guest singer for Sunday morning.

Getting to do shows with Lady Antebellum, Keith Urban, and Sam Hunt is just awesome. It's so inspiring because I grew up such fans of Lady A and Keith, and to be able to sing my songs on the same stage as them and then stand side stage and watch them is just a really special thing.

I've been influenced by so many great people , like Sam Moore, Wilson Pickett, Otis Redding, John Lee Hooker, B.B. King, so many great blues and soul artists that I completely revere. So it's strange for me, actually, to hear somebody say, 'Oh, I was deeply influenced by your music.'

As a kid, I was really into performing. I would do choruses, I would do musicals, whatever it was. And then, as a teenager, I got into an acting class at SUNY Purchase for gifted kids, and that really turned me on to material beyond musicals, Sam Shepard, and Christopher Durang plays.

Wal-Mart is an amazing success story. What I particularly admire very much about the late Sam Walton was his policy of valuing his employees. Giving value to employees is very rare in the retail industry. I also admire the strategies Walton used to build up his discount store concept.

My great-grandfather, Sam Aykroyd, was a dentist in Kingston, Ontario, and he was also an Edwardian spiritualist researcher who was very interested in what was going on in the invisible world, the survival of the consciousness, precipitated paintings, mediumship, and trans-channeling.

Presidents have a right to certain prerogatives, including the expectation of a certain deference. He's the president; this is history. But we seem to have come a long way since Ronald Reagan was regularly barked at by Sam Donaldson, almost literally, and the president shrugged it off.

When you have a guy that each week you can change up your game plan a little bit depending on what an offense does - you can put him at nickel, you can put him at linebacker position, Will or Sam or whatever they have him doing, he can create a matchup that the offense is not ready for.

Every two weeks, I'd get a small pay-check and notice the line where federal and state income taxes were deducted from my wages. At least as often, our drug-addict neighbor would buy T-bone steaks, which I was too poor to buy for myself but was forced by Uncle Sam to buy for someone else.

From an early age, I knew I would become a scientist. It may have been my brother Sam's doing. He interested me in the laws of falling bodies when I was ten and helped my father equip a basement chemistry lab for me when I was fifteen. I became skilled in the synthesis of selenium halides.

Everybody walks around talking about, 'Sam Allardyce's style is not good enough, he doesn't play the right way' and so on and so forth and it is a massive problem for me. People believe it. You believe the false lies, the false implications. Football does that - it believes that lie sometimes.

From a young age, watching my father embark on daring, and often dangerous, adventures in the name of Virgin almost become the norm. I'm not saying it became any less nerve-wracking waiting for his safe return - but, over time, it encouraged a new way of thinking for myself and my brother Sam.

The truth is that we're not remaking Sam Peckinpah's 'Straw Dogs,' we're making 'Straw Dogs.' We're taking this story, and we're putting our own spin on it. The mere fact that I have James Marsden in it is an indication that it's a very different film than the one that had Dustin Hoffman in it.

When I first played New York, it was with James Brown at the Apollo, and I was playing in a band under the name The Valentinos. I remember Sam Cooke saying, 'I want you to go in there with James Brown. I couldn't be as hard on you as James Brown would be.' But we came out marching like soldiers.

Havin' fun while freedom fightin' must be one of those lunatic Texas traits we get from the water - which is known to have lithium in it - because it goes all the way back to Sam Houston, surely the most lovable, the most human, and the funniest of all the great men this country has ever produced.

Whether you agree or disagree with privatization, two things are obvious. First, taxpayers need to be asking more and better questions before handing over control of critical public assets like a highway, an airport, or a parking meter concession. And second, Uncle Sam is being played for a sucker.

When I came to Hollywood, I would take the opportunity to get to know George Stevens or Willy Wyler or Billy Wilder or Freddie Zinnemann. David Lean I got to know, of course, in London. And David Selznick and Darryl Zanuck, not to mention Jack Warner, and Sam Goldwyn was actually very, very nice to me.

It's just wrong to work your whole life to build up a nest egg, build your own business - you pass away, and Uncle Sam can swoop in and take away nearly half of everything you've earned. Can you imagine that? Having to sell off most of your land just to keep it from the government, just to save the house.

I really enjoy playing villains, whether they're realistic like Switchblade Sam or whether they're a bit more over-the-top like Kruge in 'Star Trek III' or Judge Doom in 'Who Framed Roger Rabbit.' It's sort of a license just to be as bad as the script allows you to be - you can just go for it and have fun.

A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.

I have been influenced by many different artists at many different stages of my life. Starting out, it was people like Elton John, Billy Joel, Ben Folds, and Fiona Apple. As I got older I got deeper into the work of bands like the Beatles, artists like Sam Cooke, Ray Charles, Etta James, and Joni Mitchell.

In my shows, I always try to incorporate music because it's the most natural way to set a tone. So if I want to do a show about depression, I use the opera. If I want to do a show about greed, I use spoken word. If I want to do a show about the injustice that's taking place in the world, I might play Sam Cooke.

I think maybe the vehicle for me was 'Sam Cooke's Greatest Hits.' It has a song called, 'Touch the Hem of His Garment.' Do you know that song? I kind of got obsessed with that song and started exploring and getting more of his old recordings with the Soul Stirrers and really getting into that super, super deeply.

Sam Nunn might bring us Georgia and maybe even another Southern state but, in my opinion, at an unacceptable cost to our principles and to the concept of change that has stirred millions to rise and work for Barack Obama. Sam Nunn would be a disaster as a running mate and a total anathema to millions of Americans.

My first plays were amazingly bad, but I had a teacher who thought I had promise, and he kept working with me. I finally went to a summer workshop before my senior year with people like Sam Shepard and Maria Irene Fornes who encouraged me to write from my subconscious, and suddenly all this material about culture clash came out.

When you have a movie that has big stars in it... like, Will Smith does a great job in 'I Am Legend,' and it's a magnetic performance, but he's always Will Smith. That's not his fault. That's not anyone's fault. He's the center of it, and he's a movie star. But when you see something like 'Jurassic Park,' Sam Neill is Alan Grant.

I don't mind running; I don't mind taking a few knocks. But hopefully, it's just not 'Sam's an action dude.' That, to me, is not what I wanted. I wanted to bring a sense of weight and emotionality of doing Australian films and bring that into a bigger blockbuster, so you're not just kind of grunting and groaning and running around.

Sam Cooke had a huge influence on me. He left the gospel field at one point and went into the secular, and he had this huge hit, 'You Send Me.' Irma, my older sister, and I heard 'You Send Me' on the radio while we were driving through the South one night. We had to stop the car. We got out and danced around the car out on the highway.

I think a very clear cut example of - dare I say - plagiarism is the Sam Smith-Tom Petty situation, where you have a song that is flagrantly... it is the hook from one song being used for another song. To me, that was a very obvious example of plagiarism. If somebody had done that to me, I would probably take a similar course of action.

Artists like Otis Redding, Sam & Dave, Albert King, Ann Peebles, Isaac Hayes, and so many more gave me hope when I was an angst-filled teenager trying to make sense of it all... They were my teachers. Through their music, I learned how to live, how to be true to myself, and how to tell my story as a songwriter the way that I was feeling it.

We fell in love during the making of 'Ye Maaya Chesave' in 2009, and the love affair continued very well in the following years. I was, however, delaying revealing to my parents about my love affair despite Sam's insistence. One day, when we were chatting casually, Sam threatened to tie a 'rakhi' on me if I didn't tell about the love to my parents.

My dad's from that generation like a lot of immigrants where he feels like if you come to this country, you pay this thing like the American dream tax: like you're going to endure some racism, and if it doesn't cost you your life, well hey, you lucked out. Pay it; there you go, Uncle Sam. I was born here, so I actually had the audacity of equality.

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