Quotes of All Topics . Occasions . Authors
The first beat that I ever made that I thought was actually worth a damn was called 'Toilet Paper Nostrils,' and I made it when I had a cold. I had the worst cold ever. And I had toilet-paper nostrils making music, but it was really reflective of how I felt. It was a really sad trumpet sound.
I was rejected for couple of adverts for sounding too sad. One was for Diet Coke, but it's a good thing it didn't happen because it probably would have been a big blight on my soul. It also happened with a fabric softener called Downy, and I guess the way I sang 'Only Downy' made people weep.
I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you'd see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it's digital.
My dad constantly tells me I should calm down, but I feel so sad when I see places I've known since I was a child closing. I burst out crying when a local pharmacy closed the other day; it's just going to become a shop that nobody has much of a need for. But I am trying to move with the times.
When I design and wonder what the point is, I think of someone having a bad time in their life. Maybe they are sad and they wake up and put on something I have made and it makes them feel just a bit better. So, in that sense, fashion is a little help in the life of a person. But only a little.
About 15,000 years ago, humans colonised America, wiping out in the process about 75% of its large mammals. Numerous other species disappeared from Africa, from Eurasia, and from the myriad islands around their coasts. The archaeological record of country after country tells the same sad story.
I believe that the horrifying deterioration in the ethical conduct of people today stems from the mechanization and dehumanization of our lives. A disastrous by-product of the development of the scientific and technical mentality. We are guilty. Man grows cold faster than the planet he inhabits.
It's so curious: one can resist tears and 'behave' very well in the hardest hours of grief. But then someone makes you a friendly sign behind a window, or one notices that a flower that was in bud only yesterday has suddenly blossomed, or a letter slips from a drawer... and everything collapses.
I was really sensitive because people would say they thought I was a boy or call me a boy and stuff like that. I always had my hair back and, like I said, baggy clothes. So it was kind of sad. I didn't know what to do about it, and I didn't know what I was doing wrong because I was just being me.
My father was an urchin that lived in Hell's Kitchen. He was part of a family of nine. I mean, there were times that were better and worse, but mostly, by the time we got to L.A., they'd lost whatever they had. And it was a sad time. And both he and I became truck drivers for different companies.
I like to play the grey areas in life - that's the most uncomfortable place to be. Nobody likes to be in that in-between state where there don't know what's going to happen. There's a lot of tension in that, and a lot of stuff to play with - where it's uncomfortable and awkward and sad and scary.
It's important to get well-rounded right off the bat. A lot of experienced dancers can get pigeonholed into one thing. I've been hired for a lot of different gigs simply because I can do a lot of different things with different levels of dancers. And it's sad to me that some dancers don't do more.
We don't have all this gay-bashing crime. You don't see that. It's not there. That is not really happening in Jamaica. But because a few artists basically sing it and put records out and the media runs with it, then the stigma becomes big, and now we're trapped with that whole thing. It's really sad.
When I finished reading '100 Years of Solitude,' by Gabriel Garcia Marquez, I got really sad. I thought, 'This will never happen for me, for the first time, ever again.' Then I opened 'Beauty Is a Wound.' It's a completely different story and writing style, but it has a similar place in my heart now.
I survived turning 60, I was not thrilled to turn 61, I was less thrilled to turn 62, I didn't much like being 63, I loathed being 64, and I will hate being 65. I don't let on about such things in person; in person, I am cheerful and Pollyanna-ish. But the honest truth is that it's sad to be over 60.
There are more than 300,000 families in the Gulf region that lost their homes and are waiting for peace of mind. The hurricane exposed the sad reality of poverty in America. We saw, in all its horrific detail, the vulnerabilities of living in inadequate housing and the heartbreak of losing one's home.
If you know someone who has lost a child, and you're afraid to mention them because you think you might make them sad by reminding them that they died-you're not reminding them. They didn't forget they died. What you're reminding them of is that you remembered that they lived, and that is a great gift.
When you have used your beauty to get around, it's like having extra cash in your back pocket. I was so used to walking down the street and having the young guys passing by at least give me a flicker of a look. But once you're over 40, you become invisible. You're a brick in the building, and it's sad.
The sad fact is that actual artistic oppression - book banning in its many modern forms - is a matter of course in the entertainment industry, especially when the underlying product is declared politically incorrect or runs contrary to the interests of Hollywood's political altar, the Democratic Party.
If people who cherish freedom, who know the importance of mutual respect and are aware of the imperative necessity to establish a constructive and critical debate, if these people are not ready to speak out, to be more committed and visible, then we can expect sad, painful tomorrows. The choice is ours.
Today, actors aren't forced to ditch their regional accents like they used to. The best example's Tom Baker, a Scouser who went to great lengths to change his accent and ended up with something alien - and fantastic. It's sad that when the likes of him go, there won't be those sorts of accents any more.
It is a sad but undeniable reality that people have died in the line of duty since the earliest days of the United Nations. The first was Ole Bakke, a Norwegian member of the United Nations guard detachment, shot and killed in Palestine in 1948. The toll since then has included colleagues at all levels.
'Eyes Wide Open' took shape from two real life events straight from my own past. One was the sad suicide of my young nephew, a troubled kid, who was found at the bottom of a landmark cliff in central California. The second was a chance encounter forty years ago with none other than, ahem, Charles Manson!
People think, and by the way I think most people are right: 'The Tory party is run by people who basically don't care about people like me.' That is what most people in the country have thought about the Tory party for decades. I know a lot of Tory MPs and I am sad to say the public is basically correct.
In depression . . . faith in deliverance, in ultimate restoration, is absent. The pain is unrelenting, and what makes the condition intolerable is the foreknowledge that no remedy will come - - not in a day, an hour, a month, or a minute . . . It is hopelessness even more than pain that crushes the soul.
Sometimes what we call tragedy, at least in the theater, are really case histories. They're based on the central figure, and things happen to that person, and they're called tragedy because they're extremely sad. But tragedy always has a glorious thing happen at the end of it. That's what the catharsis is.
I really believe that all of us have a lot of darkness in our souls. Anger, rage, fear, sadness. I don't think that's only reserved for people who have horrible upbringings. I think it really exists and is part of the human condition. I think in the course of your life you figure out ways to deal with that.
Just as a stream flows smoothly on as long as it encounters no obstruction, so the nature of man and animal is such that we never really notice or become conscious of what is agreeable to our will; if we are to notice something, our will has to have been thwarted, has to have experienced a shock of some kind.
It is that kind of space, that little space of longing, whether it is in something like romantic love, or whether it's in something like divine love. You know, that kind of search for something that's not quite in your grasp. It's a very powerful place to explore as an artist, because it's not necessarily sad.
Nobody will hold it against him if he cancels the fight with Dereck Chisora - the public aren't interested in that fight; nobody knows who he is. It is pretty sad but shows the mindset of Wladimir Klitschko and why he will go down in history as a heavyweight who just fought the worst possible people out there.
The sad thing is that I feel so boring because 'Twilight' is literally how every conversation I have these days begins - whether it's someone I'm meeting for the first time or someone I just haven't seen in a while. The first thing I want to say to them is, 'It's insane! And, as a person, I can't do anything!'
It's very sad that there's going to be a hiatus in manned space flight from the U.S. The Shuttle was a fantastic, hugely complex vehicle. It was inevitable it would come to an end, but this is the opportunity for the commercial world to get involved. As the Shuttle era ends, another window of opportunity opens.
Until the age of five, my parents spoke to me in Chinese or a combination of Chinese and English, but they didn't force me to speak Mandarin. In retrospect, this was sad, because they believed that my chance of doing well in America hinged on my fluency in English. Later, as an adult, I wanted to learn Chinese.
I talked with labels and they wouldn't help with my international career. They said, 'Saara, if you're in Finland you just have to sing in Finnish.' That led to this situation where I felt very lonely. I was really sad and still I was doing gigs all the time. I'd go onstage crying but I was still trying to sing.
I got interested in reading very early, because a story was read to me, by Hans Christian Andersen, which was 'The Little Mermaid,' and I don't know if you remember 'The Little Mermaid,' but it's dreadfully sad. The little mermaid falls in love with this prince, but she cannot marry him because she is a mermaid.
Sad will be the day when the American people forget their traditions and their history, and so longer remember that the country they love, the institutions they cherish, and the freedom they hope to preserve, were born from the throes of armed resistance to tyranny, and nursed in the rugged arms of fearless men.
I've had tons of bullies who would call me retarded, even on my Facebook page. It's sad and it really hurts. I want to tell people not to use the word. Don't say your friend's retarded when they do something foolish. If you have a disability, keep working hard. Whatever it takes, do it, and don't be mean to people.
With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
You can play basketball and have a magic night and score 40 points with your team-mates and win the game. There are favourites for the World Cup, but you can't guarantee Germany, Spain, or Brazil will win, but here, everyone can guarantee that Mercedes or Ferrari will win the race, and this is very sad for the sport.
It's sad when you can't make everyone happy, though. It's impossible but, at the same time, you still hope. You think, 'Maybe I can do it,' but you know you can't. But gosh, if I had to rely on giving people what they wanted, I would have had to write 40 billion different books and even then, I wouldn't get it right.
I can't speak for everybody. But I will say that for me, when I've been depressed - and I get depressed. I have irrational bouts of anxiety. I have random FedEx deliveries of despondency. Just like, 'I didn't order this. Oh, well, keep the PJs on, cancel everything you're doing today. It's time to take a sad shower.'
I've written about this before, but the sad truth is this: There are only a handful of Trump true believers in the Senate. The rest are chugging a toxic slurry of cowardice, ambition, and opportunism that has led members of the upper house of a co-equal branch of government to relinquish their power and prerogatives.
I don't think I could compare myself to Macaulay Culkin, because we're pretty much two different kinds of actors. He's done a lot of comedy. He does mostly just comedy like 'Uncle Buck' and 'Home Alone' and 'Home Alone 2.' And I've done a lot of different stuff, like sad movies, like the movie about the kid with AIDS.
I was given this beautiful coffee table book of Soviet architecture for my birthday. It has a lot of holiday camps, swimming pools, theatres, and buildings that were built for leisure activities. Incredible architecture in the most obscure places. It's a little bit sad, because a lot of it has been left to fall apart.
It’s sad. Marxism didn’t work. Communism didn’t work. Capitalism doesn’t work. Nothing works. Even democracy doesn’t work. Democracy-the greatest form of government and we have two choices for who’s our leader. In fascism you only have one choice. That’s great. We have one more choice than the worst form of government.
The sad truth is that the civil rights movement cannot be reborn until we identify the causes of black suffering, some of them self-inflicted. Why can't black leaders organize rallies around responsible sexuality, birth within marriage, parents reading to their children and students staying in school and doing homework?
There's so much to argue about. That was the goal with 'Really Really.' Somebody asked me once, 'How should I feel when I leave?' and I said, 'Hopefully, you're talkative.' I don't really care if you're happy or sad or loved it or hated it or hate me. The goal is that you have something to say, that you have a response.
I have always been more of a joyous person than a sad person. But I was fortunate to have a mom and dad where my mom could look at my face and know what was going on and was able to get me to talk and draw it out. As a result, I didn't have to hide an emotion. I didn't have to worry about her telling me, 'That's silly.'
Grief is never something you get over. You don't wake up one morning and say, 'I've conquered that; now I'm moving on.' It's something that walks beside you every day. And if you can learn how to manage it and honour the person that you miss, you can take something that is incredibly sad and have some form of positivity.