Quotes of All Topics . Occasions . Authors
I'm a huge fan of 'Buffy,' 'Angel' and 'Doctor Who.' People like Joss Whedon, Russell T. Davies, and Steven Moffat are really amazing about making you feel like you had a complete meal and yet leaving you hungry for more.
My favorite movie is 'The Women' from 1939. It's been my favorite movie since I was like 12 years old. I love the dialogue, really. It's just a lot of really strong female performances. Rosalind Russell kills it, you know.
Well it was not exactly a dissertation in logic, at least not the kind of logic you would find in Whitehead and Russell's Principia Mathematica for instance. It looked more like mathematics; no formalized language was used.
The show was number one in the ratings, Gordon Russell was our head writer, the story lines were magnificent and the acting most exciting. I loved working with Judith Light and all the other actors on the show at that time.
I made so many jokes about poor Russell Crowe, he once knocked on my dressing room door, and told me he wanted to go out on this chat show we were on to laugh with me. Now he's ruined it. I can't make another joke about him.
Every director's so different. Everybody has their own modus operandi and I love getting to know different directors in the way they work. David O. Russell is very exciting to be with because he's got a mind like quicksilver.
I would love to work with Dustin Hoffman, John Malkovich, Omar Epps, Martin Scorsese, Josh Mond, Woody Allen, Paul Thomas Anderson, and David O. Russell, just to name a few. Those guys are absolutely brilliant at what they do.
There's all kinds of depictions of black men. You have the Denzel Washingtons and the Will Smiths; that's wonderful, but that doesn't represent everyone. There's a Russell Crowe... well, you know, there's a black Russell Crowe.
I really like dramas that have a tone of comedy in them or the opposite, and those are done by people like Alexander Payne and Jason Reitman but also Spike Jonze and David O. Russell and Paul Thomas Anderson, the Coen Brothers.
I lived to play basketball. Growing up as a kid, Bill Russell and the Boston Celtics were my favorite team. The way they played, the teamwork, the sacrifice, the commitment, the joy, the camaraderie, the relationship with the fans.
Arthur Russell is very important to me on many levels, and when I read Tim Lawrence's biography on him, 'Hold on to Your Dreams,' one of the things I took away was: first thought, best thought. I live by that when I make my own music.
Tom Hanks, Brad Pitt, Al Pacino, Russell Crowe - these leading men. These are the ones I grew up with. And Hugh Jackman. I love everything that these guys are doing. It's kind of been my mission to be an Asian-American version of that.
If LeBron doesn't care about the regular season, why should fans? The answer: Russell Westbrook. Where LeBron and others are content to rest and save themselves for games they feel are more important, Westbrook has gone a different way.
I've had albums out since the 1970s. I was in a musical, 'The Boy Friend,' directed by Ken Russell, and I was on Broadway in 'My One And Only' with Tommy Tune, so I've always been a singer, but I suppose people think of my modelling more.
It felt like the first thing, but when I first started out, I got a job adapting a book by Russell Banks called 'Rule Of The Bone.' I didn't do a very good job. I didn't really know what I was doing in general, let alone how to adapt a book.
Body piercing and baggy clothes express identity among black youth, and not just beginning with hip-hop culture. Moreover, young black entrepreneurs like Sean 'P. Diddy' Combs and Russell Simmons have made millions from their clothing lines.
The best part is it's a dream come true. I've always wanted to be a working actor, and the good part of it... it's all good! I work long hours, but it's amazing. They pay me. That's amazing! I get to kiss Keri Russell, and that ain't too bad.
You see a whole bunch of different looks in the NBA. Guys, like LeBron, have stylists now, and they do their own thing. Then you have Russell Westbrook, whose style is a little different. Every guy is wearing outfits to show their personality.
I was playing Russell Long, the senator from Louisiana. I had 12 speech teachers watching me. All the other passengers on the airplane were speech teachers, and every time I got it wrong, one of the speech teachers would jump up and correct it.
When I sit down to write, I don't think, 'OK, what is the next David O. Russell film I can write, or what is Harvey Weinstein going to want to buy?' Or even, 'What are filmgoers going to want.' I try to think, tell a good story. Just do what you do.
I am - you know, I'm getting to do everything I've ever wanted to do, anything my imagination can think up. I'm getting to play with some of my favorite musicians in the world, ranging from Russell Allen to Billy Sheehan to Paul Gilbert to Steve Morse.
If we want the best pitcher, let's get Bobby Feller. If want the best football player, let's get Jimmy Brown; the best basketball player, let's get Bill Russell. If we want the guy who can do the best job for the United States - let's get Donald Trump.
Coming from New Zealand and Australia is like a tough pre-school for Hollywood. And having been on 'Neighbours,' even though the agents I met with hadn't seen it, they knew it's where Russell Crowe and Guy Pearce had come from. It was a foot in the door.
My earliest influence was Quincy Jones. I thought 'The Wiz' soundtrack was the most amazing thing I'd ever heard. It was my first record and you had Michael Jackson, Ted Ross, Nipsey Russell and Diana Ross on it. I even took it to show and tell in third grade!
Dez Bryant isn't Peyton Manning, Tom Brady, Drew Brees or Russell Wilson. Dez Bryant is a typical, me-first NFL receiver diva, cut from the same cloth as Terrell Owens, Chad Johnson, Randy Moss and Keyshawn Johnson, sprinkled with a heavy dash of Pacman Jones.
I read for 'Reservoir Dogs,' and it got down to me and Buscemi, and Quentin couldn't make up his mind. I really wanted that part, but Buscemi is great in that. I also got really close on 'Gladiator,' but Ridley Scott decided on Russell Crowe, who's perfect in it.
Keri Russell is one of the prettiest girls I've ever seen in my life. She's one of those girls that doesn't have that thing when you walk into the trailer in the morning, and your face is all bashed in - like a lot of actors, even the beautiful and handsome ones.
A couple years ago, the novelist Russell Banks told me he was reading the ancient Greek historian Herodotus. I asked why. He said, 'Because I've always wanted to and am tired of having my reading assigned.' I thought it was a marvelous declaration of independence.
The first thing I do each morning is get out of bed and give my dog, Audrey, a hug. She's a Jack Russell. I think having an animal is a wonderful thing, particularly dogs. They are great levelers, there's no nonsense with them, and they just want simple affection.
I think the filmmakers that I love are ones that cross genres and do different thinks, the way that David O. Russell can do something like 'Flirting With Disaster' but then go do 'Three Kings' which is like an incredibly visual film - that's a huge reference point.
There have been things over the years that didn't work. 'Body Of Lies,' directed by Ridley Scott, which I did with Russell Crowe and Leonardo DiCaprio, is a really tight action thriller, but when it opened in the U.S. it was number two to 'Beverly Hills Chihuahua.'
The year after Russell retired, in the famous seventh game of the NBA Finals at Madison Square Garden, Willis Reed, the New York Knicks center, limped onto the court against the Los Angeles Lakers, inspiring his team and freezing Chamberlain into a benign perplexity.
I grew up idolizing Madeline Kahn and Lily Tomlin and Carol Burnett, Ruth Gordon, Rosalind Russell, Amy Irving, women who were stylish and real actresses who did real work and could not be replaced with anyone else. You cannot cast anyone else in Madeline Kahn's roles.
As I have discovered by examining my past, I started out as a child. Coincidentally, so did my brother. My mother did not put all her eggs in one basket, so to speak: she gave me a younger brother named Russell, who taught me what was meant by 'survival of the fittest.'
Depending on who we're playing, it's just kind of, like, a little starstruck. You know, because these are guys that... I'm playing against Tom Brady or Russell Wilson, Andrew Luck, guys like that that I've been watching since high school, that's been doing crazy things.
I know, when I was in film school, some of my films were silly, but a lot of them were more dramatic. I don't think I intentionally set out to do comedy stuff. I guess that's a consequence of coming up working with David O. Russell and skewing toward those sensibilities.
I genuinely liked all of the cast members very much. Steve had a wicked sense of humor. I remember Russell coming to my rescue, once. I watched Eric evolve before everyone's eyes. Maurice loved what he did, so. He treated his character with respect, down to the costuming.
In this business, you have a hierarchy of stars. Russell Crowe, Tom Hanks - you name 'em, they can play any part they want. Guys like me who are somewhere down in the middle of the pack, that's a different story. I can do things in the theater that I can't do anyplace else.
I did this film with Russell Crowe called 'The Water Diviner,' which took place just after WWI. It was fascinating because the weapons between WWI and WII were very different. I had to learn how to ride horses in a battle setting. It was important that we rode a certain way.
If only I could step back into the time of old movies, if only I could be given the opportunity to do what Katharine Hepburn did or what Rosalind Russell did. Those kinds of characters, that kind of patter, that kind of language, that kind of script. They don't exist any more.
I'm like Albert Schweitzer and Bertrand Russell and Albert Einstein in that I have a respect for life - in any form. I believe in nature, in the birds, the sea, the sky, in everything I can see or that there is real evidence for. If these things are what you mean by God, then I believe in God.
Hawkwind are one of those bands that people introduce you to because you don't see them on the covers of magazines. I'd heard 'Silver Machine' but Russell Senior, who was in Pulp, got me into them. They had a song called 'Master Of The Universe' and we nicked the title in 1985 for one of our songs.
I'll tell you this: you can look at all the masculine toughies you want - the Ben Roethlisbergers, the Russell Crowes, the David Petraeuses - but if you want to look at what a man should be - persevering, honest, a person who manifests his intellect into action - you need look no further than Roger Ebert.
I had this extraordinarily bizarre moment when, two Fridays ago, my missus gave birth to our second child at 11am and by the same time the following day I was sitting around a table with Ridley Scott, Russell Crowe and Leonardo DiCaprio in Rabat in Morocco, rehearsing a scene we were going to shoot the next day.
There's a commonality in a lot of the great quarterbacks in the league, that they have the chip on their shoulder - from something. Aaron Rodgers, Tom Brady, Patrick Mahomes, Russell Wilson - I mean, they all have something that got them to have a little chip on their shoulder, that makes you continue to work really, really hard.
My father, Jimmy Walker, was the first pick in the 1967 draft, but I never met him. He passed in 2007. I found out about him in middle school. I was old enough to understand who he was, where he went to college, and what his game was about. Older players like Bill Russell and Kareem Abdul-Jabbar have come up to me to talk about him.
On 'Silver Linings Playbook,' David O. Russell is the master at getting his actors to give him something that he doesn't expect. He loves to keep things spontaneous. He talks to the actors throughout a take because, in real life, you don't know what the next person is going to say; you don't know when you're going to get interrupted.
Starring Russell Crowe as the Patron of the First Ark, 'Noah' had affronted some Christian literalists with its giant rock men, its weird visions, and the occasionally dark motives of its protagonist. But the film corralled enough religious leaders, including Pope Francis (with whom Crowe snagged an audience), to salve canonical objections.
Russell James asked me to shoot underwater. He tied my feet under the water. I don't know how many feet - maybe five, six meters. He tied me underwater and I had no air. Somebody had a tube, and they were giving me some oxygen, but I couldn't really see anything. Everything was blurry. I'm waiting for the oxygen - that was the craziest thing.
Music is one of those businesses in which, if you're talented and hustle hard enough, you can make it - specifically as an entrepreneur. If you look as far back as Berry Gordy, Russell Simmons, Andre Harrell, L.A. Reid, and Sean 'Diddy' Combs, there's a whole lineage of successful black entrepreneurs who have built their own companies from scratch.