Quotes of All Topics . Occasions . Authors
Roy Keane and Paul Scholes were unbelievable players. You cannot compare yourself to them. It is impossible. Scholes especially, I like him a lot, and I have a lot of respect for what he did for United.
When I was nine, I was singing western swing: Roy Rogers and Patsy Cline. It got me noticed because no one my age was doing it, but it made me feel inferior because none of my friends could relate to it.
I grew up a huge Roy Orbison fan. He had such a crazy range. And I grew up listening to old jazz, Billie Holiday, Nina Simone. I remember trying to imitate female jazz singers because I had a higher range.
I really think your roster and your personnel dictates your style of play. When you have David West and Roy Hibbert does it make sense to play spread pick-and-roll game when you have those abilities inside?
One of the seminal moments I remember as a young punk is, when Roy Thomas was doing an editorial read-through of a book before it went to press, and being so gob-smacked by it, he just canceled it right there.
The concept of 'DAM999' is very interesting, which director Sohan Roy has written. The entire idea was to capture or encapsulate the nine rasas depicting different human emotions in the backdrop of dam disaster.
I met Roy's father once... And I think that Roy's relationship with his father is still at the heart of what Roy does. But at the end of the day, he's trying to prove himself to a father he'll never really please.
I was a teenage idol, but not the one that the girls would put up on their walls, like Fabian and Frankie Avalon. I was more cerebral, like a Roy Orbison or a Buddy Holly. I was one of the few who could write songs.
I grew up in Alice, Texas, a small oil town with one theater that only showed Roy Rogers movies. So when I got the role, I had never even seen a Bond film and had only had a vague notion about the idea of a Bond girl.
I started as a child artist, and not as a heroine, as most would think. I was performing on stage once when the late Bimal Roy saw me and asked me if I would work in films. I was too tiny. Without realising, I just said yes.
The first piece I ever collected was a Roy Lichtenstein: a sculpture called 'Surrealist Head II'. There was a waiting list. I remember Steve Martin wanted one, and I wanted one. I got the 'Surrealist Head', and I was thrilled.
Roy Hill had to achieve more than 4,000 approvals, permits, and licences and more again for construction. The delays and costs of this were not only humungous and waste of human resources but did nothing to assist productivity.
In the '70s, '80s and '90s, noted actors like Iftekhar used to get mainly police officer roles, Bindu ji would do a negative role, and Nirupama Roy was the on-screen mother. All this had its own charm. There was a fixed casting.
When I was in Congress, I worked with Joe Kennedy to rename the Justice Department for Bobby, and when I retired, Teddy Kennedy sent me this Roy Lichtenstein print of his brother, inscribed: 'Bobby would have been proud of you.'
Most of the time, it's pretending I'm somebody else to get into a different head space. A lot of times, it's just, 'Who do I want to be onstage tonight? Is it going to be Marc Bolan, or is it going to be Grace Jones, or Roy Orbison?'
It's sad when you see most of your friends in the business gone, like Tommy Cooper, Frankie Howard, Eric Morecambe, Roy Castle, Les Dawson. They were very dear to me. You no longer have the chance to bump into them at a celebrity do.
Black women voted against Roy Moore not because they necessarily wanted the other guy; they voted against Roy Moore because they knew that would be better for the people of Alabama and, to be frank, better for the rest of the country.
My brother and I were brought up sort of thinking that we were English. I remember hearing the poet Roy Campbell on the radio and being quite shocked that he had a South African accent. I didn't know there were any South African poets.
Roy Blunt is another white guy in a suit, and I think the public wants change. There's a good old boys' network out there that's hard to penetrate... and it's not always in the best interest of the party or for conservative principles.
Mickey Mouse popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner.
My dad used to listen to Jimi Hendrix and Eric Clapton, and my mom liked Michael Bolton and Roy Orbison. She was pretty big into country music, too. So there was a wealth of music being played in the house, and I kind of took it all in.
I like Roy Orbison's video for 'I Drove All Night' because it's so literal. It is just a man driving throughout the night. I like that silliness. To be in a video is a ridiculous thing. It's almost impossible to do it without any humour.
In my vocal, I think you can hear something of my earlier times when I'd sing in subway halls for the echo and perform doo-wop on street corners. But I had a lot of influences, too - singers like Sam Cooke, Brook Benton and Roy Hamilton.
You are innocent until proven guilty. And if folks have come forward, whether it is judge Roy Moore or whether it is anyone else, and they have evidence to convict someone of a crime, then they should go through the legal process and do so.
The scariest thing about 'Roy' was that it was sync sound. So, I had to worry about my diction all the more along with my emotions, acting, and my dialogues. That was very challenging because it pushed me to work on my Hindi, and in a good way.
I have my real name and RJ. I've gone by RJ since I was eight, but I was named Roy after my grandfather. They called me Little Roy, which sounded like Leroy with a Texas accent, but my mom didn't want to have a Leroy as a son, so it went to RJ.
Roy, the guy I play in 'The Grifters,' is a guy who had a very bleak life. His mother had him at 13, and then when she was 17 or 18 and he was 4 or 5, they were trapped in a small Texas town somewhere, and she was ready to do anything to get out.
We used to do four or five films at a time and were not able to experiment with too many things. But, the heart was in the right place and everybody worked passionately. We had wonderful directors like Bimal Roy, Hrishikesh Mukherjee, Raj Kapoor.
I love the song 'Into the Night.' It's Roy Orbison meets David Lynch meets Iggy Pop on amphetamines. It has a punk edge that is not HIM, per se. It is super melodic and super '60s, and that is very new to me and it is a sense of achievement to me.
You put this face on television, week in, week out, they'd stop me and they'd say, 'Hey, Roy, how are you doing?' They'd know who I was, what I was, what I looked like, and what I did - all from seeing and hearing it at the same time on television.
My dad was a musician, played on the road and played all of his life. And I grew up in a musical family. I heard it all. I mean, I got accustomed to listening to Roy Acuff and all the old guys. It was really cool for me growing up in a family like that.
I confess that Roy was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn't understand at the time.
I did the X-Men, and I plotted the stories, and Roy Thomas dialogued them. And that first set of comic books that I did are the plot that the first X-Men movie was taken from, where Magneto invents a machine that turns regular humans into mutants. That's my idea.
The only music we ever listened to out in the piney woods was Roy Acuff and the Grand Ole Opry. That was the only night of the week I was allowed to lay in the middle of the bed with Mama and Daddy, just long enough to hear Roy Acuff sing; then I had to go back to bed.
I would love to add to the rich tradition that Duke University holds on and off the court, and play for one of the all time great coaches, Coach K. I would love to go up to Chapel Hill, play for Roy Williams, and chase back-to-back National Championships at North Carolina.
During the Sir Alex Ferguson years, you would see all those great players - Roy Keane, Paul Scholes, David Beckham, Ryan Giggs, Jaap Stam, Ruud van Nistelrooy and Cristiano Ronaldo, to name just a few - and you'd quickly realise why Old Trafford had an aura like nowhere else.
I loved Roy Acuff with all my heart, and I never dreamed I'd be able to meet him or see him onstage, or especially become good friends with him. For all this to happen, it's hard to explain what a dream this is when you love something as much as I love traditional country music.
When I first moved to L.A., I discovered Roy London. I didn't know anything about the arts, the profession; I had no technique, I knew nothing, I'm fresh from Missouri. I sat in on a few classes, and they just felt a little guru-ish and just didn't feel right to me. Until I met Roy.
I'm a little like Roy Keane. Mentally I'm very strong. I'm very hungry. I'm very dedicated. You can't throw me off my stride. That's how I break people. I just don't care what they do. They can throw 180, 180 and 180 again and I'm like, 'so what?' They've got to keep it up to beat me.
I love golf. But do you know how I got good at golf? Because of Charles Barkley. I was playing with Charles, Michael Jordan and Roy Green, and Charles was talking so much trash. On every shot, he was talking trash. So I left the tournament, and I went and practiced for a year and half.
'She's a Mystery to Me' was released in 1987, when I was 11 or something, and I absolutely adored the song. This song was written by Bono and The Edge, and the story goes that Bono woke up with the tune in his head, then thought that the only voice who could sing this song is Roy Orbison.
The genesis of Donald Trump's relationship with Paul Manafort begins with Roy Cohn. That Roy Cohn: Joe McCarthy's heavy-lidded henchman, lawyer to the Genovese family. During the '70s, Trump and his father hired Cohn as their lawyer to defend the family against a housing discrimination suit.
I'm a hybrid-genre person, which a lot of people find confusing. I grew up listening to American country music and rock n' roll made between 1955 and 1959. The Everly Brothers and Chuck Berry were my first musical loves and are still what I am most moved by. Roy Orbison came a little bit later.
Although the French appellation system has its roots in the 1923 system created in Chateauneuf-du-Pape by Baron Le Roy, proprietor of the renowned Chateau Fortia, Chateauneuf-du-Pape never developed a reputation for quality or achieved the prestige enjoyed by such regions as Burgundy and Bordeaux.
I've seen a couple of singer switches happen right before my eyes, one being Roy Khan to Tommy Karevik in Kamelot, and the other was Anette Olzon to Floor Jansen in Nightwish. Those happened with me present, and I saw how well the fans took to these singers because they were presented in the proper way.
'Band Played On' is a good one. Barbara Orbison, who was Roy's wife, was involved in publishing in Nashville because she oversaw Roy's publishing, and she had a company in Nashville. She had a whole bunch of writers assembled, and they got together every day and wrote, and they write for everybody in Nashville.
There's a lot of guys that are able to perform for a short period of time. It could be a week, it could be a month, it could be two months, it could be one season. It's doing it over and over. And being consistent was something that watching Patrick Roy all these years, that's what he was. He never had down years.
If Abstract Expression reached for the sublime, Pop turned ordinary imagery into icons. Roy Lichtenstein and Andy Warhol illuminated the transformative power of context and the process of reproduction. Claes Oldenburg's soft ice-cream cones and hamburgers changed sculpture from hard to soft, from stasis to transformation.
I came to Los Angeles only after filming 'A Good Day to Die Hard,' when I was cast in the independent movie 'Delirium.' Director Lee Roy Kunz was looking everywhere for a Russian actress. He saw my photos, and only then he learned where I starred before! Eventually, I spent several months in the U.S., and we made the film quickly.
Look at poor Nirupa Roy. She got substantial roles, but at 30 they made her put grey in her hair. And Achala Sachdev was all of 16 when she played 60. She quit because she got nightmares about dropping a thali and screaming, 'Nahin!' You know an actor or any other human being needs to be comfortable in her space at whatever age she is.