Quotes of All Topics . Occasions . Authors
When I go to America, I'm fortunate enough to stay in the nicer areas but the last time I went there - to New York last October, November - I went and explored. I went to the rough areas - to Brooklyn, Harlem, the Bronx; I walked around and you see it first-hand, what life is like out there.
The Beatles were no trouble... lots of girls. The Stones were black-jacketed guys, a rough crowd. A whole different scene between the Stones' black leather jackets and the Beatles' pretty-dressed girls with the ribbons in their hair, teenagers standing on the seats screaming, nothing broken.
I grew up on the rough side of the tracks. If you looked like you were soft, you would be fodder for the wolves. I came up in my neighbourhood like, 'I'm just gonna be me,' and all the thugs just said, 'It's OK, he's special.' They knew I had the talent with the rhymes, so they kept me around.
When I grew up on the south side of Chicago, it was kind of a rough neighborhood, and when my parents saw the prospect of my older sister going to middle school, high school, they decided that we would move to the north side of Chicago, Highland Park, and for me, that was a whole new ballgame.
I've tried to bring the mentality of the outside linebacker to the inside and the rough, tough style of an inside linebacker to the outside. The middle linebacker always has been known as kind of a big plugger. Outside guys are known to be able to run. I just try to make big plays wherever I am.
New York is a much more bourgeois city, more of a tourist attraction than a muscular metropolis. It's lost moxie and a rough energy, while gaining grace and friendliness. I love both versions of the city, but I wish the prosperous Manhattan would become a little easier for young people to afford.
When things could've gone really bad, rugby caught my interest and I really stuck with it. The sport brought me, maybe off the streets where we'd be fighting, into putting in a good effort in the rugby field where you're kind of rewarded for that rough behaviour instead of in trouble with the law.
People were consuming on average less calories after the war than during the war. Things were still very tough. If you look at the film footage of London streets, even in areas which weren't slums, there are kids in the streets who are dirty and have no shoes on. It was rough. There was a real edge.
The problem is that once I start on a song and get a rough idea of where I might go with an arrangement, I try dozens, sometimes hundreds, of different things on a song. The bass, the backing guitars, the lead guitars, the keyboards. It's a long process. It's like 100 steps forward and 99 steps back.
If his presidency is to represent the full power of the idea that black Americans are just like everyone else - fully human and fully capable of intellect, courage and patriotism - then Barack Obama has to be subject to the same rough and tumble of political criticism experienced by his predecessors.
Fighting comes down to who you are as a person. With B.J. Penn, he has no problems, not a hard upbringing and came up with money or whatever and he's just a fighter, he enjoys the fight and he refined his skills so I don't think it necessarily has to be a rough upbringing for guys to be great fighters.
I had a vision - and I saw white spirits and black spirits engaged in battle, and the sun was darkened - the thunder rolled in the Heavens, and blood flowed in streams - and I heard a voice saying, 'Such is your luck, such are you called to see, and let it come rough or smooth, you must surely bear it.'
I did an audiobook for 'Rough Crossings,' which I thought was one of the best books I had published. But it was an absolute embarrassment to read it. All these horrible mucked-up bits of syntax, over-the-top adjectives. I found myself editing it while reading. Alert listeners will notice the difference.
I always have a rough outline, but I'm shocked at how little I actually follow it. Those characters keep doing things that I never expected. I think if I crept up to my keyboard and peeked, they'd be talking about things behind my back. Okay, that's a little paranoid and delusional... but just a little.
I find it very, very hard doing what the law on DACA says exactly to do, and you know, the law is rough. I'm not talking about new laws. I'm talking the existing law is very rough. As far as the new order, the new order is going to be very much tailored to the - what I consider to be a very bad decision.
Teenage years, having gone through it all, I know it's a rough, rough time, and I would say to accept that message of letting go, letting it happen and accepting that things don't always happen for a reason, or you may not understand the reason, but it's all part of the journey, and try to enjoy the ride.
I'm so interested in the feminism of women in American music. These ladies, going out on the road, way before the opportunities and advantages that I have - it was absolutely rough out there. The fact that they were still able to get their art out there and do what they're doing is really impressive to me.
My true inspiration is to give everything to my kids that I never had. I had a really rough upbringing, and I want to break that chain. I've broken the chain, and I want to give my kids happiness every single day. When they wake up and hop on me and say; 'Dad I love you,' that is what means the most to me.
There were some days where I was like, you know what, I don't relate to everything that I'm hearing on the radio right now. Because I'm having a bad time, I'm having a rough day, I'm experiencing something that is making me feel alienated in this emotion because everything I'm hearing is about the opposite.
It's almost a very rough rule of thumb: when Democrats are able to successfully frame the meaning of an election season around middle-class fears, Democrats win the election; when Republicans are able to successfully frame the meaning of an election season around cultural fears, Republicans win the election.
After finishing a draft, no matter how rough, I almost always put it aside for a while. It doesn't matter if it's a story or a novel, I find that when it's still fresh in my mind I'm either thoroughly sick of its flaws or completely blind to them. Either way, I'm unable to make substantive edits of any value.
From 1936 on, I have taken more falls than any other 20 comedians put together. From the time I was 21, I've taken them on everything from clay courts to cement to wood floors, coming off pianos, going out a two-story window, landing on Dean, falling into the rough. You do that and you're gonna have problems.
Born of the impossibly varied options we have to amuse ourselves, cutting-edge companies are finding innovative ways to tailor our entertainment choices to who we are, relieving us of the burden of finding the diamond in the rough of 500 TV channels or thousands of movies and music albums released every year.
I started in junior high doing the splits and flips and that kind of stuff. It was kind of the acceptable thing to do. But I had two older brothers, so I was a tomboy. I was the cute tomboy who could put on the skirt but then go tackle you or something. I was a little rough around the edges for a pretty woman!
I think some of the funniest and most artistic people I know are the ones who had a hard time at school. They often have humility and artistry. So, as much as I feel bad for kids who have to go through a rough childhood, I believe that if they can turn it around, it's going to make them better people later on.
Whenever you see someone who's having a rough day, it's one thing to ask if they're okay, because most people would just walk by. That can be life-changing to that person who's going through whatever they're going through. I'm that kind of person, so that's been my training for acting: just caring about people.
What I like about the American woman is she usually has a lot of dynamism. In the U.S., women have a tendency to go forward, to be more exaggerated than in Europe. Many times the rough ideas come from the States, then they are refined in Europe. The American women and the French women are still the best-dressed.
With physical prep work, you know if you go to the gym, you will get size. There's no chance it won't happen. The emotional prep work is a variable. You could step onto the set one day and have a disconnect with your thoughts and feelings and have a rough day acting because you can't quite tap into what you need.
My mood depends on how I treat my toothbrushes. Being a skipper is a strenuous job, and when you are going through a rough phase, obviously you start taking out your frustration. You can't take it out on anyone: you can't take it out on your teammates or your wife. The only person that is left is your toothbrush.
I went through a really good-looking phase from birth to 9. And then things went crazy. I don't know what happened, but between 9 and 14 it was really, really rough. I didn't have a lot of friends. The only ones who were nice to me were the theater kids. And they were like, 'You can come and join us. No one likes us.'
There have been a few friends who have taught me some great lessons in life. I wouldn't like to name them. They did things that I never expected out of them that left me heart-broken. It was during these rough patches in life that they left me alone. I know now that it was only my position that they were interested in.
I always start drawing any job by planning out to some degree the locales and trying to nail the characters. If they're existing characters, I'll draw them several times on rough paper just to get a feeling for them. The ideal when you're drawing a comic is to have everything in your head, not to have to refer to notes.
I grew up in the D.C. area, and I used to wear a Redskins jersey just walking around. I just had kind of a bowl haircut for a long time and no sense of style or personal hygiene. But the main thing was the haircut. You know, when you see a haircut of yourself from around 12 or 13, it's rough. I also had really bad acne.
Sometimes a game comes at just the right moment in your life. 'Flower' is beautiful, serene, and a bit of sunshine in a gloomy world. I remember going through a rough spot in my life and turning on 'Flower' for a little break in the day. You fly through luscious landscapes collecting petals and painting the world with life.
I grew up in low-income areas and I've seen people take negative energy and just accept it. They give into and end up living a pretty rough life. At a young age, I just knew I wasn't going to give in because I didn't want to end up being one of those people in the neighborhood that didn't have anything and lived a hard life.
My brother and I did theater in high school, and were both in Pennsylvania Youth Theatre. It was awesome. When you go to Los Angeles, it's a rough city, and it's hard. You drive around in your car in your own little bubble, and there's tons of rejection. Being from the Lehigh Valley helped because it was something so stable.
We never look deeply into the quality of a tree; we never really touch it, feel its solidity, its rough bark, and hear the sound that is part of the tree. Not the sound of wind through the leaves, not the breeze of a morning that flutters the leaves, but its own sound, the sound of the trunk and the silent sound of the roots.
My dad had a spell when he came out of coaching doing some work with underprivileged children on quite a rough council estate in Southampton to help the kids and take them out to places. I used to go along with him. I used to play football with them, mess about with them. I was only 13 or 14 and became good friends with them.
Being a wrestler, it can get rough in terms of your mindset, just having that mentality embedded in you where you just wanna go, go, go, 100 miles per hour, always redlining your body and never actually taking the time out to let your body recover the right way. As I got older, I started to realized that less sometimes is more.
Madison Square Garden, November 1984. I don't recall taking too much fear into the ring. I knew I could fight. But I got a big shock. They put me in with this rough, tough veteran called Lionel Byarm. He tested me to the limit. But I fought my heart out and, in the end, I prevailed. The story of my life, in my very first fight.
I don't think of myself as a romantic person; I'm kind of more rough and tumble, I think. The things I'm drawn to are outdoorsy, I only get dressed up when I have to. I'm drawn to women who are into the same type of thing. If you're going to call it romantic, I'm very spontaneous. That's probably the best thing I have going for me.
When I signed onto 'Superman,' editors Matt Idelson and Wil Moss gave me a rough outline that JMS had turned in for the remaining issues of the 'Grounded' arc, which amounted to a couple of sentences for each issue, spelling out in general terms where the issue would take place geographically, specific guest stars, things like that.
Sharpe is my favorite role of all that I've played. He's a very complex character. He knows that he's a good soldier, but he will always have to fight the prejudice of aristocratic officers because of his rough working-class upbringing. On the battlefield, he's full of confidence - but off it, he is unsure, a bit shy and ill at ease.
My father showed me so much love. He showed my brother so much love. He just, he had a rough life. You know, he grew up in a boys home in the Bronx. He didn't really know his own family. So I couldn't hold it against him that he didn't know how to parent. He didn't know how to be the perfect husband. But he loved as much as he could.
Most women have learned a great deal about how to set goals for our First Adulthood and how to roll with the punches when we hit a rough passage. But we're less prepared for our Second Adulthood as we approach life after retirement, where there are no fixed entrances or exits, and lots of sand into which it is easy to bury our heads.
I started piano like my sisters. After one year or two, I didn't like it anymore. Then, because I like trumpet, I played the cornet. When you are 7, you can't play trumpet - you play cornet. And something didn't go well. The teacher was too hard. Too rough. Suddenly, there was this instrument, the flute, that I could immediately play.
On occasion, it's rough for me to sleep because I have a lot of things on my mind, so I'll need to get a little more sleep sometimes. I'm up late because I've got a lot of energy and a lot of things on my mind all the time, and I'm up early 'cause I've got things to do, so that's the only thing. That's how I like it; I like to be busy.
I was a cover artist for years. I didn't start writing songs until I was in my mid-twenties. I wrote them with John Leventhal, and they were pretty bad. I was in my late twenties when I wrote the first song with him that made any sense to me about what I was rooted in and what spoke for me as an artist. That was 'Diamond in the Rough.'
At practically every level, the way I make comics is an act of improvising within structural boundaries. There's a rough plan, with a beginning, middle and an end, but how I get from one point to another is unknown at the outset, and a large part of what keeps me engaged. It's an exploration for me, and hopefully for the reader as well.
A lot of 'Shonen Jump' anime, you see a lot of battles, a lot of aggression, and it's very relatable to players. There's a hero, and he has to go through a lot of rough training, put his body through the unthinkable so that he can save the world or do his task. His or her challenge is saving the world; our challenge is winning the game.