Quotes of All Topics . Occasions . Authors
Too much rouge is a sign of despair.
Tout le sang qui coule rouge; All blood is red.
The world would be a duller place without Moulin Rouge.
I was a rock star. I was the president of Baton Rouge, Louisiana.
I thought 'Moulin Rouge' was inspirational, and 'Jesus Christ Superstar' I loved.
If I could live in a cabaret, I would. If I could live in 'Moulin Rouge,' I would.
I was born and raised in Louisiana - a small town called Ferriday, north of Baton Rouge.
I am also a Kentucky Colonel and an Honorary Mayor of Baton Rouge, Louisiana, among other things.
I would absolutely love to do another Baz Luhrmann film, especially a 'Moulin Rouge' type picture.
Director Baz Luhrmann flew me to New York to read for 'Moulin Rouge!' Maybe I was a little blase about it.
People of my generation did not like very much to tell what we lived through during the Khmer Rouge regime.
The Khmer Rouge can't destroy me. I still have my imagination and am capable of making films. I am not locked up.
I love Lancome's L'Absolu Rouge lipstick, as it lasts. Unless you spend the whole night snogging, you won't need to reapply it.
I love Louisiana. There's no place on earth like Louisiana, and there's no city on earth like New Orleans. I grew up in Baton Rouge.
Chanel makes an incredible red lip, and Tarte makes the best nude colors! I also love Giorgio Armani lipsticks - the Rouge d'Armani.
I remember auditioning for 'Moulin Rouge!,' the part that Ewan McGregor played. I was so young: I was literally just out of college.
Going to Cambodia to cover the genocide trials, I did read a lot about the Khmer Rouge; I read a lot about the country and its history.
The trial organized with U.N. participation of some kind will be for crimes committed by Khmer Rouge leaders from 1975 to 1979. That's it.
Louisiana is a special place in my family's history, and we are committed as a family to never forget the city and the people of Baton Rouge.
I have had the fortunate privilege of serving as a state representative for residents in the great cities of Detroit, River Rouge, and Ecorse.
I am lucky to be a film director. I can create, express. It proves that I am still alive and the Khmer Rouge did not succeed in destroying me.
I'm a guy, but I'm not afraid to cry. Not all of the time. But when I'm watching a movie, I'll sometimes shed a tear, especially 'Moulin Rouge'.
It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.
My own reaction from a distance is that Pol Pot's demise as the leader of the Khmer Rouge was inevitable, and that his own paranoia did him in as much as anything else.
I've been embracing the red lip and just wearing it every day, not just for going out. And I get so many compliments on it. I love the Julie Hewett Rouge Noir: it's sort of a forties red.
My second TV assignment ever was to go to Cambodia to look at the state of the country in the dying days of the Khmer Rouge. I was naive, awkward, and not very good at writing to pictures.
People were expecting Rouge to go bankrupt, so there was a lot of anxiety. The corporate culture problem was even worse than in Russia. And at the same time, the work rules were more difficult.
I think I look great in pretty much everything... kidding! For the red carpet, I like to do really natural eyes and a nice sleek ponytail. Sometimes I'm into a really dark rouge, purple bold lip.
It doesn't bother me that I'm not a household word on the East Coast. Baton Rouge, Raleigh, Minneapolis - I'm so popular in these cities where you've never imagined an East Coast comedian working.
I had a really good time in New Orleans, although I had some very tragic times in Baton Rouge. Some guys beat me up and threw my horn away. 'Cause I had a beard, then, and long hair like the Beatles.
When I visited the Water Institute's Baton Rouge offices overlooking the Mississippi River, I couldn't find a drop of the charged politics that drives so many environmental conversations in Washington.
The Nazis and the Khmer Rouge went to great lengths to hide their crimes against humanity. Instead, ISIS posts its many crimes on social media for global distribution with seemingly no thoughts for the consequences.
Administration policies seem to tacitly encourage those who live below sea level in New Orleans to relocate permanently, to leave the dangerous water's edge for more prosperous inland cities such as Shreveport or Baton Rouge.
When I was five, I discovered a secret box that contained Mummy's stage makeup. It was like finding buried treasure. I tried the rouge, the eye shadow, the lipstick. But I couldn't get the rouge off. Mummy spanked me terribly.
Part of the Khmer Rouge project was not only to destroy individual people, but to destroy the very notion of the individual. I want to simply rebuild the stories of people - it's part of my fight against the Khmer Rouge agenda.
The crimes committed by the North Vietnamese regime against the Vietnamese people were minor compared to the crimes committed by the Khmer Rouge against the Cambodians, but for us on the left they were emotionally far more significant.
In the morning, I never cleanse. I just splash my face with water and pat it dry. I honestly think that the human body is a clever thing and that the natural oils my skin produces are best for it. Then I apply a dab of rouge, and I'm off.
The Khmer Rouge tried to delete everything. They tried to erase our past, our personality, our land, our sentiment. What we tried to do in 'The Missing Picture' was to reconstruct our identity, to bring it back to the people through cinema.
I colour my hair mousy brown and I wear makeup only on stage. I use Laura Mercier - something called Biscuit, I think. I run one tiny sponge over my face and cover the red blotches. If I've got some rouge, I'll bung it on my mouth and cheeks.
When the Khmer Rouge reached Phnom Penh, the first thing they did was to evacuate the population. Then they took over. The point of a revolution is to bring justice to the people, so even if you don't have proof of sabotage, you manufacture it.
When I think about growing up, I feel most affected by two travels that I made working in cargo boats when I was 16 and 18. One of them crossed through the Mississippi and Baton Rouge and Mobile, Alabama, and another went all the way to Europe.
What we witnessed in Ferguson, in Baltimore, and in Baton Rouge was a collapse of social order. So many of the actions of the Occupy movement and Black Lives Matter transcend peaceful protest and violates the code of conduct we rely on. I call it anarchy.
Operating from 1975 to 1979, S-21 became the most infamous of 196 such prison camps the Khmer Rouge established throughout Cambodia, primarily because so many of its prisoners were the purged party loyal - and because Duch's methods were so stunningly brutal.
In the 1900s, bleaching lotions and skin-lighteners were a female imperative no matter what her colour, often carrying suggestive names like 'Fair-Plex Ointment' and 'Black-No-More.' The tiniest touch of rouge was allowed, but only if applied with great subtlety.
When you're just a breath away from North Korea, it boggles your mind that that exists, or that something like the Khmer Rouge ever existed. You wonder how we allow that to happen as human beings; how we allow the human condition to get so depraved and desperate.
I really did have this powerful sense, when I was in New Orleans after the storm, of watching all these profiteers descend on Baton Rouge to lobby to get rid of the housing projects and privatise the school system - I thought I was in some science-fiction experiment.
We shot the first season of 'Hap and Leonard' towards the end of the summer in Louisiana, in and around Baton Rouge. If anyone's been to Louisiana or comes from Louisiana, they know what the weather's like down there at that time of year: it's unbearably hot for an Englishman.
What the Khmer Rouge had in store was a radical agrarian revolution, one with the professed aim of completely renovating society while giving the peasants a better life, of evening the rewards and feeding the hungry, of bringing a rational and utilitarian nation-state into being.
So whether that's taking a bunch of people from Chicago down to Standing Rock or being in Flint, Michigan, or being in Palestine or Baton Rouge after Alton Sterling's killing, I've been trying to, just as a man, be present and stand with the struggling and oppressed people around the world.
We try to put on a show that people can be proud of whether you are in Tuscaloosa, Baton Rouge, Austin, Tallahassee or Columbus, Ohio or wherever you are. We try to be symbolic of where you happen to be that Saturday. You tune into it, you see the energy, passion and love we have for the sport.