Quotes of All Topics . Occasions . Authors
Life? Bah! It has no value. Of cheap things it is the cheapest. Everywhere it goes begging. Nature spills it out with a lavish hand. Where there is room for one life, she sows a thousand lives, and it's life eats life till the strongest and most piggish life is left.
I can sit in the room with the other writers and just keep saying no until there's something I really like or until I come up with something. In that respect the proportion of what's mine and what's other people's is controlled by me. It isn't even fair to talk about.
How I envy writers who can work on aeroplanes or in hotel rooms. On the run I can produce an article or a book review, or even a film script, but for fiction I must have my own desk, my own wall with my own postcards pinned to it, and my own window not to look out of.
I remember one of my first international trips to Poland. After a long, tortuous journey, we arrived at the hotel exhausted but without the team management, who had gone ahead of us from the airport in cars, checked into the best rooms, and left us with what was left.
You want to go to a place where you work every day, where you get to tell stories that look and feel like the audience in America that are watching. You're really limited, if you walk into a room and you can just tell stories about that. So, we've been really blessed.
Google is my best friend and my worst enemy. It's fabulous for research, but then it becomes addictive. I'll have a character eating an orange, and next thing I'm Googling types of oranges, I'm visiting chat rooms about oranges, I'm learning the history of the orange.
In the past, whistleblowers have had their desks moved to break rooms, broom closets, and basements. It's a clever punishment, good-government activists say, that exploits a gray area in the law. The whole thing can look minor on paper. They moved your office. So what?
Whenever television cameras are interviewing people in their homes, I tend to look over their shoulders and have a good snoop at their living rooms. I am always astonished at how clean they all look, with nothing out of place or unnecessary or dropped down any old how.
We've taken on health care in a big way in our office, ever since nine years ago when I was paralyzed. I was in eight different hospitals, three different rehab centers, and all the rooms were dreadful. As an architect, designer, and patient, I can do something to help.
My whole point is like, well, if I'm the pop star, then it should be whatever I am. There's, you know, room for Katy Perrys and Adeles and Rihannas and Lady Gagas and Ke$has and me and Pinks. I think what's great about all of us is that we represent something different.
We don't intend to always keep this necessarily African oriented. Originally I had hoped to have African American Indian of this area, and the Appalachian of this area, but at the same time, just as we have the Haitian room, we will always have room for another exhibit.
For me personally - because I do it myself - the scoring of a picture is fun. I edit the picture and when I've finished I go into my room and I have many many records - jazz, classical and popular music. And I have this all at my disposal. I don't have to get a composer.
The great thing about doing physical comedy for film is that if it doesn't work you're not exposed. It ends up on the editing room floor, so it gives you a lot more room to experiment I guess. But I really enjoy doing it. I'm very comfortable tapping into my inner idiot.
Hover boards, unfortunately, currently violate the laws of physics. Supermagnets exist, but they have to be cooled to near absolute zero, and they are extremely expensive. So Michael J. Fox's hover boards are not possible until we invent room temperature super conductors.
All of the people who are using their BlackBerries or their iPhones, Facebook, all of the people who are sitting in cafes and hotels rooms doing their work, they're all using wireless technology, and we shouldn't assume that the only way of the future is high speed cable.
When you work in television you're in the writer's room all the time. You can't take 10 days or a week to go watch movies. Nobody's going to sign up for that. But it's something I had always thought if I was every asked I would definitely do it if I had the time to do it.
Tessa looked quickly to Will, but he only crossed the room as he always did to lean against the fireplace mantel. Cecily had never been able to decide if he did this because he was perpetually cold or because he thought he looked dasing standing before the leaping flames.
I'm not asking for there to be all black writer's rooms or all Asian writer's rooms, or all white - I want them all to be diverse. When it's diverse, you're going to have a completely different dynamic. Everybody feels othered. Nobody feels like they've got the upper hand.
Well, I met Frank Sinatra and Bob Dylan in the space of 15 minutes. Frank Sinatra kissed me on the lips. He kissed me on the lips. And then he gave me a filterless cigarette. And then I met Bob Dylan. I came off all lightheaded and had to go sit on his dressing-room steps.
Football is definitely present in the tennis world. Given the mix of nationalities that exists in the changing rooms, there's inevitably a bit of a rivalry between the players, especially in terms of the UEFA Champions League or competitions in which national teams compete.
I used to throw stuff out of the window and trash hotel rooms - and superglue all the drawers shut and superglue the toilet seat down and superglue the phone to the nightstand - and all kinds of stuff. I had a chain saw for a while. I didn't really use it but once or twice.
My new passion is to get Internet education mandated in all schools. We've got to start teaching our kids how to be safe in the 40,000 plus chat rooms that are out there. Because they're being had. These sexual predators groom the kids. I know, I've arrested enough of them.
We can no longer remain within our exam rooms and ignore what happens in our communities. As physicians and dentists, we must have a presence in both places. Our sacred responsibility is both to help the patient in front of us and also to safeguard the health of the nation.
Every prime minister has a whole series of networks, and there are official formal networks and there are unofficial informal networks. I'm lucky in that I have good official formal networks, starting with my own office, the leadership group, the cabinet and the party room.
Considering you are pretty much like this the whole time whether you're onstage, whether you're in the van, whether you're eating, whether you're in the hotel room. So everyone has their moments and you kind of learn to respect people's space when they're not in a good mood.
When I was Surgeon General, I spent a lot of time talking to people in living rooms and town halls all across the country, and one of the things I started to notice was that behind many of the stories of addiction, violence, depression and anxiety were threads of loneliness.
Musicians get tense at big gigs. Some you can't talk to before the concert; some you can't talk to afterwards; some need the same size dressing rooms as others; others need bigger; some have comments to make on others' musicianship or how a particular song ought to be played.
When I started in television, it was brand new. It was the miracle over in the corner of your room. Now the audience has seen every story line. People have heard every joke. They can predict the plot almost before a show starts. That's a hard, sophisticated audience to reach.
Anything that could be conceived of that would separate black people from white people was devised and codified by someone in some state in the South. There were colored and white waiting rooms everywhere, from doctor's offices to the bus stations, as people may already know.
I always stayed away from the studio environment as much as possible. But I just wanted to see if I could work in one. It's not easy. Just having an engineer's assistant around is enough for me to be uncomfortable. With more than one person there in the room, it feels strange.
These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.
Several of them were discussing this in low tones as they waited for Halt to arrive - until they realized that he was already among them. They weren't used to this. Kings were supposed to sweep into a room majestically - not suddenly appear without anyone seeing their arrival.
My home has a split personality. Some of the rooms are very French antique. Think Aubusson rugs, turquoise ceramic jugs, sandbag pillows, and broken birdcages. The other half is very Aztec. Neon ikat fabric pillows, vintage books piled up to the ceiling, and shutters from Bali.
So we can sit with Lee Unkrich and Andrew Stanton, and all the other folks and experience what the film is going to be like. And then we go away into a room, and we talk about what worked and what didn't. And then we take all of those findings and we do that whole process again.
We haven't always been aware of it, but the 'locker-room bro talk' has long been going on not just in locker rooms but in some corporate conference rooms. Of course, not by all men. But by some - including some who hold positions of power. And that matters in holding women back.
I remember my own life as a small boy, son of Jewish immigrants, in a janitor's flat on Orchard and Stanton streets on the Lower East Side of New York City. My father made pants and doubled as janitor of a tenement - before he made janitoring at $30 a month, plus rooms, a career.
I was struck by the way in which meanings are historically attached to words: it is so accidental, so remote, so twisted. A word is like a schoolgirl's room--a complete mess--so the great thing is to make out a way of seeing it all as ordered, as right, as inferred and following.
They still put you in a room with these people who apparently have no difference whether you're making a family driven show or otherwise. But I do realize it's very sad to me. This is the first film [Oz The Great] that I've done that's not R rated. It's a really weird connection.
I wouldn't like to live in a castle now, but I'd enjoy a visit to Restormel in Cornwall in its 13th century prime. It's a circular castle with the rooms built against the outer walls and quite intimate in size. Life there wouldn't follow the pattern of more classic castle design.
I am fortunate to stay at lots of lovely hotels when I'm on tour, but my favourite hotel group in Britain is Malmaison. I recently stayed at the Malmaison in Manchester, which was pretty amazing. It had a fabulous bar and restaurants, as well as fantastic rooms with mood lighting.
Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.
Our health care system squanders money because it is designed to react to emergencies. Homeless shelters, hospital emergency rooms, jails, prisons - these are expensive and ineffective ways to intervene and there are people who clearly profit from this cycle of continued suffering.
I once worked it out - after $12 million, all millionaires are the same. That's because we're all humans, confined to human scale. How many homes can you live in? How many meals can you eat? You can have a living room the size of a cathedral, but you won't live in it. It's too big.
You look at the NBA: there's all these young kids that are drafted on potential. They go to bad teams, they're in bad locker rooms, and now we got this analytics stuff that doesn't teach kids how to play. We've got these workout coaches that don't teach kids how to play basketball.
Michael nodded tersely, eyeing a table across the room. It was empty. So empty. So joyfully, blessedly empty. He could picture himself a very happy man at that table. "Not feeling very conversational this evening, are we?" Colin asked, breaking into his (admittedly tame) fantasies.
If you film a scene in a wide shot, especially a disturbing, distressing moment, I do feel like that helps you feel as though you're the room with these people, instead of cutting it up and getting close - which you wouldn't be doing if you were actually in a room with these people.
I once stayed at a Ritz in D.C., paid for by a client, and when I asked to change rooms because mine smelled of smoke, the hotel immediately found me a better room, then paid for my dinner and drinks and even threw in a free massage to compensate me for the very minor inconvenience.
I usually write for the individual reader -though I would like to have many such readers. There are some poets who write for people assembled in big rooms, so they can live through something collectively. I prefer my reader to take my poem and have a one-on-one relationship with it.
My greatest hope for a future without another Deepwater Horizon disaster lies in our schools, living rooms and community centers, not in boardrooms, political chambers and big industry. If this happens again, we won't have the luxury of the unknown to shield us from answering 'Why?'
When I sat in rooms with middle-aged white men, I heard them speaking like young black men in America. They had been solidly middle class for the majority of their working careers, but now they were feeling angry, disaffected, and in some cases, they actually had tears in their eyes.