Room Quotes - Page 20

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Somewhat naively, I entered the BBC's 'New Talent Competition,' believing it was for people who had never tried comedy before. I remember sitting in the dressing room before the show and hearing the other acts - who all knew one another - talking to Rhod Gilbert about how he must be about ready to go 'full-time' as a comic.

My roomate at 'Harvey' is this guy Morgan Spector, an actor in town, and I've taught him Hive and Fastrack. Others have played For the Win, but Cards Against Humanity has been the dressing room hit. We've had the understudies, even Jim Parsons playing it. Our dressing room is practically sponsored by Cards Against Humanity.

Southall Broadway, in west London, has been a constant part of my life from the day I arrived in England as a baby from Kenya in 1962. My parents rented a room in one of the terraces off the Broadway, and I've seen it change from an ordinary English high street to what is now 'Little India.' with a confident Asian community.

I've always loved Air Jordans. My favorite one was the Air Jordan No. 1 with the black front. What's ironic about that is I don't own a pair of those. I probably have countless pairs but they're my favorite ones. I had the poster in my room. Those are my favorite Jordan shoes of all time. I've just never bought them for myself.

I was perhaps about 10 years old when a local farmer rang us up to say he had found a young badger and would we take it in. So we did; it was a female called Bessy and she lived in the boiler room. She was extremely intelligent, had a very low opinion of cats but loved the dogs. She was pretty well trained; she went in the car.

A lot of music fans are still interested in insightful perspectives on music - maybe even more interested than ever, since everyone needs help making sense of the incredible variety of sounds that have sprung up in the wake of the Internet revolution. There's a lot of room for unique, qualified voices who can provide good reads.

There's always room out there for the hand-drawn image. I personally like the imperfection of hand drawing as opposed to the slick look of computer animation. But you can do good stuff either way. The Pixar movies are amazing in what they do, but there's plenty of independent animators who are doing really amazing things as well.

I was a bit nervous when I first entered the Indian dressing room. Some of the players sitting out there had 10 years of experience and were sitting in front of me. But then Virat Kohli and Ravi Shastri told me that there are no seniors or juniors in the team. So I could open up to them easily and irritate them with my questions.

People don't understand the analogy of football and acting, but there's a great deal of it that's the same. You get dressed in the room, and you think you've got it all prepared, and later on in the game you wish you had put on more pads 'cause they're just kicking the hell out of you. God almighty, I've been beat up by the best.

I like my house to be unique to me. Sure, I've bought plenty of things out of a catalog, but the way I put them together in my home is special. You might have bought your sofa at a major home decorating store, but the rug you found at the flea market is so unique, it takes your room from 'carbon copy' to 'simply yours' in no time.

There's a great phrase, written in the '70s: 'The definition of today's AI is a machine that can make a perfect chess move while the room is on fire.' It really speaks to the limitations of AI. In the next wave of AI research, if we want to make more helpful and useful machines, we've got to bring back the contextual understanding.

For me, the amazing thing was entering into this amazing world of 'Sesame Street.' We'd be in the kids' room, and there was a door into the soundstage that said '1-2-3 Open Sesame.' I remember pushing that door open and going into this incredible magical world of make-believe. In one episode, I was playing football with Joe Namath.

The creative process is not like a situation where you get struck by a single lightning bolt. You have ongoing discoveries, and there's ongoing creative revelations. Yes, it's really helpful to be marching toward a specific destination, but, along the way, you must allow yourself room for your ideas to blossom, take root, and grow.

When I was a kid, I loved a heavy metal band called Motley Crue. I was thirteen when they came to my city, and I called every hotel in the Yellow Pages asking for a room by the name of their manager in hopes of meeting the band. After two or three hours of calling hotels, I got through, and the manager's brother answered the phone.

I was asked by an NPR reporter once why don't I talk about race that often. I said, 'It's because I'm a neurosurgeon.' And she thought that was a strange response... I said, 'You see, when I take someone to the operating room, I'm actually operating on the thing that makes them who they are. The skin doesn't make them who they are.'

High school, going into my junior year, I kind of had the idea I was going to be the starting running back. I was a little smaller, so I decided to gain weight and try to get faster. I wasn't a fan of the weight room. I thought just the God-given talent would take you where you needed to go. Now I understand that you need hard work.

I was a boy with one dream and one dream only: I wanted - no, strike that, I was desperate for - a room of my own. You see, in those days I shared a room with my little brother, Jesse, and it wasn't pretty. He was the Oscar to my Felix: messy, careless, and just a little bit sticky - exactly the way a kindergartner is supposed to be.

I can't gather around and talk about how much everybody in the room doesn't believe in God. I just don't - I don't have the energy for that, and so I... Agnostic separates me from the conduct of atheists whether or not there is strong overlap between the two categories, and at the end of the day I'd rather not be any category at all.

As a child, I saw my mother prepare for Christmas every year, and it never occurred to me that labor was involved. I thought it was my mother's joy and privilege to hang tinsel on the tree strand by strand, to make sure that every room in the house had a touch of Christmas, down to the Santa-themed rug and hand towels in the bathroom.

In it not easy to remain rational and normal mentally in such a setting where, even in our airport in Montgomery, there is a white waiting room... There are restroom facilities for white ladies and colored women, white men and colored men. We stand outside after being served at the same ticket counter instead of sitting on the inside.

I don't drink much anymore, but when I traveled with Frank Sinatra, God rest his soul, I used to drink like I could do it. He made it a test. In Vegas, the Rat Pack, which I was a little part of, drank all night and slept most of the day. Then, about 5 o'clock, we'd meet in the hotel steam room, lock the door, and steam our brains out.

Widespread state control over art and culture has left no room for freedom of expression in the country. For more than 60 years, anyone with a dissenting opinion has been suppressed. Chinese art is merely a product: it avoids any meaningful engagement. There is no larger context. Its only purpose is to charm viewers with its ambiguity.

Any real virtual reality enthusiast can look back at VR science fiction. It's not about playing games... 'The Matrix,' 'Snow Crash,' all this fiction was not about sitting in a room playing video games. It's about being in a parallel digital world that exists alongside our own, communicating with other people, playing with other people.

Every little thing you do is going to add up and be the difference and contribute to your success. If you believe in that, it's going to make you want to get 1 percent better every day. Do that extra one rep in the weight room. Do that extra mental rep at practice. Stay a little longer because it's going to add up and be the difference.

Off the floor, I'm really laid back: like, nothing really fazes me too much. But on the floor, I do get emotional and a little carried away. However, I started playing when I was 13 to have fun with my teammates, and that never stopped. I enjoy traveling and having fun in the locker room with the guys. Life is too short to be miserable.

My husband recently made me try on a bikini. A bikini is not so much a garment as a cloth-based reminder that your parts have been migrating all these years. My waist, I realized that day in the dressing room, has completely disappeared beneath my rib cage, which now rests directly on my hips. I'm exhibiting continental drift in reverse.

My instinct about a human being is paramount. For me, when a director has walked into my room or an assistant that I have hired, who has later gone on to become a director, is purely based on human instinct, be it Ayan Mukerji, Karan Malhotra, Punit Malhotra or Tarun Mansukhani. I am very susceptible to human energy and energy of spaces.

I sometimes say that I don't make anything up - obviously that's not true. But I am uninterested in writers who say that everything comes out of the imagination. I would rather be in a room with someone who is telling the story of his life, which may be exaggerated and even have lies in it, but I want to hear the true story, essentially.

I remember Wrestlemania VI, being in my locker room painting my face, about halfway done, and the production guys came, and they knocked on the door, and they came in. I was looking in the mirror at them, and they said, 'Hey, Warrior, we've got a cart to take you to the ring.' I just looked at them, and I said, 'I'm running to the ring.'

As awesome as it is to be with a big act and get three catered meals a day and get a dressing room with an actual shower in it, it's hard sometimes as a new artist to come across in 25 minutes. You get 25 minutes to hopefully impress these people. I think the longer set is more suitable for us and gives us an opportunity to connect better.

Our songs were not written to be listened to in headphones or on the radio. They were written to be played. All of the little infinite detail that went into the arrangements and giving ourselves lots of breathing room in terms of playing what we wanted to play and using up any ideas that we had - all of those were conceived to be performed.

I definitely shut down sometimes. I always just go into my own little cocoon and write, and I surround myself with as much music as possible. The last girlfriend I had, when we broke up, I remember being in a room for days on days on days with my music cranked up, playing songs like Kanye's '808's & Heartbreak.' That playlist just was long!

We lived in just a studio apartment with just a room and a bed that came out of the wall, and my mom couldn't afford even a Happy Meal. We ate Top Ramen. I had no toys, and I had, like, two shirts, a pair of jeans, and that was it. But I had my mom to myself, and I remember it being the coolest period of time. I loved it. I really loved it.

It was in Cardiff, and the cast was 60 per cent Welsh-speaking. It's the first time I've walked into a rehearsal room speaking my mother tongue, which in itself was a breath of fresh clean air from the Welsh mountains. Singing Hans Sachs is always a milestone, but I was happy to be part of such an achievement, not personally but as a company.

Working on 'The War Room' was a thrill, not only because we were given such exquisite access to the nerve center of Bill Clinton's first presidential campaign, but for me personally, it was so exciting to be producing my first film and working with documentary filmmaking legends D.A. Pannebaker and Chris Hegedus, who were the film's directors.

It is hardly an exaggeration to say that oral teachers and sign teachers found it difficult to sit down in the same room without quarreling, and there was intolerance upon both sides. To say 'oral method' to a sign teacher was like waving a red flag in the face of a bull, and to say 'sign language' to an oralist aroused the deepest resentment.

Usually, companies, when they approach other people to do VR, they're like, 'We're gonna offer a virtual reality experience' - to me, that usually means they're gonna put a bunch of 360° cameras in a room, film something, and wrap the video in a sphere so you can head-track and look around. To me, that's not virtual reality. That's 360° video.

I think everyone that's from Cleveland knows exactly where they were when the Cleveland Cavaliers won the NBA Finals. I was filming a movie, 'The Marine 5: Battleground,' up in Vancouver, so I couldn't be at the game, but I watched it in my hotel room with my wife - who could care less, by the way, about basketball because she's from Montreal.

I found that quiet place in my home that is my place of refuge. I don't care if you got kids or if you are married. You got to find that one place that is your everybody-off-limit place: unless this place is on fire, or you need to go to the emergency room, don't disturb me. You can go to this place and cleanse, meditate, let God speak to you.

One of the greatest attacks of the enemy is to make you busy, to make you hurried, to make you noisy, to make you distracted, to fill the people of God and the Church of God with so much noise and activity that there is no room for prayer. There is no room for being alone with God. There is no room for silence. There is no room for meditation.

I've written in every imaginable location; a repurposed closet, the kitchen table, the bleachers while my kids had basketball practice, the front seat of the car when they were at soccer. In airports. On trains. In the break room when I was supposed to be wolfing down dinner. In the back of classrooms when I was supposed to be paying attention.

We have all been there: we see that gorgeous person across the room, and we want to go and speak to them so badly. However, the 'rules' of society mean we usually don't end up doing it, despite our friends' best efforts to convince us to. Time for a change. Be empowered and say hi! It's proven that people really like it when you take initiative.

I'm a big believer in the benefit of a home studio. You're sitting there and maybe you don't know the next line. So you go outside for a second, maybe. Make a sandwich. Play with the dog. Or watch an episode of 'The Office,' whatever. And then it clicks, you run back into the room, and you've got it. It's not like your creativity is on the clock.

I do think that if you've got a compelling argument to make in this country, going on television, going online, being on social media, you've got a broader ability to be effective at communicating your message if you engage a wide span of platforms rather than just standing on the House floor in the middle of the night, speaking to an empty room.

I ushered at the Shubert in New Haven during graduate school when plays en route to Broadway still went out of town to try out. I worked backstage at summer stock doing jobs from garbage man to strapping on Herbert Marshall's wooden leg to fixing Gloria Swanson's broken plumbing in her dressing room with her yelling at me as I worked the plunger.

It's amazing what you can do in your bathroom! I would do vocals and stuff on my computer that would need to be sent to London or New York for things to be added on, and I was thinking they always say you sound good in the bathroom - but then I'd kick the bin, or someone in the next room would flush the chain or something and I'd be like 'oh no!'

My father was very athletic. He was a life-of-the-party kind of guy - walked into the room and there was a presence about him. He was a great storyteller, just a terrific sense of humor. Having said that, he never put all of those talents or abilities into some public arena. He was never interviewed, never on television. His family was everything.

Everyone loved my father. He was so nice that people took advantage of him. We were lower middle class. I slept in the hallway on a cot that rolled away during the day, and my younger brother and sister slept in my parents' room. My goal as a kid was to someday have my own room and to own a car - and I wanted to be able to take care of my parents.

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