Quotes of All Topics . Occasions . Authors
I show up in my writing room at approximately 10 A.M. every morning without fail. Sometimes my muse sees fit to join me there and sometimes she doesn't, but she always knows where I'll be. She doesn't need to go hunting in the taverns or on the beach or drag the boulevard looking for me.
Some people think that you have to be the loudest voice in the room to make a difference. That is just not true. Often, the best thing we can do is turn down the volume. When the sound is quieter, you can actually hear what someone else is saying. And that can make a world of difference.
Now that I'm in 'Nashville,' the thing that I'm loving the most is co-writing. You walk into the room and you shake hands with someone you've never met before and you walk out four hours later and you've got this thing... sharing ideas and everything, it's almost magical, like a miracle.
I think that's the great thing about interiors is that they can be treated like a great wardrobe. Choose a sofa and chairs that are staples in clean shapes that will keep for the next couple of years or decade. Then an easy way to bump up your entire room or your interiors is accessories.
To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
I made 'St. Nick' on a 30-page outline. 'Aint' Them Bodies Saints' was a full-bodied script, but it still had a lot of room for improvisation. There were scenes that weren't there on the page - just a sentence saying something happens. I was like, 'We'll figure this out when we shoot it.'
There's a magical energy and power from the ocean. I was born in a room overlooking the sea, in the middle of a storm. Perhaps, then, it's not surprising that shores touch my soul. Science might disagree, but I think there's a difference in the air on a coast - the positive ions, perhaps.
As a kid I would be put to bed when my parents had guests and because I was such a show-off I would go to my mum's room, put on her nightdress and Jackie Onassis shawl, run downstairs, go outside, ring the doorbell and pretend to be one of the guests. I'd say, 'Hello, I'm Mrs. So-and-So.'
My living room has an oak-wood floor, Persian carpets, floor-to-ceiling bookcases, a large ficus and large fern, a fireplace with a group of photographs and drawings over it, a glass-top coffee table with a bowl of dried pomegranates on it, and sofas and chairs covered in off-white linen.
Being a strongman is a real test of functional strength. What can you pick up, carry and how fast can you move it. It's not a weight room strength, it takes brute strength and power to lift, carry and pull all types objects from fire engines, Mack trucks, transport planes and large stones.
I remember when I first came out as an artist, back in 2004 or 2005, the record label used to take me to all the radio stations and just have me sit in, like, their lunchroom or their conference room, and play for the whole staff. Just to introduce them to me so they would play my records.
I grew up in this room filled with musical instruments, but most importantly, I had a family who encouraged me to invest in my own imagination, and so things I created, things I built were good things to be building just because I was making them, and I think that's such an important idea.
My family is certainly very vocal. They're very Italian. A lot of our holidays end with people screaming at each other across the room. And everyone's very opinionated and intelligent. A lot of my aunts and uncles are wildly educated, and their opinions reflect that. We're all very liberal.
I first met Linda Lawrence in March 1965 in the green room of 'Ready Steady Go!,' the British pop TV show. Linda was a friend of one of the co-hosts. She had an art-school vibe, and after a brief conversation, I asked her to dance to a soul record playing. As we jazz danced, I fell in love.
I had cut myself off from everyone. I didn't come out of my room, forget stepping out of the house. I had a beard, and I didn't get a haircut for months. For someone who has performed in front of a crowd of 20,000, I was scared of facing 4-5 people. That's what bipolar disorder does to you.
Then as I was wrestling as Terry Boulder. I was on a talk show with Lou Ferrigno, and I was actually bigger than he was! I went back to the dressing room that night and all of the wrestlers go 'Oh my God you're bigger than the hulk on TV' so they started calling me Terry 'The Hulk' Boulder.
You fight, you try your best, but if you lose, you don't have to break five racquets and smash up the locker room. You can do those things, but when you've finished, nothing's changed. You've still lost. If something positive came from that, I probably would do it. But I see only negativity.
It took me a lot of years to understand everything that it took to be at a high level. Not only on the court and in the weight room, but also making sure that I'm taking care of my body, that I'm recovering. It's a year-round process. It's not just in-season and then offseason and it's over.
When we were working on 'Taxi to the Dark Side,' we would purposefully not show it to certain people in the cutting room, because we would include a lot of horrible material and would need a fresh pespective. They would look at us and say, 'Are you out of your minds? You can't include that!'
In many a piece of music, it's the pause or the rest that gives the piece its beauty and its shape. And I know I, as a writer, will often try to include a lot of empty space on the page so that the reader can complete my thoughts and sentences and so that her imagination has room to breathe.
Ask any teenage girl to describe her perfect bedroom, and you'll get answers like 'a room with a private phone line, a place to hang out with friends, and for it to be way-cool and funky.' Ask parents the same question, and 'a locked door that opens on their 21st birthday' might top the list!
Strength of 100 men? I'd probably just get mad and hurt somebody and end up in jail. I think invisibility would probably be the best thing. I could be like, 'You know what, let me just see what these folks are talking about over here.' Then you could sneak into Rams cheerleaders' locker room.
The secret to a happy marriage is if you can be at peace with someone within four walls, if you are content because the one you love is near to you, either upstairs or downstairs, or in the same room, and you feel that warmth that you don't find very often, then that is what love is all about.
When I go to business meetings, I'm still told way too often by some receptionist, 'The mail room is downstairs,' to believe that racial perceptions don't still exist. But I figure there are always going to be knuckleheads no matter how many of their herd get stuck in the tar pits of progress.
I directed a short series for Hulu called 'Paloma,' and being in an editing room, I learned a lot about acting. It gave me a new bolt of energy in terms of my interest in filmmaking because it made me realize how collaborative filmmaking can be and also that you're not just limited to one job.
My maternal grandmother, Annie Sparks, lived with our family during the while I was growing up. When I came home from school, after having made a detour to the kitchen to pour a glass of milk and fix a thick peanut butter sandwich on easy-to-tear white bread, I would go up to her sitting room.
While there's always plenty of room for improvement, our government is actually quite effective and efficient. Our military and judicial systems and national parks are the best in the world. Unlike in countries where government corruption is rampant, I've never once been solicited for a bribe.
I used to love, love Steve Martin. I still do... I would get these albums, and I would just listen to them all the time. I would stand in my room and pretend that I was delivering his comedy routine... And I don't know if that planted any kind of seed, but I wasn't raised going to the theatre.
Kamala Harris is fumbling and she's like, 'Oh, I'm going to go after Twitter because Elizabeth Warren sucked all the oxygen out of the room.' She's standing up and saying, 'I'm going to go after Facebook, I'm going to break them up, I'm going to go after all of these big technology companies.'
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.
Yoga is the most boring exercise. It's for people who are too lazy to get on the elliptical. Bikram, where they heat up the room to mimic India's climate, is especially stupid. People in India are not skinny because they're doing yoga in 105-degree rooms; they're skinny because there's no food.
I say it in the writers' room all the time: My black is not your black. What's terrifying is that, just the same way we've all accepted that normal is white, everybody seems to buy into the idea that there's only one way to be black or one way to be Hispanic. That's as damaging as anything else.
Once you're in a room like '30 Rock,' it's a creative setting, so you write more even after you go home, just because you're still in that mode of coming up with jokes. So the job wasn't sapping standup jokes, but it was sapping stand up time and energy, and I wouldn't be able to travel as much.
Our family room, where we live, is about togetherness and ease. Nothing in my house is too formal. There are no coasters on tables; the kids can eat Popsicles on the couch if they want to. I let them ride these little cycles we got for them when they were 3 that have rubber wheels and no pedals.
The best way to promote and protect opportunity is through collaboration, consensus-building, and pragmatic problem-solving. Throughout nearly 30 years in public service, I have approached tough challenges by making room for as many people as possible around the table in search of common ground.
Having a female point of view in the room - when you get into a discussion about behavior - who would say what and how they would interact with one another. In certain situations, women are going to have a different opinion on that than men. It made for a really balanced conversation in the room.
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I was quiet, a loner. I was one of those children where, if you put me in a room and gave me some crayons and a pencils, you wouldn't hear from me for nine straight hours. And I was always drawing racing cars and rockets and spaceships and planes, things that were very fast that would take me away.
A lot of stand-up comedians are actually very insecure, and they come on slightly battling the audience. They want to be the superior person in the room, sneering at the world. That can be very funny. But to me, what's more interesting is that the world is on my shoulders, and it's pushing me down.
I lived a sloppy life. So I took very small increments in my life. I started making my bed. I started cleaning my room. There were dishes in the sink. It started off with doing small house chores. I saw that the yard needed to be mowed. So instead of being told it needed to be mowed, I would mow it.
I am a partisan for conversation. To make room for it, I see some first, deliberate steps. At home, we can create sacred spaces: the kitchen, the dining room. We can make our cars 'device-free zones.' We can demonstrate the value of conversation to our children. And we can do the same thing at work.
Honestly, the All In women's locker room was such an inspirational group of women. What I love about all the women involved - Chelsea, Britt, Madison, Jordynne Grace, Brandi Rhodes, Tenille Dashwood, Penelope Ford, Mandy Leon - is we all bring something so different to the table for a common vision.
I don't ascribe to the idea of the ivory tower composer who sits alone in a room composing his masterpieces and then comes down from Mount Sinai with the tablets. It doesn't work like that. The job of a composer is putting something down on a piece of paper that will inspire the person who's playing.
My teacher told my mum, 'I think William has dyspraxia,' and Mum asked what that meant. She said, 'Well, if I put a chair in the middle of the room and asked every child in the class to walk around it, William would be the only child in the class to walk into it.' Mum was like, 'Yeah, that's my boy'.
Vince McMahon is not a human being. They don't make people like Vince. Vince is Vince. I can't even describe to you what it's like being in a room with Vince McMahon. He is above man. That's the best way I can put it. Like-minded people take over the world, so I've always had a great rapport with him.
I was born on a plantation, and things weren't so good. We didn't have any money. I never thought of the word 'poor' 'til I got to be a man, but when you live in a house that you can always peek out of and see what kind of day it is, you're not doing so well. And your rest room is not inside the house.
Think of the sushi trend that started in the '80s. It was as much about the Nintendo entertainment system in your living room as it was about the availability of good-quality raw fish. The Japanese food trend rose as the world of Japanese business and culture was becoming a bigger part of American life.
When you're in a rehearsal room, it's like getting into a car and going on a long journey with everyone's stuff in the back. If you keep stopping the car and going, 'Are you sure we want to go?' and think, 'This is really daunting,' you will get frightened, so you just have to keep ploughing through it.
There is no one who is more conflicted in the Marvel Universe, in my opinion, than Matthew Murdock. Is he his father's son, or is he the son of his father? Is he someone who is going to solve the world's problems in a court room, or is he someone who is going to solve the world's problems with his fist?
If I'm doing a show on Sunday at 7 P.M., that wouldn't be the same show that I'd do at 11 P.M. on a Saturday - it's a different room at a different time of day with different sensibilities. That doesn't mean you have to compromise your art, but it is communication: you have to know how to talk to people.