Quotes of All Topics . Occasions . Authors
Because when you have all white men in the writers' room trying to tell the perspective of cultural appropriation or what it's like to be black or Asian in America and not necessarily knowing what it's like, that's when everything gets mixed up.
The first half of Special Counsel Robert Mueller's report, even in redacted form, leaves no room for debate: This president and his campaign eagerly exploited help from Russian agents, despite being aware that Russia was sabotaging our election.
My father was a general manager with Hyatt, so we lived in the hotel so he would be close by if there were any problems. My mum was always adamant about us not abusing it. So I still had to clean my room. Housekeeping would never come and do it.
I was a quiet, nerdy kid living in the Bronx. I spent most of my teens in my room, taking apart electrical items to figure out how they worked before putting them back together, and listening to the music my four older sisters and parents played.
No one should have to choose between medicine and other necessities. No one should have to use the emergency room every time a child gets sick. And no one should have to live in constant fear that a medical problem will become a financial crisis.
I became a recording artist before I knew it. And I just - when I would listen to my old records, I'd just hear this young, extremely nervous fella that that made me want to run out of the room, you know, rather than listen to what he had to say.
The greatest films ever made in our history were cut on film, and I'm tenaciously hanging on to the process. I just love going into an editing room and smelling the photochemistry and seeing my editor wearing mini-strands of film around his neck.
I think there's an aspect of my soul, of my personality, that's very suited to directing. I like being in the room with actors; I love creating a safe space and a chaotic space for the discovery to take place. I love creating a sense of community.
Light-field photography is a transformational technology that needs a transformational product to introduce it. For the first time, we have a light-field camera that's going to be for everyone - not something in a huge room in a research facility.
In The Touch, the love scenes are the same as they were in The Thorn Birds or anything else I've ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination.
When I was a boy, my older brothers listened to Earth, Wind & Fire and Kool and the Gang. When I would try to get into their room, they would close the door and say, 'You can't hear that. It's not for a child!' Now, I can listen to it and enjoy it.
And my point was one I think that you'd agree with, which is there's no room in America for a black racist, a Latino racist, or a white racist, or an Asian racist, or a Native American racist. Now, we're either color blind or we're not color blind.
When you're in the editing room, the dangerous thing is that it becomes like telling a joke again and again and again. Eventually, the joke starts to not be funny. So you have to be careful that you're not throwing the baby out with the bath water.
I will not sit in a room with black people when the N word is used. I know it was meant to belittle a person, so I will not sit there and have that poison put on me. Now a black person can say, 'Oh, you know, I can use this word because I'm black.'
It's just an ice bucket with a bottle in it. The two flute glasses are little tray. I got to shut the curtains. I'm in my boxer shorts and shirt. I'm going to take a bath and go to bed. But I want to shut the blinds so it's really dark in the room.
Under promise and over deliver. People will be pleasantly surprised that you gave more than they expected. And remember that there is always room for us to be better and do better. That's what I am calling for. Not just everybody else - myself, too.
How do you deal with giving yourself the options in the editing room for dealing with problems that come up from a shifting tone? It's trying to convince your actors to give you the genes and several versions to have more options in the editing room.
Why take notes? The obvious reason is to remember. Visual note-taking translates what we hear into pictures that give context, color, and meaning. By adding symbols, visual metaphors, likenesses of people, and room layouts, we add several dimensions.
I think offensive linemen generally took the weight room and the workouts much more seriously, because we saw that it was a vital part of our training. We needed to be big and strong, and our muscles needed to be in good shape to handle the beatings.
I met Kim Kardashian the other week, and she knew who I was! I walked in the room, and she was like, 'I should text Kanye saying you're here; he showed me your music.' It's really hard to digest. Also, I don't think you should digest stuff like that.
A narrative is like a room on whose walls a number of false doors have been painted; while within the narrative, we have many apparent choices of exit, but when the author leads us to one particular door, we know it is the right one because it opens.
If you're a young person who wants to become an actor, it's really important to walk into a casting room with a sense of yourself and some life experience. You can really delight a room and have them already choose you before you've even said a word!
Probability is expectation founded upon partial knowledge. A perfect acquaintance with all the circumstances affecting the occurrence of an event would change expectation into certainty, and leave nether room nor demand for a theory of probabilities.
I understand that I have a certain look that can be used to my advantage. I know the power of that when I walk into a room and talk to people, and I can use it as an advertising tool. Now I am actually selling me, my face, my thoughts. So I am my guy.
You know that moment in 'The Matrix' when Neo takes the red pill and is plunged into the real world? That's what it felt like when I first read 'Watchmen' - like someone was taking a can opener to my head to make room for Moore's audacious brilliance.
I've always been a very sensitive person, and people tell me that if I'm in a certain mood, and I go into a room, my mood will permeate the room. It's not on purpose - I'd rather be invisible in those moments - but I'm really bad at faking how I feel.
One of my earliest memories was me singing 'Oh, What A Beautiful Mornin' at the top of my voice when I was seven. I got totally carried away. My grandmother, Sarah, was in the next room. I didn't even realise she was there. I was terribly embarrassed.
I was sitting on my mom's lap across from my father to see Kay Thompson at Ciro's. And I always remember this energy force, this woman flying around the room and singing these harmonies so everyone went, 'Wow!' So I thought, 'That's what I want to do.'
I grew up playing about 15 instruments and the way that I was able to accomplish that was by cutting my classes, hanging out in the band room all day, and going from one instrument to the next to the next, until I learned how to play everything by ear.
You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet.
I was shooting a bikini promotion in Mahe in the Seychelles in 1980 when there was a military coup and I, along with a roomful of other people, ended up being kidnapped and held hostage at gunpoint in a windowless room with no ventilation for 36 hours.
I like to comprehend more or less everything around me - apart from the creation of my music. It's an obsessive character trait that's getting worse. I don't switch the light on and off 15 times before I leave the room yet, but something's going wrong.
There's no reason why I can't be a mogul. When I step into a room and I'm there to have a conversation, if it pertains to business, I want to be respected as a guy who knows what he's talking about. And that, to me, holds more weight than anything else.
I just always loved stand-up. It's like magic. You say something, and a whole room full of people laughs together. Say something else, they laugh again. The fact that people come to see that and participate in that... I don't know, it's just like magic.
I did those two TV matches in WCW against Kevin Sullivan and Meng, and within five minutes of walking into that locker room, I was like, 'I don't want to be here.' I could tell this is not the place for me. And the dream was still WWF and getting there.
Motley never once sat down and said, 'Well, the music scene's changing. We need to make this record a little darker or heavier musically or lyrically.' It was just four guys sitting in a room like a bunch of 16-year-olds in a garage and jamming on riffs.
Stand-up comedians know how to walk into a room, even if you're not performing, just read the temperature of a room, and can easily sort of tell what's going on or what people are sort of feeling in the room, and it allows you to sort of approach people.
I'm 32 now. I'm getting old. It's gone in the blink of an eye. But I won't even look back at the number of caps when I'm done: the most important thing will be remembering all the fun I've had with the guys in the dressing room and the friends I've made.
Among these temples there is one which far surpasses all the rest, whose grandeur of architectural details no human tongue is able to describe; for within its precincts, surrounded by a lofty wall, there is room enough for a town of five hundred families.
When I was a kid, I collected cactuses. I had hundreds of different kinds in my room. I was a weird child. Everyone was playing football, and I was collecting cactuses. I spent all my money on them. I had so many colors and shapes. I even gave them names.
I've always been attracted to the 'don't follow the rules' type of girl, the rocker girl. I've always been attracted to somebody who you can lose yourself in the moment with. You can hang out with her, and it's like you're the only two people in the room.
I admire people who overcome obstacles or who have to commit - I've always really admired commitment, whether it be a commitment to living or a commitment to love. People who commit to a moment. People who are not somewhere else, but in the room with you.
My family and I cook at home almost every day together. The kitchen is the central and most important room in the house; it's a great way for us to connect. We love going to the farmer's market on Sundays as a family and choosing the ingredients together.
I've been given an amazing opportunity and I could not be more grateful. But I also know that all this will eventually die off. It's not real. It will go away and then you'll go away and then, I don't know, I'll be left sitting in some English hotel room.
My grandmother and I would go see movies, and we'd come back to the apartment - we had a one-room apartment in Hollywood - and I would kind of lock myself in this little dressing room area with a cracked mirror on the door and act out what I had just seen.
What you write on the page has nothing to do with when you're on set. When you're on set, it has nothing to do with when you're in the editing room. And when you're in the editing room, it has nothing to do with the final movie. You just have to let it go.
I come from a very humble background. My father had to work really hard to become an assistant director. For a large part of his youth, he worked in a mill and took up odd jobs to make ends meet. We lived in a small room and could only afford a meal a day.
Having a sold-out show takes a lot of the pressure off because I know that it's going to be a room full of people who are excited to be there. The worst part - or the part that I'm adjusting to - is the actual act of traveling. The hotels are pretty trash.
If you're setting up lights and tripods, and you've got three assistants running around, people will want to get you out as fast as they can. But if you go the opposite way, if you make the camera the least important thing in the room, then it's different.
I think I rushed and I needed more time with my comeback. I needed more time to get my legs stronger to be able to handle the workload. You can only train for that by pitching innings. You can't simulate pitching off a mound in a game inside a weight room.