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I grew up in Birmingham, but my parents are originally from Barbados. My dad, Romeo, was a long-distance lorry driver, and my mother, Mayleen, worked in catering.
I feel that for the story of 'Romeo and Juliet' to be impactful, it has to be believable, and there has to be a certain level of chemistry between the two characters.
I think when I was 12, when, like, 'Titanic' and 'Romeo + Juliet' came out, my friends and I made our own Leonardo DiCaprio fan club. I definitely had a thing for him.
I always say to people, 'You know, if Romeo and Juliet got married, nobody would care about them.' Imagine Romeo and Juliet, six kids yelling, 'Mama, Mama, Papa, Papa!'
I love 'Titanic', I love 'Romeo & Juliet', those are my favourite films, and so it's crazy to think that people wouldn't connect with 'Feel Good', it's just a love story.
When I step out onto the ice to compete 'Romeo and Juliet,' I don't feel like a fighter. I feel very nervous, and it's very difficult for me to get into the mindset for it.
With Romeo and Juliet, you're talking about two people who meet one night, and get married the same night. I believe in love at first sight-but it hasn't happened to me yet.
'Romeo And Juliet' is the classic love story. When two lovers are separated and trying to get back to one another, that's fiercely romantic and something you become glued to.
One of my favourite pieces is 'Antony and Cleopatra' - I'd love to be in that. Or an alternative version of 'Romeo & Juliet' where I get to play Mercutio, something like that.
My daughter did this production of 'Romeo & Juliet' when she was younger, and this agent said she should work, and I said, 'You know what? I'd rather just have her go to school.'
As soon as we wrote the beat for 'Romeo,' I knew it was a running song. I was thinking about it in terms of the body. What do you want to do? It's not a song you want to dance to.
Make no mistake: I love women. I'm married to one, I was birthed by one, and I played one in my high school production of 'Romeo and Juliet.' No one else could fit into the bodice.
We need to take a far more active role in love than 'Romeo and Juliet' would lead us to believe. Perhaps that's what Shakespeare's saying, in a way. We can't leave it all up to fate.
When 'Romeo and Juliet' came along, I fell in love with the way that it was written and how innocent and vulnerable it was and how different it was from 'True Grit.' I really liked that.
I think what's universal about the story of 'Romeo and Juliet' is every one has grown up and done something that was rebellious against their parents' wishes, be it love or something else.
This Romeo character is something I decided to create, like my alter ego. So the name Romeo was invented from the original Romeo and Juliet. I wanted to show people I'm like a modern Romeo.
I'm probably not going to get married unless I live with somebody for 10 or 20 years. But these people (Romeo and Juliet) took a chance and they did it. We don't have the balls that Romeo did.
I tried to forget about playing Romeo in 'Romeo and Juliet' and just think about him as a normal guy, as a normal character, and just try and approach him the same I would every other character.
And I just think that to introduce an unknown Shakespeare is thrilling, too - not to do Hamlet or Romeo and Juliet, to do the richer Shakespeare. People will come to this and not know the story.
I feel like every night, when you see a really good production of 'Romeo and Juliet' or something, you should hope that it ends differently. That's why we watch our favorite movies again and again.
When I started dating I had this kind of Romeo and Juliet, fateful romantic idea about love which was almost that you were a victim and there was a lot of pain involved and that was how it should be.
Romeo is the most misunderstood character in literature, I think. He's hardcore to play because he's displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
I love taking photos of all of my family, but Harper is really cute to photograph, and my brother Romeo because of his shaved head. Cruz is just cheeky, so it's always fun to get a picture of him, too.
If Romeo and Juliet make a tragedy of it nowadays, they have only to blame their own mismanagement, for the world is with them as it has never been before, and all sensible fathers and mothers know it.
When I was in England doing Romeo and Juliet as a child star, I was interviewed by the British press, who are even more vicious and cruel than the Americans. So I have been extremely guarded ever since.
I personally am a very big fan of 'Romeo + Juliet.' It had a visceral power to it that I thought was just exhilarating. It was a very arresting and very disturbing and deeply compelling version of the play.
I really was very impressed with DMX during the whole experience on 'Romeo Must Die.' I like working with him. I liked him. And I was very impressed with the reaction of the audience when he was in the picture.
When I was 16 years old, I joined a drama group called North Queensland Academy of Dramatic Art under a woman called Maggie Shephard-King. She inspired me to audition for the role of Romeo in 'Romeo and Juliet.'
Around age 38, there was a slight change to my voice, and very much in the center. That made it possible to start thinking about certain roles: Guillaume Tell, Romeo, Edgardo. These roles require a fuller center.
All the great Shakespeare plays are about killing. 'Alas, poor Yorick,' that's about death. And in 'Romeo and Juliet' everyone up ends up dying. The greatest dramas in the world are all about sex, violence and death.
You ask yourself, 'What do you want your legacy to be?' I'm content at this point to say, 'Those who follow me.' Romeo Crennel, Bill Belichick, Sean Payton, to name a few. I think I've got a pretty good group, so far.
There's a definite rift in 'Riverdale.' There's a civil war between the Southside and the Northside. And Jughead being on the Southside and Betty's on the Northside, it becomes a bit of a 'Romeo and Juliet' situation.
If you actually saw your favorite movie star who is also a great classical actor doing 'Romeo and Juliet,' 'Macbeth' or 'Taming of the Shrew,' it would be a great thing and a great thing for kids to get interested in language.
I played Romeo when I was younger, and I think I did a couple kind Romeo-like parts after that, and I kind of went, 'I mustn't do this again. I must always choose something that I don't know if I'm a good enough actor to play.'
Sir Kenneth MacMillan's version of 'Romeo and Juliet' is my favorite full-length ballet, Sergei Prokofiev's breathtaking score a favorite composition of music. As a student of martial arts, I loved drawing my sword in defense of my Capulet kin.
I think by around the time I was about 8 or 9, the idea of filmmaking probably took hold. I made little Super 8 extravaganzas when I was a kid, the first being my own version of 'Romeo and Juliet,' and where I played all the parts except for Juliet.
When I wrote 'Noughts and Crosses', I was halfway through it when I realised this was very like 'Romeo and Juliet'... as long as you make it your own, and put your own spin on it, I think it's brilliant to use other great work to find your own voice.
I take the subway all the time here in New York. I love people watching and trying to figure out everybody's background, especially teenagers - they're so uninhibited when they display puppy love. I concoct stories in my mind: 'Are you guys like Romeo and Juliet?'
I think 'West Side Story' is one of the greatest, if not the greatest, musicals ever put onscreen - or stage, for that matter. I, frankly, like Zeffirelli's 'Romeo and Juliet' very much, too. I grew up with that... I loved it. I loved the score; I loved the acting.
So often in sitcoms, it's like, 'Oh, that husband of mine. He just screwed up again.' They just have to tolerate each other. It's not the most fun to play from my perspective. But by the same token, you can't be like, 'We're just like Romeo and Juliet, always in love.'
I was in Siena and decided I wanted to write a story set there. Then I discovered that the original story of Romeo and Juliet was set in Siena. It occurred to me that this was too much of a gift - I had to do it. That's how I ended up writing a parallel story to Romeo and Juliet.
I thought back to my middle-school experience of having slumber parties and watching Romeo + Juliet and staring at Leo and thinking about my first kiss and what I wanted it to be like. And when you have your first real love, it's an epiphany, you know? It's like a whole new world.
I've always found it funny when people call 'Romeo and Juliet' 'the greatest love story ever told' because - man - it does not work out well for those kids, you know? I'd like to think the greatest love story ever told would at least let them be together for more than a few hours.
For Russians, to whom Pushkin's poem 'Eugene Onegin' is sacred text, the ballet's story and personae are as familiar and filled with meaning as, for instance, 'Romeo' and 'Hamlet' are for us. Russians know whole stretches of it by heart, the way we know Shakespeare and Italians know Dante.
A lot of people say to me, 'Is this good, to do to a Shakespeare piece?' And I think, 'You know, 'West Side Story' did it very cleverly, in a different way.' But if you look at 'Bonnie and Clyde,' 'Titanic,' 'Avatar,' 'Grease,' 'Brokeback Mountain'... they're all 'Romeo and Juliet' stories.
I drove from Naples to the Amalfi coast in an Alpha Romeo 1969 Spider, which was lovely. There have been lots of movies made down there, and I felt a bit like James Bond - the driving is quite hairy. The locals have mopeds, but you wouldn't catch me on a bike on those roads. A tank would be safer!
When I was doing 'Tales from Hollywood' at the National, I was invited to dinner by the choreographer, Kenneth MacMillan. He told me I had the heart of a dancer and asked me if I'd like to come on at the end of 'Romeo and Juliet' as a friar. I said I'd love to, but sadly, MacMillan died shortly after.
I don't know if anyone knows if they're ever any good, but I went to drama school in Scotland, in a classical acting course, and my first year, I remember one of my tutors telling me that I couldn't act, and I should give up and all this sort of thing, and then, they cast me as Romeo in 'Romeo and Juliet.'
Look, three love affairs in history, are Abelard and Eloise, Romeo and Juliet and the American media and this President at the moment. But this doesn't matter over time. Reality will impinge. If his programs work, he's fine. If it doesn't work, all of the adulation of journalists in the world won't matter.
I spent two years at the Guthrie Theater in Minneapolis, and then some New York types saw me there as Benvolio in 'Romeo and Juliet.' They sent me some enticing letters - about why didn't I come to New York? - and since it was well below zero that winter in Minneapolis, it didn't take much to get me to leave.