Romance Quotes - Page 26

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Art has a double visage: it looks before and after. Romance is its forward-looking face. The germ of growth is in romanticism. Formalism, on the other hand, consolidates tradition; gleans what has been gained and makes it facile to the hand or the mind; economizes the energy of genius.

I'd gone to Wellesley College, an amazing women's college where the students were encouraged to follow our dreams. However, after I graduated and had a historical romance published, more than a few people indicated that, in some way, my career choice was a 'waste' of so much education.

I have a huge promotion: you've heard from me on 'Vantage Point' and also with 'Cyrano Fernandez' - that is a Venezuelan movie that I star in and co-produced, and it's based on the romance of Cyrano de Bergerac. And it's set in a Venezuelan slum. It's a free version of the French play.

From the boys' point of view, scouting puts them into fraternity-gangs, which is their natural organisation, whether for games, mischief, or loafing; it gives them a smart dress and equipments; it appeals to their imagination and romance; and it engages them in an active, open-air life.

I cannot here avoid giving my most decided sufferage in favour of the moral qualities of maniacs. I have no where met, excepting in romances, with fonder husbands, more affectionate parents, more impassioned . . . than in the lunatic asylum, during their intervals of calmness and reason.

Most books set in England between 1800 and 1840 have a 'Regency' feel. The reason that era is so useful for romance authors stems from the wide-ranging social changes that were occurring over that time, and the parallels, or echoes, those create with our time and the lives of our readers.

People stood on their chairs, cheering and waving. And it was all for me! Waves of love flooded the stage and washed over me. I started to cry. The sweetness of such a moment is impossible to describe. One is both lover and beloved. ... I'd found the one true, enduring romance of my life.

Hip hop is the strongest form of protest there is, and it doesn't always have to be a violent protest. It can be romantic, also. When you listen to Kanye West's 'Street Lights' for example, there's romance, there's pain - you feel the essence. I get the same thing from Drake and 2 Chainz.

Never Mind Nirvana is the first novel I’ve read that makes music as important as food, clothing romance — a fresh twist millions will be able to identify with – and the music of Lindquist’s language is a perfect match for the subject. I think he’s the writer to watch in the new millennium.

If you write chick lit, and if you're a New Yorker, and if your book becomes the topic of pop-culture fascination, the paper might make dismissive and ignorant mention of your book. If you write romance, forget about it. You'll be lucky if they spell your name right on the bestseller list.

Time and time again when I talk to individuals about approaching love with will and intentionality, I hear the fear expressed that this will bring an end to romance. This is simply not so. Approaching romantic love from foundation of care, knowledge, and respect actually intensifies romance

I want to see you again." He stopped, took her face in his hands. "I need to see you again." Her pulse jumped, as if it had nothing to do with the rest of her. "Roarke, what's going on here?" "Lieutenant." He leaned forward, touched his lips to hers. "indications are we're having a romance.

I would listen to artists like My Chemical Romance, Eminem, Busta Rhymes, Blink-182, Paramore... all these bands were so unafraid of being themselves. They talked about their problems and what was going on in their heads. It grabbed and latched on to me, and I felt like I could do that, too.

Vulnerability is the essence of romance. It's the art of being uncalculated, the willingness to look foolish, the courage to say, 'This is me, and I'm interested in you enough to show you my flaws with the hope that you may embrace me for all that I am but, more important, all that I am not.'

I have been married twice, and those were not the happiest times of my life. Part of the problem, quite frankly, is that when you get married, the romance disappears and the children arrive and the love is transferred. It shouldn't be that way, but too often it is transferred to the children.

I joined the army on my seventeenth birthday, full of the romance of war after having read a lot of World War I British poetry and having seen a lot of post-World War II films. I thought the romantic presentations of war influenced my joining and my presentation of war to my younger siblings.

I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book - in short, it's something unworthy of a serious critic's attention.

If you believe in romance, and if you believe in marriage, you also have to believe in divorce. It's like, with 'Getting On,' a lot of people say, 'I don't want to watch that. It's so dark.' But you can't just want to go to weddings and children's birthday parties. You've got to witness it all.

I play Captain Lance Van Der Berg, who's a Union captain who ends up staying with the Confederate family who's been taken over by the army when they come into the city in Virginia. He strikes up a romance with the youngest daughter in the house, which obviously causes some issues for the family.

For those who resist the notion that the mainstream is a genre, we recommend that they browse the shelves of their local bookstore. For if the mainstream is not a genre, then it must necessarily embrace all kinds of writing: romance, adventure, horror, thriller, crime, and, yes, science fiction.

Yes, I've heard of the 'Mad Men' comparisons, but I like to think 'The Hour' has its own distinctive voice. Although it is set in 1956, I have tried to give it a contemporary edge, and its themes of love, passion, romance, fury, professional jealousy, and personal failure are universal, I think.

The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty.

People will say, 'I really don't like romance,' or, 'I don't read it - at all!' So how do they know? Weirdly, I think that the 'Fifty Shades of Grey' phenomenon introduced women to romance who would never have read it. And that means that they then go on to read my books, and that would be great.

I miss the romance. I keep saying this over and over again, but dance follows music. And if the accent today is percussion and rhythm and loudness, then that is the way the dance numbers will be. But it is pretty hard on romance with seven guitars, three drums, and no melody instruments in the band.

It is doubtful if even experience of riches and success is as intense among those who have experienced nothing else as among those who have also experienced poverty and failure. There is little romance in wealth to those who have been born wealthy and whose families have been wealthy for generations.

I am satisfied that happiness in marriage is not so much a matter of romance as it is an anxious concern for the comfort and well-being of one's companion. Any man who will make his wife's comfort his first concern will stay in love with her throughout their lives and through the eternity yet to come

I went to Ethiopia, and it dawned on me that you can tell a starving, malnourished person because they've got a bloated belly and a bald head. And I realized that if you come through any American airport and see businessmen running through with bloated bellies and bald heads, that's malnutrition, too.

We're definitely hoping 'Travelers' attracts more than just solely the sci-fi audience, too. There are so many elements here. I think this will be a show that women like, because there's a lot of unlikely romance in it between people who were in love 300 years from now, but they're in different bodies.

I did a research assignment on life in the Middle Ages only last year. I found the era fascinating, all that chivalry and court romance. But I never pictured anything as poor as this village. This is the pits. There's no romance here, definitely no chivary. And it stinks--of sweat and smoke and sewage.

Romance should never begin with sentiment. It should begin with science and end with a settlement. Nothing spoils romance so much as a sense of humor in the woman. When one is in love one always begins by deceiving oneself, and one always ends by deceiving others. This is what the world calls a romance.

I wasn't running toward the theater but running away from the sporting goods store. Of course now that I'm selling spaghetti sauce (with Newman's Own), I begin to understand the romance of business.. the allure of being the biggest fish in the pond and the juice you get from beating out your competitors.

For many women, going back to work a few months after having a baby is overwhelming and unmanageable. As strange as it may seem, things get even more difficult for a working mom after the second and third baby arrive. By that time, the romance of being a modern 'superwoman' wears off and reality sets in.

When you're kissing on camera, it becomes an issue visually. It looks like a skinny dinosaur creature is trying to kiss someone. It doesn't look good. It does not look like the classic romance kisses. If an actress is 5'3" and I don't bend down to kiss her, she would probably be kissing my lower sternum.

Summer romances cometo an end. That was part of the deal. They are built like certain plants or insects, not able to survive more than one season. I thought we would be different. We were, I guess, but not in the way I thought. I truly believed that we would never let each other go. The young are so dumb.

As much as I enjoy romance, it's commitment that I need the most. I need to know a love I can depend on, a love that says, "I will be with you through it all. I love you. And I will love you even when you may not be all that lovable, for sometimes I'm not very lovable either. You can count on me - always."

Since my romance novels had all been thrillers as well, it wasn't such a leap for me to move into the straight thriller genre. The most difficult part, I think, was being accepted as a thriller writer. Once you've written romance, unfortunately, critics will never stop calling you a 'former romance author.'

I think romance is a tool, comedy is a tool and drama is a tool. I really just want to tell stories that challenge the viewer, move people, make you laugh, perhaps push an idea about being open-minded but never settle on a genre or an opinion. I hate genre. I like movies that are original in their approach.

My favorite - my very favorite movie, which I suppose is a bit of a guilty pleasure in that it's like, you know, every scene, you know, pushes every button, is 'True Romance' directed by Tony Scott with Patricia Arquette and Christian Slater, and it's a fantastic, fantastic film, very violent, very romantic.

I don’t shout the loudest, and I’m quite shy, which was why I was reluctant to throw myself into the public eye. I love beauty, craftsmanship, storytelling and romance, and I probably don’t have the armor to survive the relentless competition that exists in this particular world. But I have my own toughness.

In college - while figuring the things out that most people do in college - I had no game. No confidence. I had Birkenstocks. And overalls. A budding romance novel addiction. But no cool. No poise. I was trying on a thousand different personalities, but a lot of them were formed by the perceptions of others.

In terms of love and romance, it just seems less and less like that's ever going to happen again, or be a possibility for me. I feel like I've irrevocably lost so much. You want the surprise, but it gets harder and harder to find, whether we're talking about romance, or somebody else's song, or your own song.

Certainly, light fiction exists and encompasses mysteries or second-class romance novels, books that are read on the beach, whose only aim is to entertain. These books are not concerned with style or creativity - instead they are successful because they are repetitive and follow a template that readers enjoy.

My relationship with Christian Slater is like him and Marisa Tomei in 'Untamed Heart.' 'True Romance' was right when I was beginning to become a fan boy of movies. People forget that he's worked with some of the biggest directors in Hollywood. He's worked with Francis Ford Coppola, Quentin Tarantino, John Woo.

The first thing you notice about women in Hollywood, besides their low percentage of body fat, is how few are married. And the number of great-looking, successful single women without a social life is staggering. ... The most glaring misconception about Hollywood is that it is the romance capital of the world.

Originally, I thought the story of the Alamo was all these men defending their liberty when they could have left, knowing they were going to die. That's without a doubt what appealed to me, the romance and the nobility. But, as in life, the more you dig the more you find out that things weren't quite like that.

A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.

First and foremost, I consider myself a storyteller. And I'm endlessly fascinated with people, with what they do and why... and how they feel about it. Which means I'm interested in romance fiction. I was drawn to it, as both a reader and a writer, at the very beginning of my career. It's my kind of storytelling.

Most romances aren't swept aside by big historical events. Most romances in the history of the world fall apart because of other, smaller happenings. History can sometimes be in the background, the thing which instead of rupturing your life merely irritates you by pressing itself now and then into the foreground.

What I realized halfway through writing romance is that you start out intuitive, and you make all these choices mostly based on yourself and what you like and what talent you have, and... if you want to have any quality control over your product, you have to stop being intuitive and start being more of an analyst.

We're used to a story in modern terms as an information delivery device. Certainly on television and even with the studio films, there's really only one note that you get, and that's clarity. And people will sacrifice everything for clarity. They'll sacrifice the joke. They'll sacrifice the moment, or the romance.

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