I can trace every romance of my life back to a meal. My memories are enhanced by the tender morsels had at tables across from lovers, on blankets with friends who'd eventually become more, in banquets, barbecues, and breakfasts.

When it comes to romance, I'm really simple. I am really a 'dinner and a movie' type of person, and I love food, so surprise me and order something different or adventurous when it comes to food, and I'm like a kid at Halloween.

My godchild Zoe, age 6, suddenly said: "Can you describe what romance is?" I talked about wooing, and yearning, and she sighed and leaned back, "I think that love is my favorite thing in this whole world..." Me too, Zoe, me too.

You need not attempt to shake off or to banter off Romance. It is an evil you will never get rid of to the end of your days. It is a part of yourself ... of your soul. Age will only mellow it a little, and give it a holier tone.

Life is replete with comedy, drama, horror, suspense, tragedy, romance, mystery, fantasy and a good dose of fiction. While at times the plot may seem to be lacking, the special effects alone are well worth the price of admission.

I actually worked in the general market for many years writing steamy historical romance, and I had more freedom in the Christian market than I ever did in the general market to write about any issue that I needed to write about.

I'd do almost anything for love, within safe boundaries. I've flown to places to surprise people, even if it was just for a day. I think it's so important to keep the romance alive and make sure the fun and spontaneity are there.

I have things I watch in my downtime - I love 'Scandal.' I don't write political romance, so there's not a direct relation there. But it's something I do just to turn off the brain for a little bit, and just to relax and recharge.

I worked for seven years doing computer graphics to pay my way through graduate school - I have no romance with computer work. There's no amount of phony graphics and things making sound effects on the screen that can change that.

I know some people who are like, 'I love fitness,' and I feel like if you have to say that, you're still in the romance stage. I'm in the stage where I've been married to it for 60 years, and I don't think I'll ever get a divorce.

I don't want a ricochet romance, I don't want a ricochet love. If you're careless with your kisses, find another turtledove. I can't live on ricochet romance, no, no, not me! If you're gonna ricochet, baby, I'm gonna set you free.

To pass to the deluge, and beyond it, and to come to close quarters with our proper division, the origin of Romance itself is a very debatable subject, or rather it is a subject which the wiser mind will hardly care to debate much.

Out of the darkness of my life, so much frustrated, I put before you the one great thing to love on earth: the Blessed Sacrament … There you will find romance, glory, honour, fidelity, and the true way of all your loves upon earth.

If a man lets all of my dogs sleep in the bed with us, then that is the most romantic thing. You must love my dogs in order to love me. A man who is nice to my animals and doesn't shoo them away - well, that's the height of romance.

Blood of my Blood," he whispered, "and bone of my bone. You carry me within ye, Claire, and ye canna leave me now, no matter what happens, You are mine, always, if ye will it or no, if ye want me or nay. Mine, and I wilna let ye go.

It usually happens spur of the moment, like when I broke up My Chemical Romance, it was just that day that I decided it was time for them to be done. And people were very upset about it so I have to choose my next victims carefully.

A romance novel focuses exclusively on two people falling in love. It can't be about a woman caring for her aging mother or something like that. It can have that element, but it has to be primarily about the male-female relationship.

What will seduce a person is the effort we expend on their behalf, showing how much we care, how much they are worth. Leaving things to chance is a recipe for disaster, and reveals that we do not take love and romance very seriously.

We might possess every technological resource... but if our language is inadequate, our vision remains formless, our thinking and feeling are still running in the old cycles, our process may be 'revolutionary' but not transformative.

Modern science, then, so far from being an enemy of romance, is seen on every hand to be its sympathetic and resourceful friend, its swift and irresistible helper in its serious need, and an indulgent minister to its lighter fancies.

The emphasis in 'Notting Hill' was perhaps, I thought, slightly more on the romance than on the comedy. But I think 'Mickey Blue Eyes' is maybe slightly more on the comedy. And the tone on 'Mickey Blue Eyes,' it's a far sillier film.

For me, romance isn't an over-the-top act. It's someone offering to help and to support me. Or if that person thinks I'm making the wrong decision, he'll tell me. I want him to be honest, because being that honest takes a lot of guts.

If 'Befikre' was representing the new-age youth of India and romance as what it was claiming, it would have been great irrespective of the box-office numbers. But unfortunately, it didn't do that, and hence, I would not be interested.

I love movies, of course. 'Terminator 3' and 'Bad Boys II' - lots of action. Sports movies, action movies, comedies - I'll go to those, but not 'las de amor.' Not romance. It's not that I don't like love, but on the screen it bores me.

I'm obsessed with those old romance films. I also would love to venture into the silent film world. I think that's extremely compelling and interesting and really relies on the acting, even more so than when you have an actor speaking.

The negative attitudes toward the genres - romance, science-fiction, westerns, suspense, etc. - are fallout from the academic world's long-standing fascination with existential philosophy and modern theories of psychology and sociology.

I love 'Cheers.' I didn't watch it growing up, but I watched it getting ready to do the first season of 'New Girl.' It bowls me over every time I see it. The romance, the comedy, the performances - every bit of it is just so compelling.

When I was young, I couldn't imagine women of 60 falling in love. For one thing, people used to stay married; they weren't out in the jungle, searching for romance. Besides, these women just looked so ancient - permed hair, beige cardis.

I still don't understand why the tag of 'action hero' follows me. My films have all these elements - romance, action and comedy. None of the fight sequences of my character is an act of randomness. There's a reason to action in my films.

He believes in romance. He isn't merely going through the mechanical movements of a man in an exciting situation. He is, vitally and positively squeezing the last drop of delight from living the best life he knows in the best way he can.

In 1976, I read a book by Kathleen E. Woodiwiss and knew immediately that I, too, could write a historical romance. It took me a year to complete the manuscript. I was a forty-year-old Scarborough housewife who knew no one in publishing.

It's stupid to say that there's any comfort to be had in 'knowing your place,' but there is a sense of reassuring escapism to something like 'Downton Abbey.' There's a perceived romance and elegance that is wonderful to lose yourself in.

In Bonn, where I studied for a year, I changed from classical to Romance philology, taught there by its great founder, F. Diez, and at the beginning of 1852, I received the doctorate for a dissertation on the refrain in Provencal poetry.

A real love story is sometimes exhausting. A romance is deliberately constructed to yield a certain result; the ambiguities are trimmed out, so it's neater and more pleasing to our hearts. But you don't live a love story, you live a life.

Never mind the ridicule, never mind the defeat: up again, old heart!-it seems to say,-there is victory yet for all justice; and the true romance which the world exists to realize, will be the transformation of genius into practical power.

All summer, I read fiction because you must read for the pleasure and beauty of it, and not only for research. I don't read thrillers, romance or mystery, and I don't read self-help books because I don't believe in shortcuts and loopholes.

I've always thought that, as a romance writer, I had the best job in the world. I sit around all day making up emotion-drenched, conflict-laden stories that push my heroes and heroines to the edge of sanity. Then I give them a happy ending.

At any given time, all of us have an empty spot: one that is calling for companionship, for example, or for justice, love, romance, or a belly laugh. When I sit down to write, I look to see what hole needs filling at that particular moment.

Musically, some of the acts that I've really been identifying with are: Fleetwood Mac, Roxy Music, Vangelis, Jean-Michel Jarre, Earth, Wind & Fire, in general music that seems to have a lot of romance to it and a certain glamorous idealism.

Like so many others, I came to romance during the golden age of it - Judith McNaught, Julie Garwood, Johanna Lindsey and Jude Deveraux were at the height of their historical domination. Without those women, I wouldn't be a romance novelist.

It's sad that children cannot know their parents when they were younger; when they were loving, courting, and being nice to one another. By the time children are old enough to observe, the romance has all too often faded or gone underground.

And then I realized that my sister was trying to LIVE a romance novel. Man, that takes courage and imagination. Well, it also took some degree of mental illness, too, but I was suddenly happy for her. And a little scared. Well, a lot scared.

I say, 'I write romance, women's fiction, chick lit.' I think it all fits very comfortably under the same umbrella. Basically, I write books for women - books about relationships: books that make you laugh and sometimes make you cry a little.

I love watching the N.Y.C. Marathon - it might even be the best day of the year. I'm already in a true romance with the Big Apple, but the determination, spirit, sport, and glory that are all in full force on race day make it a true standout.

After all, sustainability means running the global environment - Earth Inc. - like a corporation: with depreciation, amortization and maintenance accounts. In other words, keeping the asset whole, rather than undermining your natural capital.

When a writer calls his work a Romance, it need hardly be observed that he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume had he professed to be writing a Novel.

I have always been fascinated with romance and the fact that it is so effortless when we first fall in love but how it then becomes a conscious effort to stay creative and connected. Thats why I always say, 'Get wise: keep your romance alive.'

Mr. Scott Fitzgerald deserves a good shaking. Here is an unmistakable talent unashamed of making itself a motley to the view. The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life.

'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.

We are definitely modernizing 'The Three Musketeers' without compromising the fun of shooting a period piece. But in our film, corsets and feathered hats don't take center stage. Our version is rich in eye-popping action, romance, and adventure.

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