Quotes of All Topics . Occasions . Authors
The role of globalization is to homogenize all cultures, and to turn them into commodified markets, and therefore, to make them easier for global corporations to control. Global corporations are even now trying to commodify all remaining aspects of national cultures, not to mention indigenous cultures.
I was quite eager to work, anytime somebody was offering me a job, if I liked the role. Because I was always very discriminating from the very beginning, in the sense that I had absolutely no problem saying no to jobs when they came along if somehow they didn't fit into my universe - whatever that was.
The pathfinders of modern thought did not derive what is good from the law. ... Their role in history was not that of adapting their words and actions to the text of old documents or generally accepted doctrines: they themselves created the documents and brought about the acceptance of their doctrines.
I've been fortunate to play many different types of characters thus far. However, I really enjoy playing roles that are different than who I am personally. You can have these small fantasy worlds where you can be people you would otherwise never get to be: a doctor, a lawyer, a ruthless business woman.
Apple isn't the next Microsoft, you see. Apple is not the next anything because the role it aspires to transcends anything imaginable by Microsoft, ever. Google is the next Microsoft, so Google is seen by Ballmer as the immediate threat - the one he has a hope in hell of actually doing something about.
Karl Marx left it to others to find the way beyond capitalism to a higher form of society. He saw his role as giving them as accurate a theory as he could of how capitalism works, which would also show them the reasons why it needs to be abolished and replaced by a freer and more human form of society.
The choice of roles as I grow older gets more and more limited, so if I pin myself to one kind of part I would get in trouble. So, these oddball ladies came along for me to do - I guess Terry Gilliam helped in this respect. I have found them more interesting, flashier and I get more mileage out of them.
Nobody aspires to be a backup. And although I take great pride in the supporting roles I've played in both Philadelphia and Kansas City, part of me still cringes every time I hear myself described that way. Not only is it limiting and one-dimensional, it doesn't come close to describing who I really am.
Knowledge is the reward of action. For it is by doing things that one becomes transformed. Executing a symbolical gesture, actually living through, to the very limit, a particular role, one comes to realize the truth inherent in the role. Suffering its consequences, one fathoms and exhausts its contents.
Being able to do lead roles in pictures or onstage or whatever it is that you're doing in acting is obviously what you strive for because you want to better yourself as an actor and you want to better yourself as a person as well. But that does come with a lot of responsibility and a great deal of weight.
Being an actor is a good way to earn a living. And to meet fabulous people. It's great to live very comfortably. I've been lucky, I've had a lot of fun with great roles, but it is true that if I were extremely rich, I would stop and I would go to play football on a beach in the Caribbean with my children.
But, who is Death? A figure that harrows and wastes wherever and however it pleases. This is also a possible description of the Countess Bathory. Never did anyone wish so hard not to grow old; I mean, to die. That is why, perhaps, she acted and played the role of Death. Because, how can Death possibly die?
I used to assist my chachaji in his artificial jewellery business. One day, I got the opportunity to visit V. Shantaram's film set to supply some jewellery. Curiosity got the better of me and before I knew it, I was playing an extra. Soon, roles with dialogues followed and the rest as they say, is history.
You have to get out of your comfort zone in order to grow. And as an actor, you don't become Meryl Streep by doing the same type of comedy. You get there by being challenged. And unfortunately, there's a lack of roles for women of color, so you actually have to be the engineer creating some of those roles.
I wake up and play a different person every day. Playing all these different characters and trying to figure out who your true authentic self is at the core of that as you're playing all these different roles, and man, that self-awareness starts to come into effect. And you start to see who you really are.
It's difficult to say no sometimes. I often hear, "They'll really take care of you," or "Someone else is going to take the role if you don't play it." Some of the best advice I ever received was to always ask myself: Am I going to kill myself if somebody else takes this role? The answer is almost always no.
To make a long story short, I auditioned for the role of Piper because I read the pilots every year and this show was head-and-shoulders above any pilot I've read in awhile. It was amazing. So, I read for Piper and I knew that I wasn't really right for it, but I loved it so much that I wanted to read for it.
The most important thing to keep in mind is the incredible diversity of talent that's out there - there are so many great actors from all over Asia, from Singapore and Hong Kong to the Philippines and Mainland China, not to mention many great Asian-American actors who are eager for fun and challenging roles.
I'm struck by the fact that by and large equity capital doesn't play a big role in new financing; it's either bonds or internal financing but not really equity. And therefore, it's not clear that anything which improves the equity markets has really much to do with the productivity of the economy as a whole.
The Dome is a metaphor that could mean anything - it could be nuclear fallout, terrorists - I've always been fascinated with stories where people's roles are flipped on their heads, be it the Wall Street guy, the techno guy, etc. All of those things are only successful when there are people and money around.
What I teach our people is that, as a leader, you have four key roles apart from people management. First is to champion the grand vision. Two, install systems and a culture to run experiments. The third thing is to savour surprises. The fourth thing is that even a leader's ideas need to be subjected to tests.
Television is also a great tool for women. As you know, the best female roles are often on television, so it's a very exciting time. I've really embraced it. The pace is great, but also not so great sometimes. You feel like you have to make sure to pay attention, at all times, to not let anything slip through.
I know that many of you do wear such a cross of Christ, not in any ostentatious way, not in a way that might harm you at your work or recreation, but a simple indication that you value the role of Jesus Christ in the history of the world, that you are trying to live by Christ's standards in your own daily life.
One classical role of the pulpit in Protestantism has been to 'preach sermons' which imply indoctrination more than education. Within this from of communication, there is an inherent, intrinsic inclination to intimidate, manipulate, and, hence, offend the person's most prized quality of humanness - his dignity.
The role of the disappointed lover of a maiden or of any single woman might be ridiculous; but the role of a man who was pursuing a married woman, and who made it the purpose of his life at all cost to draw her into adultery, was one which had in it something beautiful and dignified and could never be ridiculous.
I want to keep doing interesting work with interesting people in whatever form that may take, but I want to play the big parts of classical theatre; I want to go on stage and play great Shakespearean roles and, at the same time, do amazing, challenging indie films and comedy, and I want to do it all. I am greedy.
I would love to sign on to do a movie if it was the right role and if it was the right script, because I would be taking time away from music to tell a big grand story, and spend all of my time and pouring all of my emotions into being someone else. So for me to do that, it would have to be a story worth telling.
Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend towards the roles of planner and programmer, and then become an audience to the results
Only while they are conforming their actions to the model of some archetypal hero do the Arunta feel that they are truly alive, for in those roles they are immortal. The occasions on which they slip from such molds are quite meaningless, for time immediately devours those occasions and reduces them to nothingness.
I saw several actresses play the part. I did not in fact, as far as I know, do anything that any of the other actresses did. I don't think actresses do that. I think that what we do is we see a role as a role, we don't see it as a person. We look at the role and think, 'What can I, as an actor, bring to that part?
[A] re-elected McConnell, with a Republican majority, would, he says, emulate his model of majority leadership - the 16 years under a Democrat, Montana's Mike Mansfield. He, like McConnell, had a low emotional metabolism but a subtle sense of the Senate's singular role in the nation's constitutional equilibrium.
Roles constantly have to be redefined in any form of entertainment. Look back at the gangster pics of the 1930s and 1940s and the way James Cagney or Humphrey Bogart would play the part. These roles were redefined in the 1970s by Al Pacino and Rober DeNiro. And again in the 1990s by Gary Oldman and Anthony Hopkins.
It's weird because every movie that I do is always a role that reminds me of a role that 'Pac would have done. And when 'Pac did 'Juice,' he was young - probably like 21, 22 - something like that. And that's my favorite actor. I know it might be weird to say, but he was talented on screen, and that's who I studied.
Earl Mills is probably the best role I've ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who's a hero of mine. Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
There will be revelations of truth and understanding about our role within the universes, and we will start navigating with the galactic community and with other life form energies in a much more precise way, much more of a communion with those energies in accord with the acceleration that is happening on the planet.
Last week I was in London at an awards show, then I flew home and was in an RV park with my wife and kids in our motorhome, this week I'm in NY doing a charity event, and tomorrow I'll be coaching my daughters soccer practice. I guess the range of roles I play on film stem from the range of roles I play in real life.
A long time ago, I became aware that many of us have a tendency to lump nature into simplistic categories, such as what we consider beautiful or ugly, important or unimportant. As human a thing as that is to do, I think it often leads us to misunderstand the respective roles of life forms and their interconnectedness.
It's easy to fall into the trap of assuming that a new technology is very similar to its predecessors. A new technology is often perceived as the linear extension of the previous one, and this leads us to believe the new technology will fill the same roles - just a little faster or a little smaller or a little lighter.
Churchgoers feel righteous, responsible, and obedient to God's will. They view anyone unlike themselves as devoid of values, and therefore unworthy of God's love. By denying God to all those who have strayed from the path of righteousness, the devout are unwittingly taking on themselves a role that belongs only to God.
The kinds of roles dogs fill can be hard to come by in human relationships. We touch the dog or the pet at whim. There is a lack of self-consciousness and a fluidity to it that is absent from most human relationships. If someone acted that way to you, you'd feel claustrophobic pretty quickly. It's a boundary violation.
It's true in the beginning I started playing villains, and I think that's pretty clear, because if you don't conventionally look a certain way and you've got a certain kind of presence when you're young, then what's available to you is character roles, and the best character roles when you're young tend to be villains.
I remember that it was never that difficult for me to get a director to look up and pay attention to me. Mind you, I don't know if that's necessarily charm. But I've played roles where my character has to be charming and I've found it quite easy to do. I think some of it is in my bones, but some of it is more deliberate.
I'd love to act more. I've had to turn down multiple movies because I was on tour, but it's encouraging to know that someday there might be the right role, the right timing. And I've been writing a lot of music, so hopefully very soon I'll have recorded a project of my own. I also want to get a boat and open a restaurant.
What all this posturing and fake glamor results in is a vast detachment and cynicism on the part of the artists. Since it's impossible to have respect for an audience that'll take just about anything you care to dish out, and the impassive demeanor is so central to the role, a general numbnose is all that can be expected.
With my career in general, I feel like I'm finally getting to do the roles that I've always wanted to do. It's a slow build; you can't ever get the roles that you want in the beginning of your career because you don't have the buzz or the heat, or whatever the hell it is you need for the agents and the studios to be happy.
All the perks, all the benefits and advantages you may get for the rank or position you hold, they aren’t meant for you. They are meant for the role you fill. And when you leave your role, which eventually you will, they will give the ceramic cup to the person who replaces you. Because you only ever deserved a Styrofoam cup.
I auditioned for a one-act version of 'The Princess and the Pea' called 'The Ugly Duckling,' and I was cast as the King, starting a pattern of being cast in roles originally intended for men. I went to the first rehearsal, and I didn't get any laughs, and I choked and I quit. I walked away from it and joined the tennis team.
You forget about it, after awhile. You forget that you even have it on. It becomes part of you. You get used to it, even the teeth and the contacts, which bothered the hell out of me. It ends up being something that is part of the role, and part of the thing that you're doing. After awhile, it just feels pretty damn awesome.
When I go from a role with heavy prosthetic makeup, which I've done quite a bit of as well, and then do a role where I'm not wearing any, I have to be conscious of toning everything down. Because when you're wearing prosthetic makeup, of course, you have to really move your face a lot more to convey things through the makeup.