Quotes of All Topics . Occasions . Authors
I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.
I like - there's a better word for it, but I like the danger that a comic brings to a role. It has a feeling, even though everything's scripted and everything's planned what you're going to do. When I see Will Ferrell or Sacha Baron Cohen, there's a feeling that anything could happen.
I think that as actresses - and I've definitely gone through this in a really bizarre way, because I worked so much and was really lucky with the roles that I got when I was younger - I remember hearing the older actors saying, "It gets tough," and thinking, "Really? I can't imagine."
I was brought up in the '80s. I was born in 1975. So by the time I got to 10 and I kind of knew that I probably was going to have to be a grown-up lady at some point, the feminine role models that I had were kind of the cast of "Dynasty" and "Dallas." And I just found that terrifying.
I consider Rashi Khanna and Regina Cassandra as my best friends. They say there are three Rs in the Telugu industry: Rakul, Rashi, and Regina. All three of us debuted in the same year, and while we all compete for the same roles, we are still the closest, and we confide in each other.
Your life is like a play with several acts. Some of the characters who enter have short roles to play, others, much larger. Some are villains and others are good guys. But all of them are necessary; otherwise, they wouldn't be in the play. Embrace them all, and move on to the next act.
Mainstream economic theories popular in the last several decades have tended to downplay the government's role in markets and to increase skepticism about even that more limited role. Austerity, particularly in Europe, has added to the problem. It has not worked, even on its own terms.
The most puzzling thing about TV is the steady advance of the sponsor across the line that has always separated news from promotion, entertainment from merchandising. The advertiser has assumed the role of originator, and the performer has gradually been eased into the role of peddler.
And it (the left brain) has a massive role within this reality, yes. It is basically the point where infinite consciousness joins this reality. It’s that conduit. But if you get trapped in it, and imprisoned by it, you become the decoding mechanism itself and it becomes your awareness.
This game is repeated again and again, and in it the role of the so-called 'German princes' is just as miserable as that of the Jews themselves. These lords were really God's punishment for their beloved peoples and find their parallels only in the various ministers of the present time.
In my case, when you dive into a role, to do well and for you to do well in it, you have to put an enormous amount of faith in the director. But you also have to decide you're so interested in the material, this director, his work, and his process, that you don't care about the outcome.
My purpose is to teach and demonstrate what is possible. To demonstrate love of God and good. Remember what my role is as a woman: to be... good. My role as a mother: to teach, support and nurture my offspring. My role as a grandmother: to remind everybody - right where you are, God is.
'The Firebird' just symbolizes a lot for me and my career. It was one of the first really big principal roles that I was ever given an opportunity to dance with American Ballet Theatre, and it was a huge step for the African-American community, I think, within the classical ballet world.
My friends tend not to style me, fortunately. But if we're in a public setting, they must do it there. Of course, there has been a maturing process for me and for them. But such is my life. I'm very comfortable with both the role and the life I live in relation to my nearest and dearest.
I like the character roles. Somewhere back there I really came to the conclusion in my mind that the difference between acting and stardom was major. And that if you become a star, people are going to go to see you. If you remain an actor, they're going to go and see the story you're in.
Fundamental systemic crises are often associated with the decline of the dominant imperial power and its increasing inability to sustain the system over which it had previously presided. The profound instability of the interwar period owed much to Britain's inability to maintain its role.
To be in a show like 'Miranda' that captures everyone's imagination is amazing, but it's hard when people can't see beyond that. I started travelling to North America because 'Miranda' was so popular in the U.K.; I always knew I wanted to challenge myself and not go for the obvious roles.
The relationship to the director is becoming more crucial to me, making sure there are some common goals. I haven't been in the kind of position where my roles have been chosen for me, where someone says, "First we'll do this and then we'll do this," and it's all part of some master plan.
There's a certain cruelty to being on a big screen as your eyelids start to sag and your hair falls out and turns gray that you either have to be able to handle or not. What you can't do is try to force yourself into roles that you could have played or would have played ten years earlier.
The beauty of a language is, generally judged by its soft or rigid, melodious or harsh, ring. Other aspects, such as the flexibility of derivation, play hardly any role in grading. Were it the case, Russian would certainly be placed on the winner’s stand. It would rank first in plasticity.
I don't think the role of the critic has changed very much. In the most positive sense, the music critic is one who helps the public navigate what's out there, especially in bringing attention to things they otherwise wouldn't hear about, or to provide a new window into something familiar.
The only bright spot in the entire evening was the presence of Kevin "Tubby" Matchwell, the eleven-year-old porker who tackled the role of Santa with a beguiling authenticity. The false beard tended to muffle his speech, but they could hear his chafing thighs all the way to the North Pole.
I got the O.B.E because I represent England outside of England more...but thinking of me as an actor, I haven't done all the classical theatre, all the great roles. Think of Helen Mirren and me. Helen, who I adore, is a friend - should be Dame. I am the rebel, the revolutionary on the side.
I have assumed my clear commitment to a Trinitarian orthodoxy was sufficient evidence that I have not intentionally ignored the role of the Holy Spirit. It may be true, however, that my work has been so Christ-centred, I may have given the impression that the Holy Spirit is an afterthought.
Being large and muscular, you are not taken very seriously as an actor. When bigger roles come up and the actor needs to be muscular they tend to cast a regular sized actor and get him to hit the weight program as opposed to hiring an actor who's already muscular and developed in that area.
There are only three reasons to do a movie: the cast, the director, the role. Like I say, you live in a minute of screen time, but to prepare for the minute takes much more than a day. You'd better be excited about what those moments are, even if they're the hardest moments. Or the smallest.
There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
To understand my feelings — and my conception of the role of Secretary General — the nature of my religious and cultural background must first be understood. I should therefore like to outline not only my beliefs but also my conception of human institutions and of the human situation itself.
I like meeting directors. It can be helpful because sometimes when you meet filmmakers you find out if you like them and if they like you, and that is important in terms of considering a role. Choosing a role is all about whether I relate to the role and the story really. That's the criteria.
I fail to understand why gethes (Humans), talk about individuals versus society. They are the same thing. The action of every individual counts, and those individual acts of personal responsibility accumulate to create society. Snowflakes are equally blind to their role in causing avalanches.
By elevating the dictum of the market to the role of the sole criterion of rationality and efficiency, economics denies even all "respectability" to the distinction between essential and non-essential consumption, between productive and unproductive labor, between actual and potential surplus.
There are flaws in the way politics is reported in this country today and we should do something about it, .. Radio and television coverage of politics doesn't see its role as a mission to explain, but to destroy, in a pernicious culture in which journalists pit themselves against politicians.
I've always had a process that I do before I even get to set or go to the location. I work privately, and it almost feels like therapy between me and who I'm playing. So I have this inner life that's there and it gives me a confidence, too, that when I'm playing the role I know every question.
The older I get, the younger I feel. Growing up, I was always the kid, but I spoke like an adult and was in adult roles. I didn't feel like a kid. The older I get, I actually feel younger! Which is good. I always thought when you get older, you'll want to slow down, but I want to do even more.
The performances that I love are ones like Gena Rowlands in 'A Woman Under the Influence,' where women are allowed to be messy and imperfect. It's that kind of woman that has always inspired me to seek roles that are a little out of the box. I just haven't always had the opportunity to do them.
Quiet people, people who aren't given to emotional outbursts, people who are economic with words - they're also fun to play, but you find yourself needing a laser precision in those roles. Otherwise you just sort of stand around, looking slightly brain-dead. You worry about being uninteresting.
I generally won't do a role unless I feel like it's in my system somewhere, even if it's just a molecule of it. Like I just felt like I knew it and if I talked about it or discussed it or tried to rehearse it that it would take away the energy from that scene so I went in there and just did it.
All experts on WHO advisory groups for developing norms, standards and guidelines are required to disclose interests regarding the advisory committee's area of work. If a declared interest is potentially significant, then the expert is either excluded from the meeting or given a restricted role.
I am an African-American woman of dark skin tone, and there are very specific roles that are usually given to African-American women of a darker hue. Let's start with 'Once on This Island': peasant girl. Let's go to 'The Color Purple': young girl, beaten. Let's go to 'Ragtime': Her baby's taken.
A concern with parenting...must direct attention beyond behavior. This is because parenting is not simply a set of behaviors, but participation in an interpersonal, diffuse, affective relationship. Parenting is an eminently psychological role in a way that many other roles and activities are not.
In the the late seventies and early eighties, I played background roles in thirty movies... Woody Allen movies, Scorsese films, you name it. Whatever was being shot in New York, I was doing stand-in and background work because I wanted to be close to the camera; I wanted to see what was going on.
Well, this is an unfortunate part of the UN institution. It's the - the theater of the absurd. It doesn't only cast Israel as the villain; it often casts real villains in leading roles: Gadhafi's Libya chaired the UN Commission on Human Rights; Saddam's Iraq headed the UN Committee on Disarmament.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
If anything, as a general rule, the cheaper the movie the more creative the experience, generally speaking. Its not to denigrate expensive movies. I dont want to seem biting the hands that feed me, but with big movies, especially with a lot of effects, the role of the actor is somewhat diminished.
You become very angry and depressed that you keep getting offered only these exceedingly demure and repressed roles. They're so not me. That's why films like Fight Club were so important to me because I think I confounded certain stereotypes and limited perceptions of what I could do as an actress.
In the summer of 1966, I went to Mississippi to be in the heart of the civil-rights movement, helping people who had been thrown off the farms or taken off the welfare roles for registering to vote. While working there, I met the civil-rights lawyer I later married - we became an interracial couple.
Totalitarianism is never content to rule by external means, namely, through the state and a machinery of violence; thanks to its peculiar ideology and the role assigned to it in this apparatus of coercion, totalitarianism has discovered a means of dominating and terrorizing human beings from within.
I want to be someone capable of seeing the unseen faces, of seeing those who do not seek fame or glory, who silently fulfil the role life has given them. I want to be able to do this because the most important things, those that shape our existence, are precisely the ones that never show their faces.
While we cannot describe its appearance (the equivalent), we can define its function. When a photograph functions as an Equivalent we can say that at that moment, and for that person the photograph acts as a symbol or plays the role of a metaphor for something that is beyond the subject photographed.
The Palestinians are facing a historic junction at which they will have to decide whether they want to remain stuck in a corner of extreme fundamentalism, which will cut them off from the entire world, or whether they are ready to take the necessary steps. My role is to assist in building this process.