Quotes of All Topics . Occasions . Authors
The public image of dinosaurs is tainted by extinction. It's hard to accept dinosaurs as a success when they are all dead. But the fact of ultimate extinction should not make us overlook the absolutely unsurpassed role dinosaurs played in the history of life.
I do it when I'm a preparing for a role quite a bit - I sit with music. It helps influence the discovery of something. Then sometimes during filming I like to listen to the same things. It brings me back to a place where I just feel more creative and focused.
But Eddie does not make all the decisions. Eddie can listen to reason; Eddie can be swayed or talked in or out of certain things. Eddie allows other people to lead in this band and to have certain roles that are very fundamental to the decision-making process.
There are roles that are terrifying because they're large or you may feel that they're out of your line, but I'm never terrified once the actual work begins. Once you begin rehearsal, then it's small building blocks. It's solving little problems one at a time.
It's really hard to get stories made that are about women. Not just women being obsessed with men, or supporting men. And it's really hard to get men to be a part of films that are about women in a leading role. I'm really interested in how we can adjust that.
I'd love to play a femme fatale in a film noir. I'm thinking of one of those roles that Lauren Bacall or Bette Davis might have played. What I wouldn't like is to suddenly find myself being cast, as many senior actresses seem to be, as the abbess in a convent.
You don't have to go out there and fit the mold of what a quarterback is supposed to be. Make your own mold and do the best at each role. If you can run with the best and throw with the best, you can be the best quarterback in your own version of the position.
You know, even when the material wasn't so good, I've gotten to work with the greats, and I've always given it my best shot. I'm satisfied with my work. I could stop tomorrow, and if Bright Young Things was my last role, I could say I tidied it up with dignity.
Do you dislike your role in the story, your place in the shadow? What complaints do you have that the hobbits could not have heaved at Tolkien? You have been born into a narrative, you have been given freedom. Act, and act well until you reach your final scene.
Yes. I'm a doctor, an epidemiologist, and lots of my professional colleagues flip back and forth between industry and medical roles. I know them; they are not bad people. But it is possible for good people in bad systems to do things that inflict enormous harm.
The conflict between what one is and who one is expected to be touches all of us. And sometimes, rather than reach for what one could be, we choose the comfort of the failed role, preferring to be the victim of circumstance, the person who didn't have a chance.
It's one of the things that attracted me to the role [Doctor Strange] is the fact that it's a really widely origin story, I mean this is part of it, but of course there's the whole chapter before where he's the neurosurgeon who has the accident. It's fantastic.
There are always good parts. They may not pay what you want, and they may not have as many days' work as you want, they may not have the billing that you want, they may not have a lot of things, but - the content of the role itself - I find there are many roles.
Playing Sgt, Trotter in 'The Mousetrap' is the same as playing Scripps in 'The History Boys,' in the sense that they're dream roles that I've always wanted to do. The fact they're letting me do this professionally and I'm getting paid for it, I find astonishing.
When you use the same actors a lot, you get to know them and you realize that one movie can't explore all the talent that they have. You really have to give them several different kinds of roles, in completely different movies, to push them and to push yourself.
I've definitely taken more family-friendly roles. Honestly, sometimes the edgier acting roles are not age-appropriate for kids but I have taken more projects that I feel have a great message or my kids can watch because of their age and that were just plain fun.
The benefits because his collective parents are permitted to grow secure in their particular roles in his life. His adoptive parents are not unwittingly encouraged to compete to possess him. Nor are his birthparents punished and banished from a place in his life.
There are so few strong roles for women, especially young women. And Veronica is very serious but also very likable. She's a lone wolf, and it appeals to people that she isn't rich and doesn't have a lot of friends. No posse. She's just like you, like most of us.
I don't get offered leading parts. I suppose I've become a kind of character actor or sideman. I think it had to do with probably in the '90s, I refused so many leading roles that they gave up on me, or I just became unpopular, or I became old. All those reasons.
Women's battle for financial equality has barely been joined, much less won. Society still traditionally assigns to woman the role of money-handler rather than money-maker, and our assigned specialty is far more likely to be home economics than financial economics.
When my career first began, I didn't have children - so there's a whole lot of difference in the way I choose roles now. Not just films for my children, but how long I'm going to be away, and is Dad going to be home while I'm gone. That sort-of factor plays a part.
What really matters for me is ... the more active role of the observer in quantum physics ... According to quantum physics the observer has indeed a new relation to the physical events around him in comparison with the classical observer, who is merely a spectator.
At first, being a female role model really terrified me. But it hasn't turned out to be an awful burden. I get a lot of letters from women who tell me that, after watching Xena, they have bought the Harley-Davidson they always wanted or left an abusive relationship.
Guest roles are how you get initiated into the industry. It's fun. Over the course of a few years you realise you've done many shows. You get a chance to prove yourself, and that's how you get jobs because of people who have worked with you in the past and trust you.
I generally play villains once every three or four years by choice because I get offered villainous roles a lot, because of the way I look and whatever. And I tend to avoid them because I think you can end up in a cul-de-sac of your own making if you're cast in that.
I think the goal is always to go deeper within myself, and accept myself on deeper levels and to know myself on deeper levels. Whether or not I look for roles that are going to do that for me, I certainly look for the ways in which the roles I get can do that for me.
It is easy to fail when designing an interactive experience. Designers fail when they do not know the audience, integrate the threads of content and context, welcome the public properly, or make clear what the experience is and what the audience's role in it will be.
In all the history of organized labor, from the earliest times to the present day, no body of union workingmen ever served in a more humiliating and debasing role than that in which the railway unions appear at this very hour before the American people and the world.
I'm not just considered a former child star. I'm not considered a black actress. I'm not considered an actress. I've done roles that were written for men. First and foremost is God: I definitely believe in Him having kind of mapped out what my destiny was going to be.
Some of those early roles were unactable. Even Laurence Olivier couldn't have done anything with them. The dialog ran to cardboard passages such as, 'I love you. You can rely on me, darling. I'll wait.' It was all I could do to keep from adding, 'With egg on my face.'
It's funny because when I first met with Carmen, she said, "Have you ever thought about doing TV?" And I was like, "No, not really, but I'd audition for TV." And she said, "That's where the roles are for women now. That's where you can go and get a really great part."
Prostitution is said to be the world's oldest profession. It is, indeed, a model of all professional work: the worker relinquishes control over himself... in exchange for money. Because of the passivity it entails, this is a difficult and, for many, a distasteful role.
I would never accept a role that wasn't going to stretch me or challenge me in some way. I'd say Holy Smoke! probably did that more than anything I'd ever done. It took me to places I didn't actually know I could go to, and that's what I want my career to be all about.
I originally read for the roles of Debra and Rita [in Dexter], because they didn't know what direction they were going in, and I worked so hard on Deb, because I just wanted to swear. I wanted to say all those nasty words. That was it: "I want to swear on television!".
If you look at any of the greats, from people like Paul Newman and Robert Redford to, you know, Brad Pitt - to get any of the kinds of roles like the ones that they've gotten, or just to be a part of any of the kinds of movies they've made, would be the end-all for me.
It's great to know you've earned your place and to know that you are right for the role because my biggest fear is being offered something and showing up on set and doing one day and everyone going, "Oh geez, oh no, this isn't, she isn't.." and feeling that way myself.
I tell my students, if you ever become comfortable with your role as criminal defense lawyer, it's time to quit. It should be a constant source of discomfort, because you're dealing with incredible moral ambiguity, and you've been cast into a role which is not enviable.
The key role of entrepreneurs, like the most crucial role of scientists, is not to fill in the gaps in an existing market or theory, but to generate entirely new markets or theories. . .They stand before a canvas as empty as any painter's; a page as blank as any poet's.
I think women have long been defined by their roles as procreators and wives, and we're expected to serve, take care of, say 'Yes,' and not ruffle any feathers. Women, in particular, are sometimes not allowed to consider who they are outside of the roles that they play.
Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.
Because I write the screenplay entirely and precisely, there is the danger that an actor might feel that this finite role is being imposed on them. I want the actors to feel that this is their own role, and that they can go back to point zero and develop this character.
It's so funny because the roles that I've been offered in the indie film world have been similar to each other, and the roles that I've been offered in the TV world have been similar to each other, but the TV roles and the indie film roles have been completely different.
Through laziness and cowardice a large part of mankind, even after nature has freed them from alien guidance, gladly remain immature. It is because of laziness and cowardice that it is so easy for others to usurp the role of guardians. It is so comfortable to be a minor!
If the human isn’t responsible for their role in the horse human relationship, horses just don’t get along very well. So that’s why I say it’s all about the human meeting the bill to fit the horse in any given situation. But don’t expect the horse to always fit the human.
Even now, for women to be contemplating the act of ending their life is considered horrific because they are the giver of life. They're seen in a patriarchal society as the one who offers life and has to nurture a child and have a child within them. That's your only role.
As a dedicated, successful writer, Lydia Sigourney violated essential elements of the very gender roles she celebrated. In the process, she offered young, aspiring women writers around the country an example of the possibilities of achieving both fame and economic reward.
Because I sidestepped all the stereotypical roles, in a way I've made a career out of not being Asian - a lot of my roles weren't written as Asian - so there's an impulse in me that wants to take a U-turn and play a very grounded, real Asian character, maybe an immigrant.
I have always thought that the role of the film-maker is to present the argument persuasively, emotionally and coherently and then it is over to the viewer, they are either convinced or not convinced, moved or not moved and they decide whether they will take action or not.
I started working with James [Schamus] early on, and my role as an executive producer was more about being involved in the conversations of putting the film together. I didn't have to do much work because James is the most experienced first-time director you could imagine.
Most of the time it's the role. Sometimes it's the story and sometimes it just the paycheck. It's the little movies that come out as stories or the fact that I have work to go out, you know what I'm saying, you can only be out so long without work, you start getting antsy.