Rocks Quotes - Page 71

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I'm always looking to rock out. But it isn't really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good. When you look at something that's really good, it might be Iggy Pop or it might be Leonard Cohen. Whatever it is, you want it to be really good.

In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star ... Today people can idolize a star in one area and forget about him in another. A big rock star might sell millions and millions of records, but then if he makes a bad movie ... forget it.

If we carry purism to it's logical conclusion, to do it right {fishing} you'd have to live naked in a cave, hit your trout on the head with rocks, and eat them raw. But, so as not to violate another essential element of the fly-fishing tradition, the rocks would have to be quarried in England and cost $300 each.

We might think that we're really intellectual and we're going to check out the library to research the meaning every time somebody puts out a new record. It's still primitive stuff. It's the same now as it was at the beginning. It's no different now. Rock 'n' roll is spirit music-it's just coming through people.

If you were to stand on an asteroid in the main belt of asteroids between Mars and Jupiter in our solar system, you might be able to see one or two asteroids in the sky, but they would be very far away and very, very small. So you wouldn't have this 'dodging through tons of rocks' business you get in the movies.

I think with Sky and BBC Three and Channel 4, there are some great television platforms, and the stand-up movement in this country is phenomenal. Its like rock'n'roll here. Britain's a funny place and there's a lot of funny people coming out of there and a lot of people are finding mediums to express themselves.

When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.

I don't like to go into the studio with all the songs worked out and planned before hand ... you've got to give the band something to use its imagination on as well. That can make a very ordinary song come alive into something totally different ... the X-factor - so important in rock and roll - which is the feel.

People who are qualified are symphonic orchestra players and jazz musicians; they're qualified to do what they do. Rock stars are lucky. It's a combination of right time, right place and having certain genes or a gimmick or whatever, but it's really not anything more than sugar. It tastes good and goes away fast.

I like all of the typical hard rock bands. I'm an AC/DC fanatic. I love ZZ Top, just about any Van Halen, any Judas Priest, the list goes on and on, most of the Iron Maiden stuff. Those are the big bands, but I got my feel from, I grew up on Mountain and Humble Pie. That kind of stuff is where I get my feel from.

I love playing the Hard Rocks; they've got a great stage, great lighting, great sound, and not so humongous; its more intimate, so we love playing theaters and clubs where the audience has a really good chance to see and hear the group and where the acoustics are good. I like it when we can hear what we're doing.

The average age in the U.S. is now thirty-three, whereas Mexico gets younger and younger, retreats deeper and deeper into adolescence. Mexico is fifteen. Mexico is wearing a Hard Rock Cafe T-shirt and wandering around Tijuana looking for a job, for a date, for something to put on her face to take care of the acne.

All the world lies warm in one heart, yet the Sierra seems to get more light than other mountains. The weather is mostly sunshine embellished with magnificent storms, and nearly everything shines from base to summit - the rocks, streams, lakes, glaciers, irised falls, and the forests of silver fir and silver pine.

One gets the impression that Elvis Presley does what his business advisors think will be most profitable. My advice to them: Put Elvis Presley in the studio with a bunch of good, contemporary rockers, lock the studio up, and tell him he can't come out until he's done made an album that rocks from beginning to end.

Two records put me over the top with hip-hop. One of them was 'Planet Rock,' and the other had no lyrics - it was called 'Numbers,' from a group called Kraftwerk. Every kid in the 'hood in New York and New Jersey was popping, locking, and breaking to that record. It was the hottest track on the street at the time.

The urge to climb will never be explained. In olden days, perhaps it was a wish to reach the stars. Today, anyone so minded can buy a seat on a plane and feel himself master of the skies. Even so, he will not have rock under his feet, or air upon his face; nor will he know the silence that comes only on the hills.

The phoebe-bird is a wise architect and perhaps enjoys as great an immunity from danger, both in its person and its nest, as any other bird. Its modest ashen-gray suit is the color of the rocks where it builds, and the moss of which it makes such free use gives to its nest the look of a natural growth or accretion.

People have their own reasons for dying. It might look simple, but it never is. It's just like a rock. What's above ground is only a small part of it. But if you start pulling, it keeps coming and coming. The human mind dwells deep in darkness. Only the person himself knows the real reason, and maybe not even then.

The Rolling Stones have been the best of all possible worlds: they have the lack of pretension and sentimentality associated with the blues, the rawness and toughness of hard rock, and the depth which always makes you feel that they are in the midst of saying something. They have never impressed me as being kitsch.

The whole world is, to me, very much "alive" - all the little growing things, even the rocks. I can't look at a swell bit of grass and earth, for instance, without feeling the essential life - the things going on - within them. The same goes for a mountain, or a bit of the ocean, or a magnificent piece of old wood.

I went to acting school with Mario Van Peebles. For a little while, he was at the same school. So he asked me if I wanted to do [ New Jack City]. He said, "There's not really a role. We'll figure something out. But would you like to?" And I was like, "Sure." 'Cause he said it was Chris Rock and Ice T's first movie.

Over my career, I'd say the last 25 years; we've gone from music and computer being for 10 people in the world to having personal computers, to now being able to do amazing things on your iPhone, or with Rock Band. So, right now there's enormous capability with technology in our devices that everybody has access to.

All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art... skill has nothing to do with technical proficiency... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks.

Hanoi Rocks was our baby and we were the core and we started the band. All those years that went to waste because of that accident, it's only right that we have some kind of advantage because it's our history. The name 'Hanoi Rocks' I think is one of the very best names, if not the best name of all rock n' roll bands.

If you are the lantern, I am the flame; If you are the lake, then I am the rain; If you are the desert, I am the sea; If you are the blossom, I am the bee; If you are the fruit, then I am the core; If you are the rock, then I am the ore; If you are the ballad, I am the word; If you are the sheath, then I am the sword.

It is easy enough to say that man is immortal simply because he will endure: that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking.

You could not presume that people were healthy. You could not presume that they would welcome the little nudges and jostlings of life. You had to behave as though everyone you met was walking a thin wire far above the earth, where the slightest wind might rock them off their balance and send them tumbling to the ground.

People say they 'find' love, as if it were an object hidden by a rock. But love takes many forms, and it is never the same for any man and woman. What people find then is a certain love. And [he] found a certain love with [her], a grateful love, a deep but quiet love, one that he knew, above all else, was irreplaceable.

... so much of what we do now started in 1954 at Sun Records in Memphis Tennessee ... those guys were inventing that stuff (Rock & Roll) ... you can really tell on some tracks ... they were actually afraid at times of what they were playing. But Rock & Roll definitely didn't come before that time; it started right there

I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'

Our own country furnishes antiquities as ancient and durable, and as useful, as any; rocks at least as well covered with lichens,and a soil which, if it is virgin, is but virgin mould, the very dust of nature. What if we cannot read Rome or Greece, Etruria or Carthage, or Egypt or Babylon, on these; are our cliffs bare?

The early Stones were adolescent rockers. They were self-conscious in an obvious and unpretentious way. And they were committed to a musical style that needed no justification because it came so naturally to them. As they grew musically the mere repetition of old rock and blues tunes became increasingly less satisfying.

Most of the EDM tracks right now are not very musical, they have one note that keeps playing. You really don't need to be a musician to do records like this, so I think me playing guitar for so many years and listening to rock 'n' roll and real music helps me when I work with vocalists like Lana Del Ray and Miley Cyrus.

Parenting changes your life, it changes how you hear yourself in relationship to others - which is part of the reason that a bunch of people in the rock community are sick of the goodwill and positive energy and love between these 45-year-old musicians who they preferred when they were 25 and taking stabs at each other.

I write in two very different places: my desk in Palo Alto, California, is piled high with myriad jumbled books and papers whose stratigraphy is a challenge. Summers in Bozeman, Montana, I write in a spare space, surrounded by interesting rocks and fossils instead of books, on an old oak table with nothing but my laptop.

I'm somewhat socially inept. Slide me between two strangers at any light-hearted jamboree and I'll either rock awkwardly and silently on my heels, or come out with a stone-cold conversation-killer like, "This room's quite rectangular, isn't it?" I glide through the social whirl with all the elegance of a dog in high heels

That kind of tenderness couldn't be permitted to last. You only got a taste, enough to know what perfection meant, and then you paid for it the rest of your life. Like the guy chained to a rock, who stole fire. The gods made an eagle eat his liver for all eternity. You paid for every second of beauty you managed to steal.

Solitude in the city is about the lack of other people or rather their distance beyond a door or wall, but in remote places it isn’t an absence but the presence of something else, a kind of humming silence in which solitude seems as natural to your species as to any other, words strange rocks you may or may not turn over.

I thought Id be edgy and dye my hair red. And I dyed my hair, like, Jessica Rabbit red. It kind of allowed me to have this whole new confidence and this whole new swagger and this whole new sense of self. It kind of brought out the inner rock star in me. I had never dyed my hair like that, and no one forgot me after that.

I think I'm someone who is really prone to melancholy, and the super heavy, thick shows kind of spiral me out into not being able to be as happy a person as I think I deserve to be, so I tend to watch things like 30 Rock and The Unbreakable Kimmy Schmidt. Anything Tina Fey's involved in. And Parks and Rec. I love comedies!

That mighty Being, who heaped up these craggy rocks, and reared these stupendous mountains, and poured out these streams in all directions, and scattered immortal beings throughout these deserts - He is present, by the influence of his Holy Spirit, and accompanies the sound of the gospel with converting, sanctifying power.

I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.

When you look at a wall spotted with stains...you may discover a resemblance to various landscapes, beautiful with mountains, rivers, rocks, trees. Or again, you may see battles and figures in action, or strange faces and costumes, and an endless variety of objects which you could reduce to complete and well-drawn figures.

Alternate translation: Come brethren, if you have a mind to be ingrafted in the vine, It is a pity to see you lopped off in this manner From the stock. Reckon up the prelates in the very see of Peter; And in that order of fathers see which has succeeded which. This is the rock over which the proud gates of hell prevail not.

I practice really hard, every day. I started that about 13 or 14 years ago; it's a discipline now. But the writing is a whole other thing. It'll come from handling a guitar, mostly; thinking up little guitar riffs. I was born and raised a rock 'n' roll guy, and that's the rock 'n' roll ethic, at least through my experience.

I'm in a funny position: I've been in one band in my life and that was with my brother. As incredible as that has been, I feel like I'm missing out a little bit on being in a real rock band - or how I imagine being in a real rock band to be. It's like being in a street gang: you all wear the same leather jacket or whatever.

You are the mountain, you are the rock You are the cord and you’re the spark You are the eagle, you are the lark You are the world and you’re remarkable You’re the ocean eating the shore You are the calm inside the storm You’re every emotion, you can endure You are the world and the world is yours. ((The World as I See It))

If my life were a corny horror movie, and the heroine was lost and alone, trapped in an underwater cave, what would happen next? If you guessed, “She drops her flashlight, and it hits a rock and breaks, leaving her in utter darkness,” you would be right. But I bet you didn’t guess the part about an attack by a giant octopus.

I worked on it [ Too Much Tuna] for a little bit downtown and it was a great experience. I couldn't believe how enthusiastic the audience was for it. It was just extraordinary. It felt like you were at a rock concert, which was just unusual for shows at Cherry Lane, which are usually intimate plays about big ideas, you know.

Think Oman, and you think desert. But what we found was mile after mile of barren, spiky rubble, cliffs of jutting sharp rocks, unrelieved by a single piece of vegetation or water. We drove for hours across what felt like the surface of the moon. We saw goats foraging but couldn't work out what they could possibly be eating.

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