To me, rock music was never meant to be safe. I think there needs to be an element of intrigue, mystery, subversiveness. Your parents should hate it.

There's such an energy and emotion to rock music, which is a lot of the reason I go back to '60s and '70s bands and look at some of the fire they had.

Rock music is a funny thing: You can actually take it too far sometimes, and then it's not rock music anymore - it's something else, but it's not rock.

I've always really been a big fan of rock music. I wanted to record rock music when I was 14 or 15, but I was too young; it would have been ridiculous.

If you're going to change things, one of the things we had to change is to get away from that traditional model of rock music, and we were a part of that.

I'm John Lee Hooker in the sense that he was a blues man and he played blues his whole life. I'm a rock guy and I'm going to play rock music my whole life.

Frankly speaking, I don't know much about rock music. But I enjoyed some when I was in college or high school. But I stopped listening after Elvis Presley!

You don't see a lot of black rock stars. The music industry tends to be segregated stylistically. It's hard for a black artist to cross over to rock music.

There's so many influential albums my parents would put on. Like the first album I ever heard was 'Help!' by the Beatles and from there I just loved rock music.

I've always loved rock music. I've always loved stuff like the Specials and the Breeders and things like that. But it was hip-hop that really got me into music.

Funny songs aren't usually that good. Like Weird Al and maybe a couple of Beatles songs, but it's kind of hard to bring humor into rock music in an interesting way.

It's what's missing, I think, from most music - the rebellious part. That rebelliousness is part of great rock music or great literature or any great creative stuff.

We've been working on a new album, which is going to come out next spring, which is very different, a change of style for us - it's going to be almost like rock music.

Punk is just like any other sub culture or music. Straight rock music has those elements. I grew up in a place where the punk rock kids fed the homeless in the town square.

I want to remind people that black music is amazing. And there are all forms of it that we've forgotten, you know? Rock music is black music! Don't forget that's what it is.

Unfortunately or fortunately, in order to become acquainted with the idiom of country or rock music, it is necessary to occasionally play in a bar. Bars are a rehearsal place.

I was just stunned when I came to America. I didn't know anything about rock music or football, and I felt very out of it... America was like a foreign country to me at first.

I was enamored with music at a very young age. Everything started with kundiman, then evolved to Carpenters, Barbra Streisand, Barry Manilow, and eventually classic rock music.

My inner rock chick has always been there. I grew up listening to a lot of rock music through my sisters, who were teenagers while I was young, so they had control of the radio.

For some reason, as a kid, I felt outwardly embarrassed to say that I liked rock music. I don't know where that came from. For me, it just wasn't cool - orchestral music was cool.

So when you enjoy the beats, the rock music - maybe even toned down with an orchestra - you are enjoying the spirit of the black race. And that's what I emphasize to the students.

We thought everybody read comics. We didn't know we were weird. We didn't know people that collected comics were strange. It was as normal as listening to rock music on the radio.

I actually grew up on rock music; that's what was played around my house. I listened to Led Zepplin, AC/DC, Metallica, Ozzy Osbourne, Nirvana, Aerosmith - really almost everything.

I'm a fan of music, some rock music. But I like many types of music. But I suppose a kind of longstanding love of specific bands would be Radiohead, Wilco, Neil Young, Tom Waits, REM.

It wasn't just music in the Ramones: it was an idea. It was bringing back a whole feel that was missing in rock music - it was a whole push outwards to say something new and different.

For a composer of concert music, 40 is actually very young. But for a rock musician, 40 is almost past due, where you think of rock music as really part of more youth-oriented culture.

I grew up with my parents always listening to rock music. My dad wanted me to play guitar, but I always had more of an ear for drums. He really wanted me to be a guitar player, like him.

My experience is that white kids love hip-hop, and brown and black kids love rock music. That shows that brown kids - they carry emotion, they carry pain, they carry oppression and strife.

The last thing I do is go and listen to heavy rock music. But I love electronic music. The purity of the tones is inspiring, because it's obviously much more controlled than a guitar tone.

There is no singular 'reason' why Africans use fractals, any more than a singular reason why Americans like rock music. Such enormous cultural practices just cover too much social terrain.

Yeah, of course, there's always gonna be people with their own opinions about a female in rock music and men in rock music, but at the end of the day, it's just about being a good musician.

I was only listening to rock music, burning joss sticks in my bedroom, wanting only to be a disc jockey, and watching six hours of television a night - the worst kind of teenage alienation.

Me, who's educated classically, I went toward rock music 'cause it was sort of a natural evolution from where I was playing with my brother. But I was always drawn back into classical music.

As the years go by, I realize how unique a style rock music is and how delicate you have to be with it sometimes; otherwise, you turn it into pop music or progressive rock or something else.

Can you imagine that Cuba and Europe's youth, who had forgotten about traditional music, who only thought of rock music, are now looking back towards their grandparents? That is a phenomenon.

I'm not saying that people have to listen to rock music. It's a great, cool thing and it can really be liberating for a lot of people but, hey, so can Charles Dickens so I'm not going to judge.

I was born and raised in Germany, so I was classically trained. Classical has been deep in me from a totally early age. Then, as a teenager, I picked up the guitar and was really into rock music.

I grew up loving classic rock music - The Beatles, The Rolling Stones - and then one day I heard 'Baby One More Time' on the radio and I thought 'What is this?' I was eight and it changed my life.

I still don't understand the music industry that much. Everything I learned was from hanging out with rock musicians in studios. I certainly have respect for those who make music their livelihood.

Willow and I definitely talked about doing a collaboration. She really loves rock music, so she wants to come on and get crazy with me on a track. Which I would love, because she has a fantastic voice.

My dad influenced my musical taste. I grew up listening to Bob Dylan and The Rolling Stones and a bunch of rock music from the '60s. Now, instead of watching TV, I'll play a record from start to finish.

The type of music I make, it's not just straight-up rapping. There's emotion in it. That's why people feel each song differently. I get all my vibes from rock music, you know? All my melodies and all that.

Plus, you know, when I was young, there was a lot of respect for clowning in rock music - look at Little Richard. It was a part of the whole thing, and I always also believed that it released the audience.

I listened to the rock music of that time, but as you know and can easily hear: my music of that era had nothing to do with the common music of this era. I was experimenting, I was searching for something new.

Rock music was the death of jazz in a way. I know there's a bunch of people who say jazz isn't dead, but I mean, rock 'n roll, you play three chords to 20,000 people; jazz, you play 20,000 chords to three people.

I like to listen to mellow stuff on the road like Travis, as we are constantly surrounded by rock music on tour and so its nice listening to mellow stuff. Obviously back at home I listen to a lot more rock music.

The thing I find frustrating about rock music is, how different can you make an acoustic drum kit sound, an electric guitar and vocals? It's very stuck, whereas with electronic music, new sounds are being created.

Three-6 Mafia, we were always doing different kinds of things, and we like rock music, we like whatever - not saying they was rock, but they had a little rock-n-roll with some of their music, a little rock with it.

For fun, I love to play the drums... poorly. I have a band, a bunch of theater nerds - we got together, and we're like, 'Let's play rock music for three hours and never take breaks.' We call ourselves The U.S. Open.

With rock music, the amount of power that you can generate, the intensity behind the intentions of your lyrics that you can really reflect through rock music - you can't do that in jazz. You can't do that with classical.

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