Yes, but I view Frank's music as fully composed. In other words, the arrangements can work for any idiom such as a rock band or an orchestra. Frank was a brilliant arranger and could make his music work in any context. He proved that tour after tour and album after album.

It is seldom right to say that anything is true 'according to Google.' Google is the oracle of redirection. Go there for 'hamadryad,' and it points you to Wikipedia. Or the Free Online Dictionary. Or the Official Hamadryad Web Site (it's a rock band, too, wouldn't you know).

When it comes to influences, we are influenced not just by Japanese and overseas metal acts, but J-pop acts too. One Japanese rock band we're particularly fond of is Seikima-II. We were attracted by their brand of devil imagery and of course, their high-quality musicianship.

I think music is so diverse today, and bands are so diverse. If you were a rock band in the Eighties, you kind of had to stick to one thing. Now, in this age of Coachella and European festivals and stuff, it's kind of anything goes, so that allowed us to try different things.

In high school, I had a wonderful teacher who, coincidentally also taught Meryl Streep before me. At the same time I had my own rock band, I played bass and sang. I was one of those kids who really enjoyed being with my friends and doing rather insane, but fun, creative things.

When I was a vocalist, a lead singer in a rock band, I was a law student at the time. It wasn't a professional rock band, it was for fun. I was already way out of that by the time Phantom came along. Having to learn to sing, it was such duress, having to really try and get to such a quality.

In my day, when I was a young kid, army duty was compulsory in South Africa or you go to jail. I had the choice, so I spent a year in the entertainment unit, and outside of doing shows - and I used to write for, arrange for the big band - outside of doing that, I actually had a rock band in the army.

My first rock band was called Mike and the Majestics. I was about twelve, and my older sister Kathy was the manager. There were three of us: me and a friend on guitars and a drummer. We were young, but we played for a lot of fraternity parties, plugging both guitars and a microphone into one little amplifier.

I've always been in rock bands. I was in a rock band with my brother in high school. Then I was playing classical guitar recitals, and people said, 'You know, you can't really do both things.' My intuition told me they were wrong. Somehow, what was interesting about me was that I had those two things in my life.

My parents are actually very famous singers in Bulgaria. My dad was in a rock band, and my mom was in a pop group. They met, fell in love, and actually formed a group together to escape the country because it was Communist, and they couldn't leave. They didn't know any English but eventually found their way to America.

'Spinal Tap' began as a mock rock band that we four - Rob Reiner, Christopher Guest, Michael McKean and myself - developed for an appearance on a TV pilot at the end of the 1970s. On our own initiative, we wrote and recorded most of the songs and performed them live in several music clubs around L.A. before any cameras rolled.

With *NSYNC, we shopped our deal for a year in America, sang a capella in everybody's office, then moved to Germany for almost two years and became popular there. A guy representing a rock band came to our show in Budapest, saw 60,000 people get excited for a band from America that nobody in America knew, and told someone at RCA.

You got to look the part. You have to look like all the successful rock bands look. This is what they do. That's never been us. You know, it's a hard game to play: at the end of the day, we are just a rock band and have so many different cultures of music that we have grown up on, because we are fans of all different kinds of music.

It's impossible to tell how you're perceived. I think it's important not to think about it too much, because it really means nothing. Some people think we're a rock band, and that's ridiculous, and the idea of us being a folk band - you sit in a pub in Ireland and hear those guys play, and you're like, 'Yeah, we're definitely not a folk band.'

I was part of a metal and rock band, and I performed in front of 3000 to 4000 people for many years. I was the loudest mouth up there on stage. We would be screaming, head-banging and mass venting. We would all vent our feelings together, which is ideal as compared to participating in political and social forums, and I never felt any restrictions.

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