That's what Kiss is all about - not just music, but entertainment, y'know? We're there to take you away from your problems, and rock and roll all night and party every day for those two hours you're at the concert.

I started out in this business in rock and roll bands and stumbled into drag. Drag just happened to be my vehicle for my creativity. So, you know, it's afforded me the opportunity to create new shows, to make music.

People who got on their feet and freaked about were called idiot dancers. and nobody wants to be called an idiot dancer. But the whole idea of rock and roll is to get people off their arses - that's what it's about.

You know, sexism in the punk scene - or just in rock and roll in general - is so easily demonstrated by the amount of women or queer people that you see on stage versus the amount of cis males that you see on stage.

I'm going to try to do as many styles as I can. A salsa number, rock and roll, country.... I've talked to a million people about it. Obviously, I'd love Prince to do it. I'm sure he'll produce the whole album for me.

And, as soon as I could put together the, you know, three or four notes that made up, like, sort of a rock and roll lick, you know, like a Chuck Berry kind of thing, I was off and running. Just completely taken over.

A lot of places we go, when they see the organ coming in, they're expecting rock and roll, but after they hear us play they like it. To me, guitar cuts through-it carries more than organ. But organ has got more guts.

You want to figure out how you want to play the guitar; what your niche would be. Well you just start digging deeper. When you're digging deeper in rock and roll you're on a freight train heading straight for the blues.

What are you gonna fill your life up with when you don't have that ultimate satisfaction or peace in your life? You try to fill it up with wealth, pleasure, honor, power, sex, drugs and Rock and Roll to try to feel good.

My favorite type of music to sing to would be rock and roll, Tenacious D, Led Zeppelin, some Queen - I love all of them. I love singing to them because they're all just great voices. I love listening to very obscure jazz.

When the fearsome foursome of rock music, Chuck Berry, Bo Diddley, Little Richard, and Jerry Lee Lewis, decided to show up in Toronto for a rock and roll festival, I knew we had to go there to try to get them all on film.

Blackfoot was one of the ultimate live bands... there was no pretense, no gimmickry; it was sound, lights, and rock and roll. Our whole goal was to be terrifying... to strike fear and cause havoc in a closing band's minds.

In my opinion, hip-hop has a lot to do with rock and roll, because at one point it was considered an alternative - edgy, independent. Hip-hop is pots and pans the way that punk is garage. You make something out of nothing.

Pop music has progressed. The singing voice has changed dramatically in pop music, and people now just sing the way they want to, in their speaking voice, instead of putting on some great transatlantic rock and roll sneer.

Kane is a band I formed with my best friend Steve Carlson. We just got together and started playing guitar. He was playing some old school rock and roll, and we got together and thought, 'Hey, let's take this on the road.'

As I define it, rock and roll is dead. The attitude isn't dead, but the music is no longer vital. It doesn't have the same meaning. The attitude, though, is still very much alive - and it still informs other kinds of music.

The Hall Of Fame thing, it's an American thing. We don't have that in England or Germany or Australia or Russia or anywhere in the world apart from America. And it's an institution. What's that got to do with rock and roll?

I always thought that I had a pretty diverse body of work, I mean, as far as subject matter. Teenage rock and roll movie; romance; '20s Western. On paper it looks different, but then there's similarities in the vibe of them.

I'm not in the leftist controlled Rock and Roll Hall of Fame because of my political views, primarily my lifelong militant support of the NRA, the Second Amendment, and my belief that the only good bad guy is a dead bad guy.

What happened to fantasy for me is what also happened to rock and roll. It found a common denominator for making maximum money. As a result, it lost its tensions, its anger, its edginess and turned into one big cup of cocoa.

I think the '60s was a great time for music, especially for rock and roll. It was the era of The Beatles, of The Stones, and then later on The Who and Zeppelin. But at one point in the '70s, it just kind of became... mellow.

I grew up in the funk, rock and roll, blues and r&b tradition, and I came to this thing we call jazz later. And I came to improvise music from the standpoint of jazz; I was improvising, but within these other genres of music.

On the surface, rock and roll changes at an amazing pace. The influence of a figure like the Maharishi can appear and disappear in a matter of months. Talk about old fashioned rock and roll finds itself dead before it begins.

I did the whole rock and roll thing that's coming up. I think you're going to enjoy that! 'Burt Rocks', it's called. I like that he's a dreamer; I like how positive he is. There's a lot of things I think I can learn from Burt.

When Paul and I were first friends, starting in the sixth grade and seventh grade, we would sing a little together and we would make up radio shows and become disc jockeys on our home wire recorder. And then came rock and roll.

Even now - I'm 35 - I've been in a relationship for 15 years with a guy, and we have two full incomes and no kids, and it's hilarious. We're children, perpetually, because of this rock and roll thing. But it's still so fulfilling.

Berry's On Top is probably my favorite record of all time; it defines rock and roll. A lot of people have done Chuck Berry songs, but to get that feel is really hard. It's the rock and roll thing-the push-pull and the rhythm of it.

Rock and Roll does have its limits as far as the aging process. You want to go out there and play while you're at your peak, right? I think that's encouraging us to keep going out on the road - to maximize the playing at the moment.

What I do know is rock and roll and metal never goes away, ever. It took the back seat in America in the '90s. In Japan and South America, it was still really big. I never followed trends, so I don't know the exact function of them.

Growing up, I was a giant KISS fan, and the truth is the record I had was 'Rock and Roll Over,' and there wasn't even a clear picture of them in the packaging! So I really had no idea what they looked like; I just loved their music.

If the Police could do a reunion... One of the biggest jerks I ever met was Sting. If he can do it, then anyone can do it. It's not that big a deal. And the Eagles! They did it! They severely hated each other. It's just rock and roll

The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage.

There's a great rock and roll scene in Sweden. There are many smaller bands like ourselves that are great. Oh yes, there's a band called Eggstone, they're really good, and a band called the Soundtrack Of Our Lives, which is excellent.

If the Police could do a reunion... One of the biggest jerks I ever met was Sting. If he can do it, then anyone can do it. It's not that big a deal. And the Eagles! They did it! They severely hated each other. It's just rock and roll.

Most people are living lives of sort of survival. And constantly posing an existential crisis, either through fantasy or oblivion, really has been pretty much explored in rock and roll. At least in the western version of rock n' roll.

In terms of rock and roll, I'm often drawn to louder, rougher stuff; maybe that's my history as a punk rock wannabee showing itself! Honestly, though, I'm not one of those people who listens to music constantly. I really love silence.

I felt that the elegance of pop music was that it was reflective: we were holding up a mirror to our audience and reflecting them philosophically and spiritually, rather than just reflecting society or something called 'rock and roll.'

The Rock and Roll Hall of Fame is marketing. You've got a bunch of faceless people in a back room who trademark a name that sounds very official. Well, if you had thought of it first, you would have been the Rock and Roll Hall of Fame.

It's something I've always been passionate about - which is the power of rock and roll itself. I'm a walking example of its power, 'cause I was totally altered in the seminal years of Live by bands like U2 and R.E.M., U2 in particular.

You're in for a live band. That's really what I wanted; I wanted to put on a show for people where they could come for the gay and stay for the musicianship. It's a live show; there's some rock stuff, too. Some rock and roll. Get ready.

What are the symbols of American strength, wealth, power and modernity? Certainly not jazz and rock and roll, not chewing-gum or hamburgers, Broadway or Hollywood. It's their skyscrapers. Their Pentagon. Their science. Their technology.

I really don't feel the need to be in the Rock and Roll Hall of Fame because, at the end of the day, it's just somebody's Rock and Roll Hall of Fame. They have a particular process, and they're welcome to do it however they want to do it.

The Beatles did everything long before anyone else. They weren't afraid to try things and to experiment with a lot of sounds. In 200 years, when you look up 'rock and roll' in the dictionary, it'll have a picture of the Beatles next to it.

We weren't straight-A students. We didn't start playing until we were teenagers, and we started playing rock and roll and punk rock - power chords - before we ever thought we would play folk music. So virtuosity was just never in my reach.

My dad was one of the reasons I got into rock and roll, because I was learning the ropes of his business, which was selling powertools, and I was looking for a way out from under his heel. I was like, 'Where's the fun? Where's the glamour?'

I never could understand - it was impossible for me to get my head around - what the furor was, what the sense of betrayal and anger and rage was about Bob Dylan's beginning to perform with a band, to play rock-and-roll, to get on the radio.

You know that everyone thinks that in order to do South Park we must be wild, crazy, rock and roll stars. But the truth is we're just wholesome middle-American guys. We enjoy soda pop, baseball and beating up old people just as much as anybody.

My mother grew up strong. She was a charismatic leader among her peers, staging plays, organizing projects, raising money for charity; she was fiercely protective of her younger brother, with whom she shared a passion for jazz and rock and roll.

I came up with my natural logo and ya know, just dealing with Nike I was like can y'all put my logo on the shoes and, you know. At that time I think other guys had logos or specific names on the shoe. So they was like yeah - let's rock and roll.

Rock and Roll has certainly tried to take its toll on me. I'd rather not talk about my past excesses here, although some hardcore rockers might argue that those excesses were responsible for some great records, but I know which side I came out on.

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