Quotes of All Topics . Occasions . Authors
I think that if journalists, reporters who spend a lot of time on a story, are honest with themselves, we all have feelings about our subjects - I mean, unless you're a robot.
There is a cliche that men want their women to be ladies in public and hookers behind closed doors. I want my woman to be the sharper image robot so that she can be turned off.
What did everyone think robot vacuuming was going to be? Well, they think Rosie the Robot from 'The Jetsons,' a human robot that pushed a vacuum. That was never going to happen.
On the robot kit, I can choose very boring parts or I can choose exciting and interesting parts. That is a reflection of my personality and the kinds of things I am interested in.
I feel people think I'm almost like a robot - like an android... I just don't really get portrayed as someone who has feelings or who is sympathetic... like a self-absorbed ice queen.
You could claim that moving from pixelated perception, where the robot looks at sensor data, to understanding and predicting the environment is a Holy Grail of artificial intelligence.
I think there's a part when you sign your soul to the devil and start working in Los Angeles that you also sign away that you could be a human being in anyone's eye. You're like a robot!
We wanted to solve robot problems and needed some vision, action, reasoning, planning, and so forth. We even used some structural learning, such as was being explored by Patrick Winston.
After assembly complete, when we have a larger crew on orbit, a more complex vehicle, more laboratories and more robot arms, maybe we'll have room for specialists. But right now we don't.
I get to delve into some of the most creative experience I've had as an actor on 'Mr. Robot.' I think there's a wide opportunity for actors to do that now more so than ever on television.
You're not going to talk to your vacuum cleaning robot: in fact, you may never see your vacuum cleaning robot because, ideally, you come home every day and your floors are freshly vacuumed.
I got a phone call from Jon Favreau saying, 'I need the voice of a personality-less robot, and I thought of you immediately.' I thought that was the funniest thing I ever heard, so I said, 'Yes.'
What I love about 'Big Hero 6', with Baymax himself - this sentient creature who's actually a learning robot - with each experience, this naive and gullible creature becomes more aware of issues.
The idea of old world instruments mixed with sci-fi, futuristic lyrics, playing baroque guitar on a song about a robot boy and a banjo solo on a song about white noise - that's our sense of humor.
There are maybe three inventions I have that I rank as my top inventions that I'm most proud of. The robot I built in high school, the memory-protected circuitry for the Galileo and the Super Soaker.
The original release of 'Star Wars' was literally the first movie I remember seeing in a theater. Four years old was probably too young - I recall believing, for some time, that Darth Vader was a robot.
Ultimately, our ideas about robots are not about robots. The robot is a canvas onto which we project our hopes and our dreams and our fears... they become embodiments of those hopes and dreams and fears.
I think exclusivity is important in life. When you look at a hot pair of Jordans, not everybody got them - it's a limited run. You look at guitars. When Gibson made the robot guitar, it was a limited run.
Before we started shooting 'Homecoming,' we were in the writer's room for 'Mr. Robot.' I was also editing Season 3 of 'Mr. Robot' while I was prepping for the 'Homecoming' shoot. So yeah, it's a lot of hats.
With regard to robots, in the early days of robots people said, 'Oh, let's build a robot' and what's the first thought? You make a robot look like a human and do human things. That's so 1950s. We are so past that.
A robot-arm in a factory doesn't decide minute by minute whether to rivet or revolt - it just does the job is has literally been trained to do. It's if and when we build a conscious robot that we may have to worry.
I also know that in the second movie, the sequel, Eric made some huge advances with the robot suit. That just made it even better. You put the suit on and moved your arms then the robot's arms would move in sync with yours.
I've done a few face palms after things I've said because it's stupid. But if I'm not like that, I won't feel human anymore. I'll just feel like some robot saying what I'm supposed to say. I think that's when people lose it.
I think a robot butler would be a great idea for certain things. But the idea of anybody coming into my bedroom and doing stuff for me, besides my wife and I - such as giving you tea in the morning - I just find a bit irksome.
I have to extend my admiration and respect for Sam Esmail, who is a visionary with what he's done with 'Mr. Robot,' and this brilliant resurgence of Christian Slater only helped us get where we are today - very talented individual.
Why would you not have a robot that looks like Abraham Lincoln? Why would it look like an erector set? Why use a computer with a punchcard, when you could use one with a touch pen on the screen? Why a car, when you could use a jetpack?
The most important thing for building a robot that you can interact with socially is its visual attention system. Because what it pays attention to is what it's seeing and interacting with, and what you're understanding what it's doing.
No one knows when a robot will approach human intelligence, but I suspect it will be late in the 21st century. Will they be dangerous? Possibly. So I suggest we put a chip in their brain to shut them off if they have murderous thoughts.
Rebecca Black might sing like a robot, but that's just proof she has evolved beyond us. Her vocal is just a slightly exaggerated version of the robot glitch-twitch stutter that's been mainstream pop vocalese for the past 10 years or so.
Human communication above and beyond the words that we say is so nuanced. It makes it difficult to not only analyze the vocabulary you use but the intention behind it. That's something even humans have difficulty doing, let alone a robot.
I do think, in time, people will have, sort of, relationships with certain kinds of robots - not every robot, but certain kinds of robots - where they might feel that it is a sort of friendship, but it's going to be of a robot-human kind.
In the beginning of Roomba, we all took turns answering the support line. Once, a woman called and explained that her robot had a defective motor. I said, 'Send it back. We'll send you a new one.' She said, 'No - I'm not sending you Rosie.'
I grew up with the idea of the cyborg and the robot, but at the same time I felt this intense disconnection between the things I was engaged with and inspired by in terms of fun and play. It seemed like paintings and drawings were so static.
If you ask the typical two- or three-year-old or a teenager what a robot is, they will think about a humanoid that does my homework for me or walks the dog. When I go and talk to kids and pull out the Roomba, it's not this big 'Wow!' moment.
There are things that I invented - the creaky geriatric robot that is always grumpy, for example, or the little wheelie guy, he's not in the Hasbro lore. But kids love that stuff - this little guy as a pet on a chain. They gravitate towards it.
I'm a dog person, I've had dogs all my life. But you see, it's not really a dog. It's more like a little robot. It's an actor. It displays no emotion whatsoever. I swear that dog doesn't know any of us even though we've done five seasons of Frasier.
The idea that a robot will become more aware of its environment, that telling it to 'go to the kitchen' means something - navigation and understanding of the environment is a robot problem. Those are the technological frontiers of the robotics industry.
'Mr. Robot,' in particular, signals the rise of a fresh post-Occupy portrayal of the wealth gap. No longer is the story of income inequity delivered via a well-meaning, crushingly earnest indie film by John Sayles or in a single laugh line on 'Roseanne.'
I love 'Robot Chicken,' 'The Boondocks' and 'America's Funniest Home Videos.' Then there's this show called 'The First 48.' It's a documentary about killings where they try and find murderers. They interrogate people and they tell on each other - it's hilarious.
On 'Mr. Robot,' because I run the writers' room and know every decision behind every line of dialogue, I'm able to be nimble and adapt with the scripts and the moments. I never have to question what I'm doing as I'm directing the actors or going through the scenes.
I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
She's like a Barbie, then she wants to be a superhero, or coming out of a spaceship and everything's pink. She makes a certain move that's ghetto hood mixed with a little robot so its like I'm evolving Nicki Minaj and developing her style. She's fearless, and I love her.
The general public perception is that fighting robots were popular, and then went away for a long time, but in reality, there have been live robot combat events happening continuously since 1994. And all the while, the robots have been getting better and meaner and tougher.
We need to know what the resources of the moon are. We have great evidence now because of different kinds of radar and spectroscopic analysis that people have been able to do. But we really do need to go visit there, and we can do that with a robot craft without any problem.
As a writer, that moment every few years when I buy a new laptop and find out that all the word processing stuff has slightly changed again (stuff I spend every working day using) is like getting into bed at night and finding some mad robot where you expected your wife to be.
It's hard not to love Roomba. Roomba had such an amazing impact on the field. When we launched, we asked people, 'Is it a robot?' and got an overwhelming no - 'robots' have arms and legs; they command data. There was a very strong perception that robots had to look like people.
Most American films have now become mindless. The human element has been removed, so you are just left with the surrogate human, which is the robot, so coincidentally or, rather, ironically, they are making films about robots, without realising they are talking about themselves.
I made music with my friend, who we called Isabella Machine to which I was Florence Robot. When I was about an hour away from my first gig, I still didn't have a name, so I thought 'Okay, I'll be Florence Robot/Isa Machine', before realising that name was so long it'd drive me mad.
Once we no longer have the intellectual upper hand, then we quite literally, by definition, cannot outwit our successors. So unless we are absolutely sure that the machines we are building right now are not going to eventually become our new robot overlords, prudence is called for.
I'm focused on the work. And now I've done 'Morris' and 'Mr. Robot,' my appetite is whet to go deeper. It's fun, and it's challenging, and it stretches me. I'm not saying I'm done with comedy by any stretch of the imagination. I'm saying, yeah, let's see how deep the rabbit hole goes.