I think that taking night trains or meeting someone on the road is pretty romantic. I've done a couple of things like that. I've surprised someone in Paris. And hopefully, when you surprise someone, they're happy to see you.

I only hope that I can regain my own identity once I decide that 'Perry Mason' and myself have come to the parting of the road. 'Perry Mason' has become a career for me... all I know is that I work, eat and sleep 'Perry Mason.'

I think this is all my life. Because if I was split gymnastics and something else like far, fun or to go with friends. No, this, you're supposed to one go, one straight road and to do every day. And touch the wall, of the goal.

Think of it this way: If you got a flat tire, what would you do? Change the tire? Or get out of the car and slash the other three tires? No! Get back on the road. Don't dwell on it; don't beat yourself up. That gets you nowhere.

Merely by describing yourself as black you have started on a road towards emancipation, you have committed yourself to fight against all forces that seek to use your blackness as a stamp that marks you out as a subservient being.

Everyone goes down a road that they're not supposed to go down. You can do two things from it. You can keep going down that road and go to a dark place. Or you can turn and go up the hill and go to the top - try to go to the top.

Jean Shrimpton was the most beautiful of all the models I have known. To walk down the King's Road, Chelsea, with Shrimpton was like walking through the rye. Strong men just keeled over right and left as she strode up the street.

I respect the fact that a director has studied the text and the road map of work before us, the subtleties, interconnections, underpinnings... His job is to paint the entire picture and knows all the colors that have to be in it.

At the heart of 'The Famished Road' is a philosophical conundrum - for me, an essential one: what is reality? Everybody's reality is subjective; it's conditioned by upbringing, ideas, temperament, religion, what's happened to you.

I think about culture and values as curbs on a highway. When the curbs are high enough, a vehicle can veer to the left or right, but the curbs keep the car on the road. It is the CEO's job to build those curbs as high as possible.

Rock and Roll does have its limits as far as the aging process. You want to go out there and play while you're at your peak, right? I think that's encouraging us to keep going out on the road - to maximize the playing at the moment.

Truth is mysterious, elusive, always to be conquered. Liberty is dangerous, as hard to live with as it is elating. We must march toward these two goals, painfully but resolutely, certain in advance of our failings on so long a road.

One of my earliest memories is walking up a muddy road into the mountains. It was raining. Behind me, my village was burning. When there was school, it was under a tree. Then the United Nations came. They fed me, my family, my community.

I try to work out with my personal trainer for an hour, four times a week - we mainly concentrate on weights and running. If I'm on the road I sometimes do DVD work-outs in my hotel room - P90X and Insanity are a couple of my favourites.

We're at the crossroads. Down one road is a European centralized bureaucratic socialist welfare system in which politicians and bureaucrats define the future. Down the other road is a proud, solid, reaffirmation of American exceptionalism.

My diet, my regime, the whole life I have on the road has always got that little bit of stress because I'm always afraid I'm going to get a cold. And it's just such a nightmare when you got a cold or an irritation and you have to do a show.

What you've done becomes the judge of what you're going to do - especially in other people's minds. When you're traveling, you are what you are right there and then. People don't have your past to hold against you. No yesterdays on the road.

One of the most important things that I have learned in my 57 years is that life is all about choices. On every journey you take, you face choices. At every fork in the road, you make a choice. And it is those decisions that shape our lives.

It's always shocking to people, because sometimes when I go on the road and I DJ, they think I'm just gonna perform, so to see me really DJing and playing their favorite song and really rockin', it's a shock to people, and definitely to DJs.

Take my horse to the old town road and ride till I can't no more' basically means just running away, and everything is just gone. The horse is metaphorical for not having anything or just the little things that you do have, and it's with you.

It's very easy in the studio to get overzealous with your vocal takes, thinking, 'Oh yeah, I can do it over and over. I can sing at the top of my range for this whole song.' But when you're doing it every night on the road, it's pretty intense.

To combat the confusion and depression that assault me when I come off the road in the middle of a tour, I seek the most oblivionated music possible. When it's the 'way out there' that I seek, I go right to my stash of amazing music from Japan.

There's a difference between me recording in Atlanta, where I'm in the midst of all my problems, and recording in L.A. or being on the road, where I can look back at things and have a different perspective. I do most of my writing while I'm away.

My position has always been that the way people age and the signs that we show of aging is nature's way of tattooing. It's natural scarification, and the life you lead gives you the symbols and the emblems of your life, the road map you followed.

Comrade Kim Jong Il, who was faithful to Comrade Kim Il Sung's ideas and cause, led our revolution along the glorious road of victory, braving the severe trials and adversities of history by dint of his unique leadership of the Songun revolution.

The road to energy efficiency is, in theory, a sustainability sweepstake. More efficiency means that less fuel is required to generate a given amount of energy, which in turn means lower costs for the provider and cheaper prices for the customers.

Anyone who spends time on the road knows there's something special about being in the middle of Utah or Nebraska - you sit with it, and there's a peace about it. You can go left or right, and it opens up all kinds of doors. You take your own path.

The animals that depend on instinct have an inherent knowledge of the laws of economics and of how to apply them; Man, with his powers of reason, has reduced economics to the level of a farce which is at once funnier and more tragic than Tobacco Road.

Before my dad passed away, I would miss a lot of baby showers and weddings, sacrificed a lot of family and friend events for dumb road dates. I don't do that anymore. It's gone in the other direction. I'm more inclined to put family and friends first.

I have bougainvillea and a magnolia tree outside my window. Not that anything will ever beat the view I had from my desk window in my little farmhouse in Nebraska. Just a dirt road stretching out as far as you could see, with prairie grass on either side.

We must trust to nothing but facts: these are presented to us by nature and cannot deceive. We ought, in every instance, to submit our reasoning to the test of experiment, and never to search for truth but by the natural road of experiment and observation.

We have come to a turning point in the road. If we turn to the right mayhap our children and our children's children will go that way; but if we turn to the left, generations yet unborn will curse our names for having been unfaithful to God and to His Word.

Sometimes you get a glimpse of a semicolon coming, a few lines farther on, and it is like climbing a steep path through woods and seeing a wooden bench just at a bend in the road ahead, a place where you can expect to sit for a moment, catching your breath.

Whether you are a low-income elderly woman living at the end of a dirt road in Vermont or a wealthy CEO living on Park Avenue, you get your mail six days a week. And you pay for this service at a cost far less than anywhere else in the industrialized world.

The reason I'm drawn to it is - both the off road racing and the motorcycles on the track - it takes a lot for me to quiet my brain and anything that requires 100% of my attention and focus I find very soothing and that is the closest I get to being content.

The difference between sentiment and being sentimental is the following: Sentiment is when a driver swerves out of the way to avoid hitting a rabbit on the road. Being sentimental is when the same driver, when swerving away from the rabbit, hits a pedestrian.

I have been learning English on the road since I started when I was 15, so it is a slow process but making some progress. Now I think I am much more comfortable with my English. However, it is difficult, still, when I speak about something that is not tennis.

I try to live my life where I end up at a point where I have no regrets. So I try to choose the road that I have the most passion on because then you can never really blame yourself for making the wrong choices. You can always say you're following your passion.

Springsteen's 'Thunder Road' and Carole King's 'It's Too Late' are examples of why I am a singer/songwriter. I practice these songs every day. The melodies are timeless in the rock world, the lyrics are words that I need to say, and they need to be heard again.

The remarks about my reaching the age of Social Security and coming to the end of the road, they jolted me. And that was good. Because I sure as hell had no intention of just sitting around for the rest of my life. So I'd whip out the paints and really go to it.

I've always been a bit of a Jekyll and Hyde. I always feel that you should keep singles as commercial as possible so that the people can walk down the road and whistle a song. But on the other hand on albums I think you can afford to show people what you can do.

Once, I was out of the house 93 days in a year. I was missing grandparents' days at schools and kids' birthdays and Valentine's Day, not to mention the fact that when you're on the road, you can't get anything done. I had to learn to say 'No,' cut back on travel.

It's such a funny thing when you see your daughter transitioning from your baby, your little girl, to suddenly being a young woman. If you're not really looking for it, you can miss it, and Lily-Rose is on that road already, and there's nothing I can do to stop it.

My husband cooks fancier food for himself than I've ever cooked on-air. I call him from the road, and he's making champagne-vanilla salmon or black-cherry pork chop. Half of me is feeling unworthy. Not only am I not a chef, I'm not a better cook than my own husband!

Sometimes, the songs that really affected me were not from the artist catalogue of their music, like the song 'Thunder Road' by Bruce Springsteen. I never got into any of his other music, but that song, to this day, is in my top three lyrical masterpieces of all time.

Becoming a writer is not a 'career decision' like becoming a doctor or a policeman. You don't choose it so much as get chosen, and once you accept the fact that you're not fit for anything else, you have to be prepared to walk a long, hard road for the rest of your days.

On the second half of 'Under Pressure,' I talk about my family, and there are voicemails on my phone from when I was on the road that actually make up the second half of the nine-minute song. I transcribe them and rap them as if I were my sister, my brother, or my father.

In a way, light unites the spiritual world and the ephemeral, physical world. People frequently talk about spiritual experiences using the vocabulary of light: Saul on the road to Damascus, near-death experiences, samadhi or the light-filled void of Buddhist enlightenment.

Even if people that I was in love with - even if Bobby Fulton inherited a billion dollars and opened All Elite Wrestling, I was never going to be the manager of The Revival on a weekly television basis ever because that would require me being on the road on a weekly basis.

I remember travelling up and down the road, and I kept journals during my whole career, and I was always making notes about things I wanted to say, words I wanted to create, actions I wanted to do, things I wanted to do to make the character more imaginative and fantastical.

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