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What Peter Jackson proved with 'Lord Of The Rings' movies is that you could make various changes, and you could pull things around, but as long as it was in the spirit of the storytelling, and because he made The Shire so real, the fans forgave him for the changes.
I'm a jewelry girl. I became with friends with designer Irene Neuwirth a few years ago. At that point, I just used to wear my wedding rings. Very low key. Now, if I could, I'd be draped from head to toe in her jewelry all the time. Everything she makes is beautiful.
Lord of the Rings was something I always wanted to do. I read the book when I was about 25, and I was always hoping if it was ever made into a feature film that I would be involved in some way. And then I finally got it, and I was over the moon. It was fantastic news.
I know Peter Jackson a tiny-tiny bit from interviewing him about the 'Lord of the Rings' movies over the years. When I was visiting the set of 'The Return of the King,' he let me be an extra so I could see filmmaking from a different perspective. I was a Rohan soldier.
The first time I got recognized in public was at a movie theater. It was at the 'Lord of the Rings' movie premiere. I was at the movie theater, and someone came up, and it was so weird to me, because I had never been recognized by a viewer, so I thought that was scary.
When Little Richard used to stand up and play it was just fabulous, and Liberace had the candlesticks and the rings and the gift of the gab. The piano's is the most ungainly rock' n' roll instrument of all time but those two people transcended it, as did Jerry Lee Lewis.
The dead spacecraft in orbit have become a permanent fixture around our planet, not unlike the rings of Saturn. They will be the longest-lasting artifacts of human civilization, quietly circling the Earth until the sun turns into a red giant about 5 billion years from now.
For me, being a part of the ASPCA is a great way to tie in my love for animals and my love for New York City. Whether it's fighting puppy mills or working with the NYPD to prosecute people who abuse animals or breaking up fight rings, it's an incredible part of my city life.
I read everything that Tolkien wrote, and also read biographies of him. I was fascinated by his experiences in World War I, which includes the loss of life of some of his very, very close friends. I think he writes about that a lot in 'The Hobbit' and 'The Lord of the Rings.'
I had the lunchbox that cleared the cafeteria. I was very unpopular in the early grades. Because I hung out with my grandfather, I started to bring my lunchbox with sardine sandwiches and calamari that I would eat off my fingers like rings. I was also always reeking of garlic.
I've always been attracted to the darker things in life. I was never one to go for light, airy stuff, even as a child. My whole aesthetic has always been one of the darker side. That rings true also in my tastes in music. It's just always something I've gravitated to naturally.
I think everything is going to be devastatingly sad - when the phone rings, I know somebody in my family's been hurt, somebody's going to die. I'm sure a therapist would go, 'That's not a good way to live,' but every time it's not that bad thing, I'm so thankful and appreciative.
If you read 'Lord of the Rings' and dismiss it as a lie because it has orcs and elves, you're missing the whole point of the story. If children don't have to be concerned about strangers because there's no such thing as a Big Bad Wolf dressed like Granny, you're missing the point.
Some people work very closely with a director or a producer on something, and from the get go, they're collaborating. But typically, it's just go in for an audition, do the best you can, and if the phone rings a couple of days after the audition and you get the part, that's great.
I would love to live in 'The Lord of the Rings.' J. R. R. Tolkien's world is so vivid and rich and sensual. I love the country setting and the routine of the hobbits. Of course, I would like to be a hobbit who goes on small adventures - not huge, horrifying ones like Frodo's quest.
I am incredibly, incredibly fortunate about the opportunities I've had. But at the same time, I've had plenty of opportunities to screw it up, too. Sometimes the most powerful thing you can say is 'No...' and not feel the need to do everything. It's about doing what rings true to me.
Now we're e-mailing and tweeting and texting so much, a phone call comes as a fresh surprise. I get text messages on my cell phone all day long, and it warbles to alert me that someone has sent me a message on Facebook or a reply or direct message on Twitter, but it rarely ever rings.
I played ball in college and semi-professional, and aside from the game and all that, the most valuable thing is the relationships. Who can care how many rings you have or how many championships you've won or how many records you broke. The most valuable stuff is the intangible stuff.
I need to be looked after. I'm not talking about diamond rings and nice restaurants and fancy stuff - in fact, that makes me uncomfortable. I didn't grow up with it, and it's not me, you know. But I need someone to say to me, 'Shall I run you a bath?' or 'Let's go to the pub, just us.'
As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.
Everybody knows about Peter Jackson, 'The Hobbit' movies and 'The Lord of the Rings' films being made in New Zealand, and to actually have been part of it for such a long period, to live there and to have friends that I will have for life because of that experience, is an amazing thing.
Making it to the league, that was my dream. But my mom saw to it that we watched our share of the WNBA too. Greatness is greatness, right?? And as much as I learned about that from seeing Kobe win his rings... I also learned about it from seeing Sheryl Swoopes and Lisa Leslie win theirs.
My job is to put on a great performance. Every time I step in the ring, my job is to perform at top level and to give the people, give the crowd, give the audience what they came to see and that is a good show and, of course, everybody wants to see knockouts and that's what I like to do.
My experience of what a loving relationship is like rings true with a lot of people I meet. I have a theory that the people you meet, one way you choose them, is their suitability for you in that particular matter. Attitudes toward friendship and marriage are in many cases closely aligned.
That is definitely something that I feel more comfortable with now. When I did 'Lord of the Rings,' it was something I wasn't quite prepared for, I didn't know how to deal with that sort of attention, and I kind of shied away from that, but I'm better at dealing with that now - a lot better.
After 'Rings,' I had two feelings: One, I immediately didn't want to work on anything on a large scale. I wanted to work on something really small after I was finished filming the first three. But the other thing was that I had a continuing interest in working on things that were really different.
To make three films out of one shortish book, they have to turn it into an epic, just as 'Lord of the Rings' is an epic. But 'The Hobbit' isn't an epic: its tone is intimate and personal, and although it's full of adventures and excitement, they're on a different scale to those of the bigger book.
I don't think Brian Cox does 'The Wonders of the Solar System' because he believes the world would be a better place if people understood about the rings of Saturn; I just think he finds physics extremely interesting. It brings him joy, and he wants to spread the love. I feel the same about economics.
I wanted to go and I wanted to drive the miles for no pay, I wanted to set up the rings, I wanted to set up the chairs, I wanted to go to training six-seven days a week for hours upon hours and blow myself up to where I can only work on instinct. I wanted to sleep in my car. I wanted to do all of that.
'The Sword of Shannara' is about two brothers who find themselves on an epic quest to save humanity. It borrows from 'Lord of the Rings' but is still original in its own right. I read it in three days, then reread it, then went out and found every single book Terry Brooks ever wrote, and read all those.
I don't want to use the word 'instinct,' but when something good happens - something big or good in my life - I have this sensation that it was inevitable. Anything careerwise, 'Lord of the Rings,' 'Rudy,' or getting married. Which is weird, because you don't ever want to be ungrateful for what you have.
Voyager found Saturn to be a planet with a complex interior, atmosphere, and magnetosphere. In its rings - a vast, gleaming disk of icy rubble - the mission recorded signs of the same physical mechanisms that were key in configuring the early solar system and similar disks of material around other stars.
I had saved a few hundred photos of dodo skeletons into my 'Creative Projects' folder - it's a repository for my brain, everything that I could possibly be interested in. Any time I have an Internet connection, there's a sluice of stuff moving into there, everything from beautiful rings to cockpit photos.
'Milk and Honey' was written with me being honest to myself, kind of pulling at the things that I hear the most and saying that out loud, and you know, that thing that we hear the most is most universal, and so that rings true with all folks. The language used in the poetry is extremely, extremely accessible.
My college roommate gave me her copy of 'Lord of the Rings,' and I read that probably five or six times - not because I think it's the greatest thing ever written, though some people certainly think it is - but the world he creates is so vivid. So real that he designed its own languages, history and mythology.
The Saturn system is a rich planetary system. It offers mystery, scientific insight, and obviously splendour beyond compare, and the investigation of this system has enormous cosmic reach... just studying the rings alone, we stand to learn a lot about the discs of stars and gas that we call the spiral galaxies.
When I run into a person or a kid that comes up and gives me the spiel about, 'Hey, I got your record at this time in my life, and it really helped me,' that stuff totally still rings true. If you're standing there talking to someone, it's really easy to tell if they're being authentic or not. And that's great.
Whenever I score for Manchester City, my mother calls me. As soon as the ball hits the back of the net, the phone rings. It doesn't matter if she's back home in Brazil or if she's in the stadium watching me. She calls me every time. So I run to the corner flag, and I put my hand to my ear, and I say, 'Alo Mae!'
When I played Gollum in 'Lord of the Rings,' if I was climbing up the side of a mountain, which I physically did, you know, I was on every single occasion swimming through streams, all of that, that wasn't captured. That was filmed on 35 millimeter, and for certain of those shots, it was rotoscoped and painted over.
Because I was in the business of translating the 'X-Men' from the very successful comics, and taking the most popular book of the 20th century in 'The Lord of the Rings,' and making it into three movies, I hope people realize I wouldn't get involved in anything I didn't think was really going to be worth their while.
I know firsthand how much work has usually gone into a screenplay, so if there's something that rings false or a line that I would think would need a tweak or something, I will think long and hard before I even recommend changing it. In that sense, I'm very faithful to the scripts that I get - if they're good scripts.
I'm not going to be depressed about my career however it ends because I've met great people, I've played with great teammates, I've played for great coaches, and I've lived out a lifelong dream. But it wasn't just about a dream of playing in the NFL. It was about a dream of playing in the NFL and winning Super Bowl rings.
Until you go through with it yourself, you simply can't imagine it. But it is the transition of going back to work and the guilt of how much time you spend with your child that's hard. I worry about not getting back in time for bath-time. I am not a neurotic person at all, but every time the mobile rings, my stomach leaps.
I think music is a lifting force, I think love is the lifting force in the human condition. I think you see someone loving on their child, and it moves you, and you can't help it. It rings a bell inside of us that elevates us as human beings, and I treasure that. I think it's one of the few great things about human beings.
Can anything be more grotesque and barbarous than our 'florists' bouquets,' a series of concentric rings of flowers of divers colours, bordered by maidenhair and a piece of stiff lace paper, in which stems, leaves, and even petals are brutally crushed, and the grace and individuality of each flower systematically destroyed?
I'm never going to be able to leave Mexico, really. It would be foolish of me to do it. I would be wasting such a great opportunity that the accident of life, or destiny, gave me, which is to be Mexican. If we would make 'Lord of the Rings' analogies, I think Mexico City is Middle-earth. That's where the fight of humanity is.
Many fantasy novels - 'Lord of the Rings', for instance, or 'Lavondyss' by Robert Holdstock - are beautifully written. Geoff Ryman's 'The Child Garden' is exquisite and utterly beguiling. Mervyn Peake's 'Gormenghast' trilogy is an astonishing piece of multi-faceted storytelling. So quality of writing does not condemn the genre.
I'm not drawn to people that much unless there's a really serious energy happening, but I'll take a lot of pictures of trees, or I'm always staring at the ground. I'll see an oil stain that looks like something out of 'Lord of the Rings' or something, and that's what kind of calls to me... I'm drawn to that aspect of photography.
That is why I can never walk away from wrestling because there's this moment - the bell rings and everything slips away. The path, the future. There's nothing but that moment right in front of you where the intensity is high, the risk and reward are high, and you have to enter into a mental state that doesn't allow for hesitation.
'A Little Nightmare Music' is the first show we created. It's about all the nightmares that can happen in the span of a concert. When things go wrong - when the lights go out or a cellphone rings - that's when an audience suddenly comes alive, wondering what's going to happen next. Things going wrong often leads to something good.