As any opera fan knows, lawyers and judges do not fare well in most operas. Just consider the productions of 'Andrea Chenier,' 'Aida, Norma,' 'Billy Budd,' 'Peter Grimes,' 'The Crucible,' 'Lost in the Stars,' 'The Marriage of Figaro,' 'The Makropulos Case' and Wagner's 'Ring' cycle. Around 1810, the theme of justice emerged in opera.
I remember Wrestlemania VI, being in my locker room painting my face, about halfway done, and the production guys came, and they knocked on the door, and they came in. I was looking in the mirror at them, and they said, 'Hey, Warrior, we've got a cart to take you to the ring.' I just looked at them, and I said, 'I'm running to the ring.'