Quotes of All Topics . Occasions . Authors
I was a big fan of Luc Besson and obviously Ridley Scott.
I was so excited to work with Ridley Scott. Who wouldn't be?
All I can say is working with Ridley Scott is a dream come true.
I admire Ridley Scott, and I'm thrilled to be making a movie for him.
I grew up loving Ridley Scott and Tony Scott and Michael Bay and Adrian Lyne.
I'm inspired by film-makers such as Ridley Scott, David Fincher, Orson Welles.
Getting the call from Ridley Scott made me think that sometimes you just need to go to work.
I was speaking to Ridley Scott the other day and he makes a film every 18 months. He's amazing really.
Ridley Scott is a cinematic master and a great man. It was a real honour working with him on 'Prometheus.'
A personal game-changer was when Ridley Scott cast me as King John, the King of England, for 'Robin Hood.'
I've done movies with a sword before. But I haven't really been given the full responsibility of something like a Ridley Scott film.
'Raiders of the Lost Ark' made me want to make films. I am wild about the films of John Carpenter, Ridley Scott, Howard Hawks and Sam Peckinpah.
I don't think it would be possible for me to respect people like Ridley Scott or James Cameron more than I already do. They're gods of filmmaking.
As a young actor, I found myself in all these movies at once, with two big trilogies and a Cameron Crowe film and working with Ridley Scott a couple of times.
There's a certain relief to just being the guy who puts on the costume and walks onset and gets to prance or stomp around in a Ridley Scott or Baz Luhrmann movie.
As an actor, you try and be cool, but one of the reasons you become an actor is because you're a film fan. And then you're like, 'Oh my god, Ridley Scott just spoke to me!'
A good director is like a good coach. You want to play for him. You want to really show him your good stuff. You don't want to let that person down. Ridley Scott is one of those guys.
I don't have a style. I've never thought of myself as a stylist like the visual stylists I admire enormously - Adrian Lyne, Ridley Scott, Alan Parker - in which every shot has a great idea in them.
What does my performance have to do with Russell Crowe's? Nothing. If I play Gladiator and we all play Gladiator with Ridley Scott in the same amount of time, maybe we have a chance to see who did it best.
Working with Ridley is working with one of the great filmmakers and one of the great raconteurs. You know, it's like, a dinner with Ridley Scott or a dinner with Martin Scorsese? You just want to cut your arm off to get those.
Ridley Scott was part of the production team on 'The Good Wife.' I auditioned on my iPhone, and it moved very quickly after that, as they thought I was right for the role, and pretty soon I was filming in Iceland for two months.
The reason why those female celebrities are always in filthy moods is not because they're being hounded by men with massive cameras or because Ridley Scott cancelled their film. They just want to get their hands on a cheeseburger.
I wanted to be Steven Spielberg, Tim Burton, Stanley Kubrick, David Cronenberg, Ridley Scott, James Cameron, and Hitchcock. I'd wanted to be a director since 13, and horror and the suspense thriller were the most powerful genres to me.
As an actor you have to bring to the table your creative input. But when a director like Ridley Scott says I want you to do this this way, you know when he gets to the editing room he has a reason for it. It's like watching a masterpiece.
When I'm actually making a film and trying to find solutions, I like to watch making-of documentaries about huge films, like 'Gladiator.' That couldn't be more apart from what I'm doing, but you see Ridley Scott facing huge problems and fixing them.
I can't imagine myself doing something like 'Narnia' again. I would love to do something with Ridley Scott, you know, some action/adventure or something like that. But I'd also love to do a dramatic piece. It's really just whatever you read and take to.
I read for 'Reservoir Dogs,' and it got down to me and Buscemi, and Quentin couldn't make up his mind. I really wanted that part, but Buscemi is great in that. I also got really close on 'Gladiator,' but Ridley Scott decided on Russell Crowe, who's perfect in it.
There have been things over the years that didn't work. 'Body Of Lies,' directed by Ridley Scott, which I did with Russell Crowe and Leonardo DiCaprio, is a really tight action thriller, but when it opened in the U.S. it was number two to 'Beverly Hills Chihuahua.'
I have always been a huge fan of Ridley Scott and certainly when I was a kid. 'Alien', 'Blade Runner' just blew me away because they created these extraordinary worlds that were just completely immersive. I was also an enormous Stanley Kubrick fan for similar reasons.
Fox bought the rights to the book way back when, and there was this attempt by Fox to make a movie out of 'The Hot Zone,' and it tended tragically in a Hollywood disaster involving Robert Redford and Jodie Foster and Ridley Scott. But the rights have been sitting at Fox ever since.
The things that I've enjoyed most are not really science fiction. They are not much fun to make because there are so many toys involved. They are fun for directors who like toys, like Ridley Scott, but they are not a lot of fun to make. A lot of hanging around, changing this and that.
I had this extraordinarily bizarre moment when, two Fridays ago, my missus gave birth to our second child at 11am and by the same time the following day I was sitting around a table with Ridley Scott, Russell Crowe and Leonardo DiCaprio in Rabat in Morocco, rehearsing a scene we were going to shoot the next day.
I'm quite curious and excited about seeing a new script for 'Blade Runner.' If, in fact, the opportunity would exist to do another, if it's a good script, I would be very anxious to work with Ridley Scott again; he's a very talented and passionate filmmaker. And I think it would be very interesting to revisit the character.
For filmmakers who've made multiple movies, they have experience, but they only have experience of themselves as a filmmaker. Whereas I'm bouncing around from different skill sets: the organizational ability of Ridley Scott to the precision of a Ron Howard to the artistic sensibilities of a Peter Weir... to the scope of a Tom Hooper.