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Financial news services and other media organizations get press releases 15 minutes before they are distributed to the general public, fueling a furious competition among the news services to rewrite them for their subscribers during their window of exclusivity.
After decades spent in rewrite rooms surrounded by other shouting writers, I discovered that I work best alone. I like being in charge of my time, working out the problems according to my own rhythms and being able to nap. That's a big one, the napping on demand!
I rise at 6. Strong coffee helps me face the paper edition of 'The New York Times.' It daily challenges my own capacity for faking anything deranged enough to sound true. I work till 2 P.M. unless I am in the throes of finishing something. I rewrite to be reread.
If you're having trouble finishing a book, it might be that you're trying to fix it as you go. Just finish the story, no matter how terrible you think that first draft is. Then let it cool off. In other words, don't look at it for a while. Then you can rewrite it.
I tend to write some, then outline some, then delete some, then go back and rewrite some. I love revising and hate first drafts. I have to wear bedroom slippers. My current favorites come from the Zetter Hotel in London. They have little tobacco pipes on the toes.
I've been shocked by film actors - 25 and under - having such confidence and cockiness to rewrite a scene. My background is more about the director being in control. It's all about yielding. It's an oddly submissive relationship in which you're moulded, Pygmalion-style.
Get your butt in a chair and write. If it comes out weak or bad or clunky or ordinary, then accept that this happens to everyone. Everyone. Get it down, get it done, and fix it in the rewrite. Just like everyone from Stephen King to J. K. Rowling to Chuck Palahniuk does.
I have questioned myself about the brutality in the last few novels. Actually in 'The Leopard,' in hindsight, I feel I went a little bit too far with screaming blood. There are a couple of scenes that I regret and wish I had the chance to rewrite. 'Phantom' has less blood.
We Americans forget or rewrite even our recent history, and accomplishments of any group not pale and male have tended to get downplayed or erased - one reason why Gloria Steinem, Jane Fonda and I founded the Women's Media Center: to make women visible and powerful in media.
Because Lincoln is so closely identified with what it is to be American, everyone wants to claim him, to rewrite his story to satisfy their own particular needs. For my own people, it was important to imagine him as the Great Emancipator, the Moses who led us out of slavery.
I always rewrite the very beginning of a novel. I rewrite the beginning as I write the ending, so I may spend part of morning writing the ending, the last 100 pages approximately, and then part of the morning revising the beginning. So the style of the novel has a consistency.
As we all saw in grade school, once you learn how to read a book, somebody is going to want to write one - that's how authors are made. Once we know how to read our own genetic code, someone is going to want to rewrite that 'text,' tinker with traits - play God, some would say.
I'm not patient at all. I avoid writer's block by writing. I power through with a bad version, so I can move on, and usually once I've gotten to the next scene, I'll discover what was missing from the bad version scene. Then I can easily rewrite it to get back on the right path.
I remember that I used to get lots of books from the library, and 'Little Women' was one of them. And I used to just cross out the parts of it that really upset me because it's such a sad book in so many ways. I'd cross out the parts that upset me, and I would rewrite new endings.
Basically, we used to have a rule at 'Saturday Night Live' that you're not allowed to bring up 'The Simpsons' at the rewrite table, because 'The Simpsons' has done every joke there is. Every week there would be guys going, 'The Simpsons did that.' I go, 'C'mon.' And 'South Park,' too.
I always rewrite each day up to the point where I stopped. When it is all finished, naturally you go over it. You get another chance to correct and rewrite when someone else types it, and you see it clean in type. The last chance is in the proofs. You're grateful for these different chances.
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
President Obama is in violation of Section 3 of Article II of the Constitution by refusing to enforce the employer mandate provisions of Obamacare. The executive branch, which has no constitutional authority to write or rewrite law at whim, has usurped the exclusive legislative power of Congress.
Six years after I wrote the first draft of 'Plan B,' I received my first paycheck as a writer. It included both the $3,000 in deferred option money as well as half the fee for performing the initial rewrite. The amount was scale according to the Writer's Guild guidelines, but a lot, according to me.
We've always dreamt of a TV series and working in film. When we first sat down to seriously write 'A Little Nightmare Music,' to write something for TV was our original inspiration. But all the stuff we were writing down is not going to work on stage. We had to rewrite it so it would work on the stage.
There were guys in 'The State' who would take one script and rewrite it and rewrite it and rewrite it and fight for it for a whole season, and after a couple of seasons, you realized that doesn't work. You have to just be willing to throw something away, no matter how good it is, and write a better joke.
The implication is that this basic idea we have that we are controlled by our genes is false. It's an idea that turns us into victims. I'm saying we are the creators of our situation. The genes are merely the blueprints. We are the contractors, and we can adjust those blueprints. And we can even rewrite them.
By the time I got to the point where I was 'starring' in movies, and I had executives telling me what lines to say, that wasn't for me. I'm really not an actor. I'm a guy who comes out of comedy, and my impetus was always to rewrite the line to make it funnier, not to try to make somebody's precious words work.
You don't want to become guilty of plagiarism by letting someone else's words get inadvertently mixed in with your own. If you do feel the need to paste in a block of research while you're writing, be sure to highlight the copied text in a different color so you can go back and remove or rewrite it entirely later.
I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
I never think of an entire book at once. I always just start with a very small idea. In 'Holes,' I just began with the setting; a juvenile correctional facility located in the Texas desert. Then I slowly make up the story, and rewrite it several times, and each time I rewrite it, I get new ideas, and change the old ideas around.
There is something about the live performance of an orchestra that makes it very different to a film. With a film, you can rewrite it in a way with the material you have, and in rehearsals, you're really trying out different things. In an orchestra, you can't do that. They separate as soon as the performance factor comes into play.
The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side.