Quotes of All Topics . Occasions . Authors
With COBE, we can see things before the lights came on. While we probably will not rewrite the book of cosmology with this mission, we will write another chapter.
I can only get to a certain point as I write and then I have individual conversations with everyone that I cast. I always do a rewrite based on the conversations.
Books aren't written - they're rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn't quite done it.
It's unusual when you get scripts not wanting to change things - I'm one of those actors who writers must hate as I'm always wanting to rewrite or swap bits about.
You have to write badly to write at all. If it's crappy, I will rewrite it later. But it will be mine. You can hear the resonance of an artist who goes into herself.
I've rewritten a lot of the scripts I've done. 'Little Shop Of Horrors' was a complete rewrite, but I didn't touch the dialogue. Essentially, I'm a very good editor.
For Cantonese - because there's no standardized pinyin system - I have to have someone read it to me, and then I rewrite the whole script in my own Cantonese pinyin.
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft. I can write more quickly than I can read.
There are always people screeching and upset that I did this or didn't do that. Basically, they're upset that I didn't rewrite an earlier book they particularly liked.
Life may not always fall into neat chapters, and you may not always get the satisfying ending you're looking for, but sometimes a good explanation is all the rewrite you need.
The research is the easiest. The outline is the most fun. The first draft is the hardest, because every word of the outline has to be fleshed out. The rewrite is very satisfying.
The Rhodes scholarship process was very extensive. I had to do several personal statements, rewrite those over and over and over again. I had to get some letters of recommendation.
I write my novels in English first; then they are translated into Turkish by professional translators. Then I take their translation and rewrite. So basically, I write the same novel twice.
I find that when you read a script, or rewrite something, or look at something that's been gone over, you can tell, like rings on a tree, by how bad it is, how long it's been in development.
In Oxford before the war, I had, with this interest in mind, written a short textbook entitled, An Introduction to Economic Analysis and Policy. It was now my intention to rewrite this work.
I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.
In so many instances, there has been an attempt to rewrite history. And many times, on photographs, Martin and I were marching together, hand in hand; they cropped the photographs and left me out.
To this day, I get rewrite offers where they say: 'We feel this script needs work with character, dialogue, plot and tone,' and when you ask what's left, they say: 'Well, the typing is very good.'
Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
What you get at the BMI Workshop is the rarest commodity in New York City: Friendly criticism; people who genuinely root for you; and a chance to rewrite your work, try it again, and hone your craft.
I try to write everyday. I do that much better over here than when I'm teaching. I always rewrite, usually fairly close-on which is to say first draft, then put it aside for 24 hours then more drafts.
Providing better computer science education in public schools to kids, and encouraging girls to participate, is the only way to rewrite stereotypes about tech and really break open the old-boys' club.
If you want to build an open source project, you can't let your ego stand in the way. You can't rewrite everybody's patches, you can't second-guess everybody, and you have to give people equal control.
I don't find writing easy. That is because I do take great care: I rewrite a lot. If anything is sort of clumsy and not possible to read aloud to oneself, which I think one should do... it doesn't work.
So you have to keep waiting and then they give you the script and it's terrible. Then you have to go to the rewrite and they're very upset because you didn't like it. I went through that for seven years.
I do think - as self-serving as it sounds - that I was the right person, given the very, very strong headwind we had from the economy and our own issues, to come back and rewrite the future of the company.
Quite often, I'll be sent a script for a movie. And I find that I like it, so I say I'll do it. But then they rewrite it for me. They make it quirky. Odd. I find that rather annoying. I call it Walkenising.
Doing the box set is one of those things where you get to rewrite your own history to some extent. We could take out some of the songs that we felt weren't as strong as some of the others, so you look better.
The social disease of political correctness has entered daily life, inverting good to bad and attempting to rewrite proud histories as an imposition of white supremacy for which we all should make contrition.
My only writing ritual is to shave my head bald between writing the first and second drafts of a book. If I can throw away all my hair, then I have the freedom to trash any part of the book on the next rewrite.
Let me back up a little and tell you why I prefer writing to real life: You can rewrite. A novel, for example, can be cleaned up, altered, trimmed, improved. Life, on the other hand, is one big messy rough draft.
To me, the screenplay only becomes the Bible of the film after the actors have been cast. You go over the initial script with them and listen to the way they talk. Then you try to do a rewrite to accommodate them.
I didn't become a good writer until I learned how to rewrite. And I don't just mean fixing spelling and adding a comma. I rewrite each of my books five or six times, and each time I change huge portions of the story.
There have been times when I reread - or at least leafed through - something because I'd sent a copy to a friend, and what usually happened was that I noticed dozens and dozens of clumsy phrases I wished I could rewrite.
I think sometimes I guess you see records, say you want to get there and use that as motivation. In a way, it's kind of cool if there is a possibility to rewrite history and be up there with the greats of Olympic history.
After decades spent in rewrite rooms surrounded by other shouting writers, I discovered that I work best alone. I like being in charge of my time, working out the problems according to my own rhythms and being able to nap.
I rewrite my books many times before submitting them, and after my editor takes a look I wind up rewriting some more! It's a good thing I learned at an early age to keep on trying. Stick to it, and eventually you'll get there.
Tax reform likely will be the first policy action in a Trump administration. A close second will be a thorough repeal and rewrite of Obamacare, restoring a freer market with true consumer choice and competition among providers.
Like, every couple of months you read, they rewrite, you come back in, they've animated more stuff - they usually videotape you while you're reading it - so they'll incorporate some gestures and some facial expressions into it.
Oh, I do a tremendous amount of rewriting. I just obsessively rewrite. Although sometimes there are sections, sometimes you're just lucky and a paragraph will just kind of come out. And that's great. But that's not ordinary in a day's work.
When I complete a novel I set it aside, and begin work on short stories, and eventually another long work. When I complete that novel I return to the earlier novel and rewrite much of it. In the meantime the second novel lies in a desk drawer.
When I read a book I liked, I would get a pen and one of my father's legal pads and rewrite it from memory as if I had thought of it myself. It was a clear sign that I wanted to be involved in writing, even if it was just pretend at that point.
Where I thrive is with my hands on the keyboard or my pen on the paper. One of the things I get to do is I get to rewrite. I rewrite, and I work hard on my scripts. You can rewrite until you're 'perfect,' and that's something that's safe for me.
I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it.
I've redone plays of mine and made changes. A play is a living thing, and I'd never say I wouldn't rewrite years later. Tennessee Williams did that all the time, and it's distressing, because I'd like the play to be out there in its finished form.
In the ongoing effort to combat Ebola, more needs to be done to rewrite the public-health narrative. It must move from one that has been infused with fear to one that recognizes the hope for survival that supportive care can offer infected people.
If I wanted to make a quick buck, there's far easier ways of doing it. What I want is to provoke people. If you want a hit song, all you need to do is rewrite an old song. It might have been proven to work, but you won't be remembered the same way.
Almost all the producers I know and dig, like Quincy Jones or Brian Eno, are really musicians first. I'm a composer, an orchestrator, an arranger and a musician first. I know how to write and rewrite songs, and the genius is really in the rewriting.
In my office I have a sign that says, 'Don't think. Just write!' and that's how I work. I try not to worry about each word, or even each sentence or paragraph. For me, stories evolve. Writing is a process. I rewrite each sentence, each manuscript, many times.
With neoliberalism discredited and austerity failed, we need to rewrite the rules of the economy once again. But this time in the right way. We need rules that focus on long-term economic growth, and the only kind of sustainable prosperity is shared prosperity.