Quotes of All Topics . Occasions . Authors
Life is a very orderly thing, but in fiction there is a huge liberation and freedom. I can do what I like. There's nothing that says I can't write a page of full stops. There is no 'should' involved, although you wouldn't know that from literary reviews and critics.
What surprised me most about fame is how unpleasant it can be. I used to think it was going to be so fun. I got excited about the parties. You don't anticipate friends being jealous of you and critics giving your music bad reviews. Media and rumors - that stuff hurts.
I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played freely within my limits.
I worked at 'Mademoiselle,' and then it shut, and I worked at 'GQ' for three years, during which I was freelancing. I wrote for 'Vibe.' I did music reviews. I wrote for 'Time Out.' I was desperate to get into 'Entertainment Weekly' or 'New York Magazine.' Like, desperate.
The cliche was always that 'everybody's a critic,' but it becomes truer every day. Long before reviews appear in the traditional outlets, you can now usually discover - somewhere in the thickets of the Internet - reactions to shows from people who've seen them in previews.
But it has also enabled me to find my feet as a lecturer and a reader of my own plays to audiences who like to hear them; and that experience of immediate appreciation gives greater pleasure and more stimulus towards further activity than even the most laudatory of reviews.
I believe that music is about making quality things, making quality art, and no matter who you decide to work with, you and that person have to come up with something special, come up with something that is excellent material, so whoever hears it and reviews it will like it.
When we talk about novels, we don't often talk about imagination. Why not? Does it seem too first grade? In reviews, you read about limpid prose, about the faithful reproduction of consciousness, about moral heft, but rarely about the power of pure, unadulterated imagination.
Since I got into the movies, 'Running Scared,' that did $40 million. 'Princess Bride,' I got good reviews for the character Miracle Max. 'Memories of Me' didn't do well. 'Throw Mama from the Train' did $70 million. 'Harry and Sally' did 95 or 96. 'City Slickers' did $120 million.
I never really think about what people are going to think of the movie afterwards. Or what people are going to call me. I just want to make a great project, and my focus is really all on that. And then I really don't read reviews. Like, you know, go on comment boards or anything.
The true experimenters are there but no-one hears about them - the critical/review system tends to concentrate on the handful of 'major' writers and their promising successors; bookshops tend not to sell them; publishers don't promote them. It's the same fate as has befallen poetry.
When I wrote 'Southern Baptist Sissies,' that was the first time that I really ventured out into pure drama with themes where there was not one laugh sometimes. But I've always gravitated organically to blending tones and usually get good reviews about that. That's what life is about.
Commercial books don't even get covered. The reason why so many book reviews go out of business is because they cover a lot of stuff that nobody cares about. Imagine if the movie pages covered none of the big movies and all they covered were movies that you couldn't even find in the theater?
Every year I tell myself that I'm not going to read any reviews and then I do. We're all human and when I read something negative it hurts. I think when you write it's part of the game, you're going to get some good reviews and some bad reviews and that's how it goes. I don't write for the reviews.
When you read reviews on Yelp, you get a good sense of what's going to happen when you walk in the door of that business. The challenge is that there are fifteen million businesses in the U.S., and its very hard to communicate with all of them about how Yelp works, and why it works the way it does.
I think people ease into this careerist professionalism, so if you're a writer it's your job to manufacture books as opposed to writing them and to go to festivals and spend your life emotionally invested in reviews or the awards. You have to shrink your universe in a way. To me, it's the opposite.
I've been surprised at how much an unknown like myself can accomplish just by reaching out to people and pleading my case. Quotes for the book cover, reviews and interviews, readings and radio appearances - all this by simply moving ahead and making contact with folks I thought might enjoy the writing.
Tales of cheating on school and college tests are rife. There have been instances where teachers have given students test answers in order to make themselves look good on their performance reviews. Mentors who should be teaching the opposite are sending a message that lying and cheating are acceptable.
Many who know me or have worked for me are aware of my penchant for strategic planning. I consider it a critical component of the success of any organization and believe in the value of planning for a company's needs over multiple time horizons, as well as reviews against that plan at regular intervals.
There's no artist in this world that doesn't enjoy the dream that if they have bad reviews now, the story of Keats can redeem them, in their fantasy or imagination, in the future. I think Keats' poem 'Endymion' is a really difficult poem, and I'm not surprised that a lot of people pulled it apart in a way.
I get the 'Guardian' delivered every day and read it very quickly. I like it for both the TV and theatre reviews and because it's very accessible. At the weekend, I get the 'Observer' because I love the food supplement, Observer Food Monthly, and the style section. And I can't resist the News of the World.
One question you ask as a writer or any kind of artist when you start making something is, 'Does this have reason to exist in the world?' And you're reassured when you get little confirmations that people are pleased it did exist - whether they buy a ticket, whether it gets good reviews, whether it transfers.
Having your book edited is like watching your cat being operated on. It's uncomfortable and someone is probably going to get hurt. Most likely the cat. But in the end, things work out for the best and your cat is better it. And then your cat gets released in hardcover, and you have to read all of his reviews.
Performers put their heart and soul into their art, and can be subject to highly personal attacks and criticism. The tone and language of reviews, or commentary on social media, can be bruising and severe. Everyone is a critic. All of this adds to the stress and anxiety suffered by people in the performing arts.
The market for religious apps is fiercely competitive; searching for 'bible' in the Apple App Store returns 5,185 results. But among all the choices, YouVersion's Bible, funded by LifeChurch.tv of Edmond, Oklahoma, seems to be the chosen one, ranking at the top of the list and boasting more than 641,000 reviews.
From the late '70s to the early '90s, I wrote anything anybody would pay me for. This ranged from articles on how to clean a longhorn cow's skull for living-room decoration to manuals on elementary math instruction on the Apple II... to a slew of software reviews and application articles done for the computer press.
We need to discuss what our own standards are for games writing that falls outside of journalism, and support experimental formats and routes of production that may be more tailored to them than the status quo, because the public at large seems to still think that the only games writing that exists are reviews and news.
In the late '70s I was asked to sing for the first time in Germany. I'll never forget it. It was at a festival in Bremen. The German audience went berserk and the reviews were a phenomenon. For some reason the German audience understood how technically challenging this music was; it wasn't just someone yelling their head off.
I am sure if you went back to the days of 'My Fair Lady,' they would have had one public dress rehearsal, and that is it. And in a way, I would like to go back to that. Now you have people tweeting and blogging immediately, so you may as well regard your first preview as your opening night because you are going to get reviews.
I've stopped going to see art films because every critic gives them four stars and say things like 'masterpiece,' 'spellbinding' and 'mesmerizing.' I mean, they're doing that with my film, but I don't want to use those blurbs. Critical reviews aren't worth too much anymore because just about every film can get one or two of them.
I expected a lot of flak over my new book, '50 Things Liberals Love to Hate' from, well, liberals. It's not a big shock that the kind of liberals I skewer in the book - the radical, Che Guevara-loving type - have posted scathing reviews at Amazon and written nasty e-mails and voiced opposition to a book they haven't actually read.
Social enables word of mouth at an unprecedented scale. Its most powerful effect, through reviews and recommendations, is to put product quality and value for money as the key to success in commerce. Social brings a level of transparency that prevents marketers from advertising their way to success without underlying product quality.
I don't read reviews, and it's not because I don't think I can learn something, I'm sure I could learn a lot. I just that I feel very passionately about the work and especially when you're doing theater, you really only need one director and when you read reviews, you feel like you have twelve, because you respond to them, naturally.
But I'm getting to a point where I'm trying to stop reading reviews about myself, only because it's a no-win situation. If they say something nice, you get a little ego pump. But people on the Internet are straight-up cruel, and I'm becoming increasingly uncomfortable reading the ridiculous cruelties that people spit out on the Internet.
