Quotes of All Topics . Occasions . Authors
My parents were really encouraging. But I had to teach them the proper way you respond to an actor after seeing a play - regardless of whether you like their performance you tell them how great they are because they have to go on again the next night.
I could not have taken what he took, sliding into second base and having a guy stand over you and spit on you, call you every name in the book. Believe me, for him not to respond, to ignore it and not retaliate, you can't say enough good about Jackie.
Generations of black women have anxiously watched as our children walk out into a world set against them. We teach them how to respond to police and how to react to racist comments, knowing that these lessons are not guaranteed to protect our children.
I think people are understanding that I'm immensely proud of my father. If people talk to me about him, I'll certainly respond. And there's a certain generation that still talks about him right off. And I take that with gratefulness and with gratitude.
I think the Australian people are very conscientious. During the 1980s and 1990s we proved they will respond conscientiously to necessary reforms. They mightn't like them but they'll accept them. But reforms have to be presented in a digestible format.
Like so many of you, I am deeply distressed both by the hateful violence in Charlottesville and by President Trump's refusal to clearly denounce it. Nobody with any empathy for the plight of people of color in this country could respond the way he did.
Just as we responded following the Sept. 11, 2001, terrorist attacks and just as an earlier generation rallied in a united front to fight World War II, members of Congress must respond to the coronavirus pandemic without regard to our party affiliation.
Robert De Niro taught me how to listen, and how to be part of the conversation. It's not just about reading your lines and saying what's in the script; you have to understand your character, along with the other characters so that you can always respond.
The whole reason people fill their homes with furry carnivores and not with, say, iguanas and turtles, is because mammals offer something no reptile ever will. They give affection, they want affection, and respond to our emotions the way we do to theirs.
When I'm working with pictures, with images and storytelling, it's really about the sentiment and the emotional trajectory of the characters. That's really where the music lives, I think. That's what I'm focused on; that's what I respond to most strongly.
I tend to like to make my statements more in fashion than in beauty, because what I normally respond to is when someone looks really effortless and deconstructed, beauty-wise, and they're fashion is really grand. Someone like Kate Moss is a great example.
I think architects have a major role in being responsible for illustrating what the future could be. Because of the very strong political and commercial climate, many architects are trying very hard to solve everyday issues, to respond to the authorities.
I'm out there to be real, and I think people respond to that. If you have some image that you're protecting, eventually people get sick of it, and I can't imagine living that way for an entire lifetime. I'd rather just be who I am, and that's good enough.
I really like playing good guys, of course. Although, people make mistakes in their lives, and you could say that the mistakes make us who we are, by how we respond to them. I just don't want to play boring good guys, but I don't have that problem, anyway.
Famously, DC has been pretty great showing gay women, with characters like Batwoman, but has shown fewer prominent men on the sexuality spectrum outside of hetero. It's something we need to address. I also think it's lovely how the readers respond to this.
We're finding that many parents endorse a growth mindset, but they still respond to their children's errors, setbacks or failures as though they're damaging and harmful. If they show anxiety or overconcern, those kids are going toward a more fixed mindset.
Anyone who is passionate about what they do will have a better chance of connecting with future generations than those who simply follow transient trends. At least their work will have a distinctive character, and this is what people respond to, I believe.
Teachers need to be comfortable talking about feelings. This is part of teaching emotional literacy - a set of skills we can all develop, including the ability to read, understand, and respond appropriately to one's own emotions and the emotions of others.
A huge potential audience, great interaction with your readers, the ability to see what people like and what they don't, the ability to see how people respond to what you're doing in real-time - there's just tons of great stuff that you get by being online.
We hope that the elected officials will respond positively to a ground swell of letters, phone calls, e-mails and visits from parents. The law clearly states that the responsibility for giving a sound basic education to our children lies with New York State.
When I protested because they wouldn't buy me new skates or if someone complained a teacher gave too much homework, Dad would respond: There's no whining in this house. It was his way of saying: there is no place in this house for feeling sorry for yourself.
I think that, for us, the thing that no one can take away from you is that if you make something that they've never heard before, they're gonna respond to that. They may not love it, it may not be their favourite thing, but no one can take different from you.
The reason why I love people, and writing about them, is because they don't always respond with hate and anger. If they did I wouldn't have a story to tell. Who wants to know about someone who was brutalised and became brutal? I'm interested in the exceptions.
I talk about race and culture, and that's what my fans respond to. If you grew up in an environment where race and culture were never an issue for you, or where you don't see the humor in our so-called differences, then you might not respond to what I'm doing.
'Funny Games' was conceived as a provocation. My other films are different. If people feel my other films are, or respond to them as provocation, then that's quite different. 'Funny Games' is the only one of mine where my intention was to provoke the audience.
Social media is really not for conversations. There are people that you can meet and talk to on it, but it was not created for that. People wanted things that were soap boxes, where they could say what they wanted, and they don't have to respond to anyone else.
Everyone I have spoken with so far recognises the need for the IRA to respond positively and every has said sooner is better than later and I think there is some concern if it does continue to delay much longer that the situation isn't going to remain the same.
I think e-mail is representative of our fast food mentality in the United States, where everything has gotten faster and faster, and we're required to respond to inputs more quickly with less time for thought and reflection. I believe that we need to slow down.
One of poetry's great effects, through its emphasis upon feeling, association, music, and image - things we recognize and respond to even before we understand why - is to guide us toward the part of ourselves so deeply buried that it borders upon the collective.
It does surprise me that intelligent people in the 21st century could claim that if you respond to the terrorists with force, you spawn terrorism, but if you appease them, you somehow tame them. This argument, as I said, is very interesting, and very surprising.
I'm able to look the person acting across from me and respond to that. There are times when it becomes so lonely and painful, but I think I'm able to overcome them because I realize that the more fiercely you prepare for a role, the more the audience can feel it.
We perceive through our senses a person, a situation or an event, and in an instant, we project our mental models - our fears, background and experiences - onto that perception. This often results in cognitive errors, which means we judge and respond incorrectly.
The concern around probable questions, which in a sense have been hidden, will grow around the world and the matter is critical, the reason we are doing all this is so we can respond correctly to what is reported to be a major catastrophe on the African continent.
In addition to not stopping the spread of Ebola, isolating countries will make it harder to respond to Ebola, creating an even greater humanitarian and health care emergency. Importantly, isolating countries won't keep Ebola contained and away from American shores.
Complete objectivity is not an option. We are all subjective about the way we respond to 'what is,' whether it's the people we encounter, the circumstances in our lives, or ourselves. What we can do is reduce our subjectivity - what I call 'I see, therefore it is.'
If power lies more and more in the hands of corporations rather than governments, the most effective way to be political is not to cast one's vote at the ballot box, but to do so at the supermarket or at a shareholders' meeting. When provoked, corporations respond.
I love movies that are just straight-up exploitation, but the ones that endure and the ones that last are the ones where the filmmakers put in that extra level of thought; after 25 years you put them on in front of an audience, and they'll respond to it and enjoy it.
In general, presidents do sit for interviews or respond to requests from prosecutors because they take their constitutional responsibility to faithfully execute the laws seriously, and running away from a prosecutor isn't consistent with faithfully executing the laws.
Bad things do happen; how I respond to them defines my character and the quality of my life. I can choose to sit in perpetual sadness, immobilized by the gravity of my loss, or I can choose to rise from the pain and treasure the most precious gift I have - life itself.
Things present themselves to you, and it's how you choose to deal with them that reveals who you are. We all say a lot of things, don't we, about who we are and how we think. But in the end it's your actions, how you respond to circumstance that reveals your character.
A great novel is concerned primarily with the interior lives of its characters as they respond to the inconvenient narratives that fate imposes on them. Movie adaptations of these monumental fictions often fail because they become mere exercises in interior decoration.
People respond in accordance to how you relate to them. If you approach them on the basis of violence, that's how they'll react. But if you say, 'We want peace, we want stability,' we can then do a lot of things that will contribute towards the progress of our society.
A girl must have an indefinable magic, real character, a strong sense of self. Her role is to respond to the brief of a photographer or communicate the vision of a designer - while making whatever she does look utterly effortless and whatever she wears utterly seamless.
What makes you a rock star is what are you able to do when you get behind that microphone, when you put that guitar in your hands, when you wield those drumsticks, and when you raise your hand in front of twenty thousand people: do they respond? That's being a rock star.
Realizing that they can't get their agenda across: against religious liberty, against a culture of life, they can't get those issues across through the legislature, as people respond and their elected officials represent them, so they attempt to do it through the courts.
Groups like the NAACP, The Anti-Defamation League, NOW and GLAAD, will respond to derisive language directed at their constituents. The price paid by those who cavalierly chose to verbally disrespect the dignity of African Americans, Jews, women and homosexuals is steep.
It's been so nice for people to have a favorable reaction to what I've done. You work hard, and you try your best, and like anything in life, when people respond well to it, it's like, 'Well, good. I'm headed in the right direction here.' So it's been really, really nice.
Most big popcorn movies are 'bad guy does something to good guy, good guy gets revenge on bad guy, sets the world right, and moves on.' And 'Ender's Game' is just not that simple, so it's an exciting challenge. It's a little terrifying, and let's see how audiences respond.
I think that one thing about teaching is you're trying to communicate your thoughts about a work to a group of people who may or may not share that sentiment. This has forced me to become a lot more articulate about what I respond to and what I don't respond to in fiction.
As soon as someone tells me: 'You're rather sexy,' I wish I could disappear. If somebody says: 'You were voted the world's sexiest man,' I have no idea what that means. How do I respond? 'Thank you' is the best you can do. George Clooney is the world's sexiest man, anyway.