A requiem is meant to bring comfort.

I don't think a lot of really good films get seen.

And you can't love, not fully, unless you are loved in return.

'Requiem' has been controversial because people don't feel I gave it closure.

How can someone have the power to shatter you to dust--and also to make you feel so whole?

Yeah, 'Requiem for a Dream' - it'll put you off a lot of things, that film, that's for sure.

'Amores Perros' is rock, '21 Grams' is jazz, 'Babel' is an opera, and 'Biutiful' is a requiem.

At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.

I hope that Requiem is better than Pi. I hope that Pi is better than my student films, and I'm hoping that I'm getting better as I get older.

In 'Requiem for a Dream,' the director Darren Aronofsky's adaptation of Hubert Selby Jr.'s lower-depths novel, Jared Leto has lost so much weight, he looks like another person altogether.

When I went to college at the University of Nevada back in Las Vegas, I got tricked into singing in choir. The first thing we did was the Mozart 'Requiem.' That was the piece that changed my life overnight.

If I would be born in New Zealand, maybe, I would never write the Polish Requiem or pieces which were connected with the history of war. But this was my childhood. War was the main subject, and also in our family.

We are always being pushed and squeezed down one road or another. We have no choice but to step forward, and then step forward again, and then step forward again; suddenly we find ourselves on a road we haven't chosen at all.

Most people think that a widow is inhabiting some elegiac world of - it's like Mozart's 'Requiem Mass.' You know, it's very beautiful and elevated thoughts and some measure of dignity. I didn't have that experience at all. I had one pratfall after another.

I guess it could be said that the inspiration for 'Requiem for a Dream' is watching the American dream not only destroy so many lives in the U.S., but infect the rest of the world with its obsession with getting more, ignoring the deadly effect that has on the planet.

Ruth Gordon was such a delight to watch in 'Rosemary's Baby' after I had first seen her in 'Harold and Maude.' And Ellen Burstyn is a hero of mine from 'Alice Doesn't Live Here Anymore,' The Exorcist,' 'Requiem For A Dream.' These women impacted me greatly as an actress.

I loved 'Terminator 2' as a teenager and 'Sound of Music' when I was a kid. I also loved 'Requiem For A Dream' as a college student and 'Mulholland Drive.' And I have loved 'Lincoln' as an adult. They are all the same, as they are all good stories and extraordinary actors.

I feel that writers think with their noses to the ground, and the dark stuff kind of comes to me more, even though I really am sort of an upbeat guy. It's an honest descent into darkness. And you can't have the joy without the grief - it's why we listen to Mozart's 'Requiem.'

There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.

I'm not a culture snob. So while, of course, I think the Mozart 'Requiem' or, say, Beethoven's 'Ninth' are some of the greatest works of art in the history of humankind, that's not to say the Beatles or Queen or Simon and Garfunkel aren't brilliant, beautiful, important works of art that should be sung without a sense of irony.

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