Quotes of All Topics . Occasions . Authors
My first job ever real job in the field was as an airborne traffic reporter and producer in Los Angeles, but I was laid off pretty quickly - which was totally fair, because I'm terrible with directions, and that's kind of the whole job.
Part of the mystique of blogs is their protean quality: They work both sides of the divide between politics and media, further blurring the already fuzzy distinctions between reporter, pundit, political operative, activist, and citizen.
The night before I began my career as a presidential campaign reporter, in September 2007, I finished Theodore White's 'The Making of the President,' the classic account of the 1960 race, which opened up a new era of campaign reporting.
I'm one of these people who doesn't say that objectivity is not within our reach. I think if you're a pro, and you're a reporter, you do it. Whether you agree with the guy or not is just quite incidental. It doesn't count at all, really.
In my very early days as a journalist, as a cub reporter on a local newspaper, I used to cover the district courthouse in Limerick city - all human life passed through that establishment, and my time there remains a source of inspiration.
For example, I spent a lot of time with Reagan, both before he ran for governor and when he was running for president. As a print reporter without the cameras, I was able to really test the quality of their minds and their knowledge base.
I was a technology reporter. And I think everybody who covers tech at some point or another feels like a little kid with their face pressed against the glass looking in at the candy shop and going, 'Wow, it looks so cool and so much fun.'
To be a good reporter, writing about war, you have to write about the people. It's not about the tanks or the RPGs or military strategy. It's always about the effect war has on civilians, on society, and how it disrupts and destroys lives.
Being a reporter and chasing down an assignment isn't an easy thing to do, especially when you're dealing with athletes that are so focused and trying to get their little game plan together to perform under adverse conditions... it's tough.
I wore a lot of vintage clothing. I dressed like a reporter, with a little card in my hat. I had these fantasies of who I wanted to be, so I'd dress like an explorer, a cowboy. I dressed up like Elton John a lot too. That was another period.
I have long argued that no one should be allowed to write opinion without spending years as a reporter - nothing like interviewing all four eyewitnesses to an automobile accident and then trying to write an accurate account of what happened.
Every reporter inhales skepticism. You interview people, and they lie. You face public figures, diligently making notes or taping what is said, and they perform their interviews to fit a calculated script. The truth, alas, is always elusive.
When I was a reporter in Bristol, which I was between the years 1954 and 1960, the newspaper would get tickets for whoever showed up to play a gig at the big hall down the road, so I saw some wonderful people. The Everly Brothers, for example.
Inventing sources is not a crime in and of itself, although it certainly violates every code of journalistic ethics known to man. A criminal fraud case would require that the reporter's deceit had been malicious and resulted in financial gain.
I've been a war reporter and a human rights defender. A professor and a columnist. A diplomat and - by far most thrillingly - a mother. And what I've learned from all these experiences is that any change worth making is going to be hard. Period.
The reporting I did was mostly entertainment or lifestyle. I took a very different approach than most reporters. I approached it more casually than you would think a reporter would. Now I'm a morning radio personality, and radio is really casual.
I was watching the devastations of the Kashmir floods, and a reporter was asking a local, who had just lost her house and her son, how she was feeling. I was stunned at the insensitivity. I did a 10-15 second satire on it and put it up on Facebook.
It is not entirely true that a TV producer or reporter has complete control over the contents of programs. The interests and inclinations of the audience have as much to do with the what is on television as do the ideas of the producer and reporter.
Because I worked as a newspaper reporter for about 14 years before attempting my first novel, I learned to write under almost any circumstances- by candle light, in longhand, in African villages where there was no power, under shelling in Kurdistan.
As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.
But when my mother ran for City Council, that was the moment when I knew I wanted to be a political reporter. Some reporters asked her about being married to my father - they have an interracial relationship - as if that was somehow a negative thing.
It was difficult to find my way into 'I Am Abraham,' to feel confident enough to inhabit Lincoln's persona. I began with a prologue in a neutral voice, wrote of Lincoln at the White House with a sly young reporter quizzing him about his humble origins.
My experience as a newspaper reporter was invaluable in terms of getting me to the kind of writing I do now. It gave me a work ethic of writing every day and pushing through difficult creative times. I mean, there's no writer's block allowed in a newsroom.
'The Post' is a fairly fusty place when it comes to profanity. If a reporter tries to get a bad word into a story, the word is usually forwarded to top editors, who consider it with the gravity and speed that the Vatican applies to candidates for sainthood.
As a reporter in Israel, I have interviewed hundreds of people in its intelligence and defense establishments and studied thousands of classified documents that revealed a hidden history, surprising even in the context of Israel's already fierce reputation.
Covering Richard Nixon's triumphant run in 1968 turned out to be my last major assignment as a general correspondent for CBS News. In September of that year, '60 Minutes' made its debut and I began the best, the most fulfilling job a reporter could imagine.
To note an artist's limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.
I have always argued that newspapers should not have any civic purpose beyond telling readers what is happening... A reporter who doesn't quickly tell readers what they most want to know - the score - won't last long. Better he should teach political science.
If someone asks about sexual reassignment surgery, you are supposed to say, 'Why are we talking about that?' But I am a post-op transsexual. And I am a reporter. If you can explain and talk about it, you demystify it. And if you demystify it, it's not an issue.
The deadlines are much, much longer with books. When I was a reporter, a lot of times I'd come in at 8:30 a.m., get an assignment right away, interview somebody, turn the story in by 9:30, and have the finished story in the paper that landed on my desk by noon.
My mother, Nancy Dickerson, was a reporter for CBS and NBC and the first female star of television news; my father, Wyatt Dickerson, was a successful businessman. Their parties, from the '60s to the '80s, attracted cabinet officials, movie stars, and presidents.
Having been aware of the Red Sox since the 1946 World Series, having been growled at by Ted Williams as a young reporter in 1960, having been present at the horror of 1986 and the comeback of 2004, I have seen the highs and lows of some other people's favorite team.
The world reacts very strangely to people they see on TV, and I can begin to understand how anchor monsters are made. If you're not careful, you can become used to being treated as though you're special and begin to expect it. For a reporter, that's the kiss of death.
I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
Years ago, I did an interview about my mother for a publication called 'Info' magazine, and during that interview I told the reporter about my mother's leiomyosarcoma. She had had a hysterectomy, but at the time of it, the doctors didn't even think to look for sarcoma.
Whatever any boxer does in the ring, I don't think any reporter should call him a coward. Anyone who does that I lose complete respect for. There's a difference between being a coward and being scared, or apprehensive. Different fighters have got different mentalities.
I am a former newspaper reporter turned church secretary turned vampire novelist. I wrote my first complete novel, 'Nice Girls Don't Have Fangs,' at night while I was working as the receptionist for a Baptist church. That was an interesting conversation with the pastor.
The fall of the Berlin Wall is very much a sequel, a continuation of the story about Eastern Europe emerging from war and Communism. The notion of presenting history as a story also appealed to me very much, since that is the way I look at the events I cover as a reporter.
I think it's particularly fun not being a full-time showbiz reporter because you still have the 'Oh, wow!' factor when you go out on the red carpet and there are these big stars that are standing there. But if you're doing this day in and day out, it becomes a little blase.
I have gone on the air and announced my telephone number at the Washington Post. I go into the night, talking to people, looking for things. The great dreaded thing every reporter lives with is what you don't know. The source you didn't go to. The phone call you didn't return.
Very quickly, I discovered I did not have what it takes to be a good crime reporter: I was too unassertive and a little bit wimpy. It was very clear that was not what I was going to do, but I loved journalism, and I'm the daughter of a film professor, and my mom taught reading.
A long time ago, a sports reporter wrote that I wasn't strong in the free-skate, that I was more of a short-program skater. And that bothered me because I work so hard every day just for a person to judge me on a couple of bad skates and deem me a bad free skater. That's absurd!
I have been a print reporter my whole career. It's all I ever wanted to be. I specialize in political profiles. I have probably profiled hundreds of people over the years, people in very powerful positions. People don't always like what I write, but most people still talk to me.
I didn't want to just be an analyst for women's basketball and volleyball. I didn't just want to be a sideline reporter. I didn't just want to be a host. I wanted to be someone that my producers or coordinating producers could call on me for any event, any subject matter or any role.
If you spend 72 hours in a place you've never been, talking to people whose language you don't speak about social, political, and economic complexities you don't understand, and you come back as the world's biggest know-it-all, you're a reporter. Either that or you're President Obama.
I took a job as a reporter in India, where I lived with several married couples, which got me interested in why some marriages work and others fail. Back home, many women of my generation were also putting off marriage or not getting married at all, which only led me to more questions.
Ben Affleck exec-produced a documentary for HBO called 'Reporter' about my 2007 win-a-trip journey. I take the trip each year partly to encourage young people to think about global humanitarian issues: I think blogs by a student may be more compelling for that audience than my own work.
I loved my job at the paper. I loved meeting new people every day and never knowing where I would end up. But somehow, the ever-shifting schedules of a police officer and a reporter did not equal 'family friendly.' One of us needed to take a normal job for the sake of our young daughter.
I was a cub reporter on a local newspaper in Limerick city, and I used to cover the district court meetings. All of life passed through the Limerick courthouse. Misery, malevolence, the dark side of humanity... I tell ya, it made 'Angela's Ashes' look like 'The Wonderful World of Disney.'
I think about the question of perspective in reporting all the time, and since I spent 20 years of my career in Washington as both a reporter and an editor I'm keenly aware that a newspaper should not be dominated by stories in which the only voices and perspective come from those in power.