Quotes of All Topics . Occasions . Authors
This is an exact replica of my chest.
Kudos to Lindsey, for sure, for us not doing a replica of 'Rumours.'
I alone, as the sharer of their way of life, presented a replica of childhood.
Each Chinese person is a kind of replica of the next one and that is a very frightening thing.
The little girl skipped by under the wrinkled oak leaves and held fast to a replica of herself.
I had a replica of a red outfit that Karisma Kapoor wore in some movie. I have worn that outfit on many occasions.
All of those 10cc 'Not in Love'-type synthetic choir sounds on 'Replica' are all from the Omnisphere. We used a lot of that.
So, when I say 'match the hatch', if the fish are taking the nymph, and you're actually producing a replica of a flying insect, you'll catch fresh air.
I play a replica of a banjo from the 1950s. It was the first commercial-style banjo in the United States so it's the first one that white people played.
Ron Mueck's 'Dead Dad' was fantastic. It was an almost exact replica of his dead dad's body, shrunk to be a third of the size, a very powerful sculpture.
Tom Snyder was big enough to fill the night with talk and his own persona. The Snyder we saw on TV was not a replica of the real guy; it was the real guy.
It is true the orator may make a myriad replica of his own passion out of those who listen to him. But that does not prove he is right or they are not fools.
When you first see MacGruber working on the bomb, in the initial opening credits, that bomb was a replica of the 'Die Hard' bomb. The love runs deep for '80s action movies.
After clearing 9 metres of the descending passage, in about the middle of the afternoon, we came upon a second sealed doorway, which was almost the exact replica of the first.
Any comparison to a WWE legend or someone I've looked up to is really cool, but make no mistake about it, my ego is too big to want to be a really good replica of someone else!
There's this group online that I frequent. It's a group of prop crazies just like me called the Replica Props Forum, and it's people who trade, make and travel in information about movie props.
One of the things I keep coming back to in my writing is that society doesn't work on this mirror principle, you don't have an exact replica on the left of what you have on the right. It just doesn't work that way.
That first replica of the Globe that I saw at the Chicago World's Fair was a suspect thing, made of plywood and papier-mache. But I kept seeing other replicas at other fairs in the '30s, so I developed a longing to see London.
Texas is still resistant to Howard Johnsons, interstate highways and some forms of phoniness. It is the place least likely to become a replica of everyplace else. It's authentically awful, comic, and weirdly charming, all at the same time.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.
Just as every Jewish couple gets married under a canopy open on all four sides - a replica of the tent modeled for us by Abraham and Sarah - so must Jewish communities keep our tents open. This is the true source of our longevity and resilience.
My only market analysis was to look around and see that, in one way or another, most watches are inspired by watches that were made in the 18th and 19th centuries. If I wanted a watch like that, I'd much rather buy the real thing at auction than a replica.
What I always meant by that was that I do believe that a lot of directors, and writers, and sometimes producers just lose their edge because they haven't seen anybody or talked to anybody or been with anybody who isn't a kind of replica of themselves for a long period of time.
FusionX's elite team of cyber security experts works at the C-Suite level to help clients test security and see their vulnerabilities through actual replica attacks. This acquisition brings to Accenture the critical ability to help our clients assess and respond to sophisticated cyber-attacks.
I've never believed it's a fiction writer's job to create an exact replica of the past, a diorama the reader can step right into. But it is my responsibility to learn everything of the world I'm writing about, to become an expert in the politics and history that formed my characters' identities.
When I was younger, I had some close friends who always loved European football, and Real Madrid at that time were the dominant force. I remember family holidays when we used to go to Spain, and we'd bring back replica shirts of Real Madrid and pretend to be the players when we played in the park.
When I lived in Beijing in 1996, it was a horizontal city. If you wanted to go out for a burger, if you wanted to really treat yourself, you went to this place called the Jianguo Hotel. The architect had proudly described it as a perfect replica of a Holiday Inn that he had seen in Palo Alto, California.
We did major work at the White House. But what people often don't understand is that when you do a historic restoration, you can't just do whatever you want. You work alongside the fine-arts commission and are obliged to create a replica of the past, as close as humanly possible. It's a historic institution, not a showhouse.
Lucasfilm called me out of the blue, and I almost hung up because I thought it was a practical joke. This was right before 'Revenge Of The Sith' came out. Here you are, a big 'Star Wars' fan, talking about 'Star Wars' all the time, and you have your master replica lightsaber, and then you get a call from Lucasfilm for a job?
I'm a lifelong movie addict, and one of my favorite projects is making replica props and costumes. Nearly every one of these - from R2D2 to Hellboy's revolver - ends with the paint job. And it's not just cosmetic. The paint literally tells a story: what this thing is made of, where it's been, what it's been used for, and for how long.
The subject is missing from 'Replica' - it's about malleability of materials, and working with metaphor, and sculpting in time. So that makes a collaboration with another person who pushes sound in a sculptural way appealing, because you're like, 'Let's see what dimensionality is introduced from this other perspective that I might not have.'
What I want is an international monument to the world's greatest playwright. It would be an attraction that would be both educational and an automatic sight for tourists, like St Paul's and the Tower of London. It would be built with honesty and integrity not another Disneyland, but as nearly as possible a replica of the original Globe Theatre.
