Quotes of All Topics . Occasions . Authors
A fly with a brain the size of a salt grain has the behavioral repertoire nearly as complex as a much larger animal such as a mouse. That's a super-interesting problem from an engineering perspective.
Acquiring a repertoire in these days, when the vocal literature is so immense, so overwhelming, that the student with sense will devote all his energies to work and not imagine himself a martyr to art.
Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
I've always said I learned to defend myself from an opponent coming for a hard hit. Tricks are part of my repertoire; I use them to try to get past my opponents, but the objective is always to score goals.
My husband, Gabriele, is a musician, and I love music, so you can bet it's a really important part of our home entertaining repertoire, even if it means Gabriele making a really good playlist for a dinner party.
Well, in Japan, I have got a group of musicians that I have worked with a lot, that concentrate just on the hardcore stuff, say, that Naked City has been working on. We have like a repertoire of sixty songs now.
The mistake people keep making is that if they find a wonderful new tool, like email, they have to give up all others. They don't. You have simply added another very useful means to your communications repertoire.
For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
I'm touring right now and you'd be surprised to see all of the kids that come to the concerts just to see Rita Marley because it's Bob Marley's wife. I might do three or four of Bob's songs in my repertoire and they go crazy.
The nice thing about the violin repertoire is that it's small enough that you can plan on learning everything at some point - whereas the piano repertoire is so enormous it wouldn't be possible unless you're a learning machine.
The players who tend to make the difference are often great dribblers. Some are very fast; others have a repertoire of moves and feints. These players need to have great technique in order to be good dribblers. But I'm not a good dribbler.
There have been low moments before, but Christianity is an incredibly adaptable organism, using different parts of its repertoire to mutate into new ecological niches, yet preserving intact its story of grace, of love improbably triumphant.
Several paranoid suspicions occurred to me, the worst of which was that my whole identity was merely a patched-together set of behaviors designed to keep my parents joined to each other - the repertoire of tricks of a small but intelligent dog.
I think a lot of what I wanted to do in 2014 was build a repertoire or a portfolio for what I can do with traditional celebrities or with brands or whatever. Maybe 2015 is the year I start reaching out to people I always dreamed to do stuff with.
I think size is the most unused quotient in the sculptor's repertoire because it requires lots of commitment and time. To me it's the best tool. With size you get space and atmosphere: atmosphere becomes volume. You stand in the shape, in the zone.
The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
I love cooking. There is nothing I like better than going home and cooking my family a nice meal. Anything with pasta! Pasta with butter! I have a good repertoire, and I can do quite a few different dishes. Sometimes they work out and sometimes not.
Even if you're playing the most well-known repertoire under the sun, I still believe you have a responsibility as an artist to tell the audience why you're playing it, what are the key aspects to it, and then throw in a bit about its historical context.
There are no genes or areas in the brain devoted uniquely to reading. Rather, our ability to read represents our brain's protean capacity to learn something outside our repertoire by creating new circuits that connect existing circuits in a different way.
I do all the cooking in our family. I'm a utilitarian cook, rather than an adventurous one - I only have about 15 recipes in my repertoire that I rotate - but I love being able to go down to the river and catch a 30 lb. salmon, then grill it on the barbecue.
My favorite lineup is just a trio, because then every night you can improvise and change the repertoire. Keyboards and brass can be great, but it puts you in a different ballgame because you're not quite as free. You have to stick to the arrangement of the song.
I think that designers have an incredibly broad creative repertoire. They solve. They create images of perfection for any number of clients. I could never do that. I'm my client. That's the difference between an artist and a designer; it's a client relationship.
But a large symphony orchestra basically is a repertory company and it has a very enormous repertoire and it is important for the performers to be able to know how to shift focus so that they instantly become part of the sound world that a particular repertoire demands.
I'm lucky because my repertoire is so specific, and theaters are interested in me singing my repertoire because it is not done so much. I'm pretty well settled in my repertoire. I like what I sing. My voice is high, and there is not much in baroque opera for higher tenor.
It's the transformation that drives me. I want to do it all and never want to be boxed into something as a particular type or style. I never want people to think they know me. I hope to build a repertoire that one can look at and say, from to role to role, 'Was that Brian Tee?'
Many dancers are content with the repertoire they're given. Others are dissatisfied but don't know why. Then there are a few like me that are curious and grab at everything. Can that curiosity thrive in the ballet world, or should it exist elsewhere? That's the eternal question.
The act of learning to read added an entirely new circuit to our hominid brain's repertoire. The long developmental process of learning to read deeply changed the very structure of that circuit's connections, which rewired the brain, which transformed the nature of human thought.
Some members of the Vienna Philharmonic convinced me to try Bruckner, which I have never done before. And that was interesting to me to have this experience with this orchestra, which knows the repertoire very well, and to be confronted with this knowledge, and to learn from them.
The difference between Tinted Windows and Hanson shows is a lot of just repertoire. Hanson has been a band for years - we have a lot of songs to pull from and it's a different dynamic - a common kind of thread. With Tinted Windows - it's kind of a little like 'hey, we're this new band.'
As a disciple of my father's, I was certain I wanted to include one of his own raga creations on 'Home', as they are so beautiful; whilst many of his creations are part of the general classical repertoire for all musicians, many more are only played by those of us who learned from him, and therefore need to be played.
I had just discovered jazz, and I started singing in a kind of blues cover band at the age of 15. We called ourselves - it was a terrible name - the Blue Zoots. We couldn't actually get our hands on zoot suits, nor did we dress in blue. We did covers of Screamin' Jay Hawkins and kind of Blues Brothers repertoire stuff.
Pop managers are fixed in the dramatic stock character repertoire too, ever since the first British pop film musical, Wolf Mankowitz's 'Expresso Bongo' of 1959, with Cliff Richard as Bongo Herbert and Laurence Harvey as his manager. The key components were cast as X parts gay, X parts Jewish and triple X opportunistic.
I have a repertoire of songs that I'm proud of, that I've written for my own band. When I do a cover, something that somebody else has written, I think about it very carefully before I sing that song. I have to really get behind it and understand it and like it. And that's how I pick roles. I don't want to play just anything.
It would be good if teachers could genuinely understand that black English is not mistakes, it's just different English, and that what you want to do is add an additional dialect to black students' repertoire rather than teaching them out of what's thought of as a bad habit, like sloppy posture or chewing with your mouth open.
When you do one more 'Cinderella' or whatever, what is there to learn? Every part in the repertoire has a good side and a bad side, and the more often you do the same ballet, the more often the bad side comes out. If you want to give dance life, you must give it fresh food, not keep going back to the garbage to look for old scraps.