Quotes of All Topics . Occasions . Authors
The work I did with Artists Collective led me to a scholarship at Uconn… It led to me getting a scholarship at the Eugene O'Neill Theater Center and a scholarship at Trinity Rep in Providence.
Looking at the actors I most admire - Judi Dench, Ian Holm, that whole generation - they all started in rep and slowly built themselves into the position where they could juggle theatre and film.
I was born in Orange County - in Santa Ana. My dad is from California. I was raised on the East Coast. My first two years were in California, but I claim East Coast. I'm sorry, I don't rep California.
I have friends that are reps and run labels, but I don't like to get into that world. I just like to pick what I like with my ears and play it for no other reason, not because of the label or the rep.
Every year, I always go abroad with dark music, and I'm going to these places, and I feel like I want a party rep - I want something that everyone is going to go crazy to and enjoy and have a good feeling.
I will always rep '205 Live.' I will always support '205 Live.' I will always be the heart of '205 Live.' I will always be watching because you will never know when the heart of '205 Live' will beat again.
Agents run a business, and their business is their talent; some are more general and broad and can rep a little bit of everything; some are more niche. You have to be specific with who you approach and how.
A lot of comedians get a bad rep once they have kids and that's all they talk about, and people are like, 'I don't want to hear about your kids!' I'm like, 'Prepare yourselves. That's all I'm going to talk about.'
An acting assistant stage manager in a theater in Canterbury, a rep theater. A small wage but just enough to get by on, and I made props and I walked on, and I changed scenery, and I realized that I just loved it.
I studied writing at university, and I actually majored in screenwriting. Then I went to work as a bookseller and then as a sales rep and publicist and then various editorial jobs until I ended up with HarperCollins in Australia.
Obviously, I rep Jamaica. I'm a first generation born Jamaican-American. My parents are born and raised in Jamaica, my grandparents are born and raised in Jamaica, my other family still lives in Jamaica, and I still go back there.
But with rap music - not just N.W.A. - but rap music in general, seeing these artists wearing these team logos all the time started bringing a synergy and energy about having to rep your city, your team, everywhere and all the time.
I was a member of Circle Rep; I had done a little bit of directing there. I remember that I had a vacation from 'Angels', in which I remounted a play that I had done out of town called 'Three Hotels.' That's how I spent my week vacation.
Working with a Republican co-sponsor, Rep. Glenn Thompson of Pennsylvania, I introduced a bill to strengthen our nation's career and technical education programs and more closely align them with the needs of local businesses and industries.
All Americans have benefited from the dedicated service of Representative Henry Waxman. In every battle and in every moment that mattered most, Rep. Waxman stood up for the air we breathe, the water we drink, and the wild places we cherish.
I don't know if there's an actors' slow-pitch softball league I could join. My agency has a team, but they say it would be a conflict of interest for the people they rep to play because I could hit a pop-up and they'd have to drop it on purpose.
I was at stage school in Birmingham Rep when I was called down to London for an audition in the National Theatre. Maximilian Schell, the film actor, was casting Tales from the Vienna Woods. He was looking at me for a small, but significant, role.
I found it very helpful not to do the venture round. Instead, I started with very little money, a few thousand dollars, and I did every job myself. I was the first photographer. I was the first customer service rep. I was the first online marketing person.
There's a particularly British way of going about things that I rather like, which is very different to the American way. It comes out of the amateur rep tradition of actors thinking: 'Well, I'm only 26, but I'll put on a beard and have a go at King Lear.'
I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.
One of the things that I'd like to get back to that I did as a younger actor was to work on, you know, a rep season for a summer where you did two or three Shakespeares, and you'd do a couple of either new plays or classic plays, and you did a different one almost every night.
When I was doing fringe theatre, my ambition was to do repertory. When I got to rep it was to do national theatre; then it was t,o get a couple of parts in television. I never had this great desire to overreach myself. I was too busy enjoying acting. I was just obsessed with it.
When I was starting, I was working with actors who came up through the rep system, and they understood the discipline required: you were never late for rehearsal, you were never not ready to go on, you were always prepared; it was about showing respect to the rest of the company.
I grew up as a British kid - I went to school in London, roamed the streets of London - but having these interactions with my roots and going back to Ghana, I'm like, 'Yeah this is sick.' I love my country and my people, and the energy and vibes that they bring back. So I want to rep that and be a part of it.
I was always accused of being too stiff. In 1974, when I ran my first primary race for state rep, I was chief aide to the speaker of the House, I knew the issues and understood state government. But what I found out the hard way is that you can know all the ins and outs but people want to know you, your family.
It takes a while for audiences on film to see you as something different if they've seen you for so long as a specific character. It's up to the actor to be like, 'Look man, let's try something else,' even if it's an ultra-low-budget independent. People who rep you will keep going with whatever they can send you on.
A writer can spend a decade working obsessively on a novel, but in the commerce of publishing, many of the most important decisions about any book will be made based on very short pitches - from literary agent to editor to sales rep to bookstore buyer to a potential reader standing in the bookstore, asking, 'What's it about?'
Every little thing you do is going to add up and be the difference and contribute to your success. If you believe in that, it's going to make you want to get 1 percent better every day. Do that extra one rep in the weight room. Do that extra mental rep at practice. Stay a little longer because it's going to add up and be the difference.
I was invited to L.A. when I was 16 for a weekend-long songwriting session by a writer I had met through my voice teacher in Pittsburgh. My first hit, 'Hide Away,' was one of the songs written during those sessions. It was played for a radio rep who then started a new label; the song got a pretty organic start at radio and then took off.
